Greene, Darragh.
Religion & Literature 54 (2022): 141-62.
Focuses on CT and PardT, specifically. Discusses the Pardoner's fabrication of relics and the "preposterous" transformation of "accident into substance," a reversal of the trope used in PardT, the narrative voice in both GP and PardT, and deception…
Considers the Pardoner in PardT as an "exemplary figure" of what Walter Benjamin argues is a defining trait of modernity: the eclipse of religion's sacralizing capacities by capitalism, which, like the Pardoner’s sales pitch, intensifies guilt…
Friedman, Sarah.
Essays in Medieval Studies 37 (2022): 65-79.
Focuses on two texts that feature violence against women to examine how the violated woman functions as a tool for political change. Both Chaucer and Gower foreground the suffering that men experience in response to the violated female body, leading…
Kowalik, Barbara Janina.
Chaucer Review 57 (2022): 162-89.
Considers FranT as a Breton lay that recalls, not ancient history, but Chaucer's recent memories of his own stays in France, tying the tale to the marital situation of Joan of Kent.
Highlights the utility of proverbs and offers them as a solution to the problem of knowledge in SqT. Emphasizes that proverbs provide new insights for late medieval textual cultures as a microgenre that transcends social and economic boundaries in…
Jagot, Shazia.
Studies in the Age of Chaucer 44 (2022): 27-61
Challenges the limitations of traditional source-and-analogue study, exploring resonances between SqT and the "Kitab al-Manazir" of Ibn al-Haytham /Alhacen to which it alludes (see SqT, 232–45), including discussion of mediating sources in Latin…
Fumo, Jamie C,.
Larissa Tracey ed. Medieval English and Dutch Literatures: The European Context. Essays in Honour of David F. Johnson (Woodbridge: Boydell & Brewer, 2022), pp. 207-32
Compares and contrasts SqT and the analogous Middle Dutch "Roman van Walewein," focusing on their eastern settings, treatments of marvel, and other romance conventions. Considers Chaucer's possible knowledge of Middle Dutch and "Van Walewein,"…
Zygogianni, Maria.
Medieval Feminist Forum 58 (2022): 106-27.
Examines May of MerT as a version of the motif of the healing woman, familiar "across medieval literary genres from romance to hagiography." The fabliau setting of the tale, however, inverts a range of "courtly and religious hierarchies" as May…
Examines the frequent mention of Griselda's face in ClT, as compared to his sources, and simultaneously argues that Chaucer's version highlights Griselda's interiority and how she maintains her patience.
Turner, Marion.
Princeton: Princeton University Press, 2022.
Combines personal appreciation and critical analysis of the Wife of Bath as a character; Chaucer’s art in creating her and WBPT; and the voluminous historical reception and impact of the Wife from early scribal glosses to international modern…
McLemore, Emily.
Ph.D. Dissertation. University of Notre Dame, 2022.
Dissertation Abstracts International A83.11(E).
Studies "representations of women's desire and . . . its intersections with eroticism, pleasure, and power" in WBPT, Robert Henrysons' "Testament of Cresseid," "The Book of Margery Kempe," and "Sir Gawain and the Green Knight."
Pecan, David.
Journal of Narrative and Language Studies 10 (2022): 281-92.
Assesses the social and economic dynamics of CkT and the GP descriptions of the Cook and the guildsmen, arguing that the tale "indicts both the laterally mobile prodigal apprentice and the decadent hypocrisy" of his master "through the linked…
Taylor, Joseph.
Cambridge: Cambridge University Press, 2022.
Examines "the North as a regional concept in the literature of medieval England," considering a range of texts from Bede's "Historia ecclesiastica gentis Anglorum" to the Towneley plays. Chapter 4, "Chaucer's Northern Consciousness in the 'Reeve's…
Shutters, Lynn.
Studies in the Age of Chaucer 44 (2022): 359-60.
Responