Browse Items (15427 total)

Johnston, Michael.   Speculum 95.3 (2020): 742-801.
Discusses medieval scribal transmission and commercial book production in relation to the surviving copy of "The Tale of Beryn" and the "Beryn-Scribe." Examines the reception and transmission of the "Prick of Conscience" in late medieval England.…

Farrell, Thomas J.   Journal of English and Germanic Philology 120.1 (2021): 93–129.
Contends that data from the Canterbury Tales Project have not been widely used in Chaucer studies, partly on account of misunderstanding the project's purpose and function. That function is to produce evidence through analysis of witness groups, not…

Lynch, Kathryn L.   Chaucer Review 56, no. 2 (2021): 95–118.
Examines background of Katherine Lee Bates, author of "America the Beautiful," who was a medievalist before turning to poetry and American literary studies. Brings together her career as an Americanist and poet with her background as a medievalist,…

Kelly, Kathleen Coyne.   Exemplaria 33.4 (2021): 344–68.
Considers the "temporal hybridity" of the Kelmscott Chaucer and the challenge it poses to classification. Neither strictly functional book nor decorative object, the Kelmscott mirrors the Middle Ages' abjectness and highlights medievalism's purchase…

Ikegami, Tadahiro, trans. supervisor.   Tokyo: Yushokan, 2021.
A comprehensive Japanese translation of CT, collaborated upon by twenty-four scholars. Each tale has an introduction, translation, and supporting notes. In Japanese.

Henk, Antony.   SEDERI: Spanish and Portuguese Society for English Renaissance Studies 31 (2021): 31–54.
Compares editorial decisions from a linguistic perspective in Thomas Speght's 1602 edition of Chaucer’s works with Andro Hart's Middle Scots 1616 edition of John Barbour's "Brus" to assess the perception of the intelligibility of Middle Scots and its…

Seal, Samantha Katz.   Chaucer Review 56. 4 (2021): 322–40
Argues that Chaucerian biographers and critics have both been horrified by the rape of Cecily Chaumpaigne and depicted it to reenforce Chaucer’s masculinity. Traces how these critics and authors have fashioned Chaumpaigne into a courtly lady, whose…

Kennedy, Teresa A.   Helen Fulton, ed. Chaucer and Italian Culture (Cardiff: Unversity of Wales Press, 2021), pp. 217-40.
Argues that the dream vision aspects of HF and NPT can be read "through their shared preoccupations with writing, reading and problematic quest for 'authority' by vernacular texts." Addresses the importance of textual authority, allegory, and parody,…

Flood, Victoria.   Helen Fulton, ed. Chaucer and Italian Culture (Cardiff: University of Wales Press, 2021), pp. 169-92.
Examines the significance of the eagle as a "common symbol of empire in medieval political prophecy." Discusses how the "Dantean figure of the Eagle" in the "Inferno" is transformed by Chaucer into a "humorous--and human--personality" in HF.

Schwebel, Leah.   Helen Fulton, ed. Chaucer and Italian Culture (Cardiff: University of Wales Press, 2021), pp. 193-216
Associates the genre of the "poetic triumph," found in examples from Ovid and Virgil, with an analysis of "Chaucer's 'Trophee'" in MkT.

Fulton, Helen.   Helen Fulton, ed. Chaucer and Italian Culture (Cardiff: University of Wales Press, 2021), pp. 91-120.
Presents examples from the "classical genres of chorography and topography" in analysis of ClT. Argues that Chaucer's “untypical use of chorography . . . draws attention to Italy's international trade routes" and reinforces the economic transactional…

Johnston, Andrew James.   Helen Fulton, ed. Chaucer and Italian Culture (Cardiff: University of Wales Press, 2021), pp. 145-68
Explores relationship between "astrology and governance," and Chaucer's ekphrastic descriptions of classical and Italian architectural and visual arts in KnT.

Sturges, Robert S.   Helen Fulton, ed. Chaucer and Italian Culture (Cardiff: University of Wales Press, 2021), pp. 120-44.
Focuses on TC's connections with Dante's "Convivio" and "Vita nuova." Although there is no “evidence for direct borrowing from the 'Vita nova,'” Sturges claims that Chaucer's and Dante's "sensory aspects of love" are similar in the three works,…

Robinson, James.   Helen Fulton, ed. Chaucer and Italian Culture (Cardiff: University of Wales Press, 2021), pp. 45-90.
Demonstrates "intertexuality" linking Chaucer with Dante's "Inferno," 10, and Boccaccio's "Decameron," 6.9. Argues for Chaucer’s rich understanding of his Italian source material, which he uses "purposefully and playfully."

Rossiter, William T.   Helen Fulton, ed. Chaucer and Italian Culture (Cardiff: University of Wales Press, 2021), pp. 17-44
Emphasizes Chaucer's diplomatic experience in Italy to "show how Chaucer drew on the work of Petrarch and Boccaccio to experiment with fictionalised
forms of the ambassadorial process."

Barrington, Candace, Lisa Lampert-Weissig, Katie Little, and Eva von Contzen.   New Chaucer Studies: Pedagogy & Profession 2, no. 1 (2021): 1–9.
Reports on contemporary cultural conditions for teaching medieval narratives about rape, and summarizes the contents of this issue of the journal. Includes brief comments on modern responses to “Cecily Chaumpaigne’s charges against Geoffrey Chaucer…

Pitard, Derrick, Lindsey Simon-Jones, and Krista Sue-Lo Twu.   Year's Work in English Studies 100 (2021): 289–305.
Presents a discursive bibliography of Chaucer studies for 2019, divided into five subcategories: general, CT, TC, other works, and reception.

Finn, Andrew.   Year's Work in English Studies 100 (2021): 200–210.
Discursive bibliography of theoretical approaches to Middde English literature published in 2019, including studies of the works of Chaucer.

Amsel, Stephanie.   Studies in the Age of Chaucer 43 (2021): 385–453.
Continuation of SAC annual annotated bibliography (since 1975); based on contributions from an international bibliographic team, independent research, and MLA Bibliography listings. 273 items, plus a listing of reviews for 41 books. Includes an…

Fruoco, Jonathan.   Questes: Revue pluridisciplinaire d’études médiévales 42 (2021): 21-33.
Explores Chaucer’s uses of "fama," perhaps reflecting his ambiguous relationship with the concept. At times, he seems to switch from desire of acknowledgment to a more bitter view.

Smith, Zadie.   London: Penguin, 2021.
Verse-drama adaptation/translation of WBPT and Ret in decasyllabic rhyming couplets and north London dialect, with Jamaican patois, and multiple actors. WBP is set in a contemporary London pub; WBT, in eighteenth-century Maroon Town, Jamaica, under…

Robinson, Peter.   Liverpool: Liverpool University Press, 2020.
Explores the "metaphors, paradoxes, contradictions, and mysteries which link" poetry and money, including description of Purse among examples of fourteenth-to-twentieth-century poetry "in which money is the theme and its absence the concern."

Ruszkiewicz, Dominika.   Barbara Marczuk and Iwona Piechnik, eds. Discours religieux: Langages, textes, traductions (Kraków: Biblioteka Jagiellonska, 2020), pp. 305-17.
Argues that Chaucer's alterations to Boccaccio's "Filostrato" in TC, I.22–49, were influenced by liturgical "bidding prayers," and that the God-centered Boethianism of the passage works with the ending of Chaucer's poem to "frame" its recurrent…

Renevey, Denis.   Studies in the Age of Chaucer 42 (2020): 351-64.
Discloses how compilations of devotional literature such as "Disce mori" can help us to recognize a "female textual subjectivity," exploring the work's makeup as compilation, and commenting on how "references [in it] to passages and characters from…

Hao, Tianhu.   Interdisciplinary Studies of Literature 4.4 (2020): 20-33.
Analyzes how Chaucer’'s uses of sailing and door/gates imagery in TC resonate with similar imagery in Ovid's "Amores" and "Ars amatoria," reflecting a differing view of history and producing a different tone. In English, with an abstract in English…
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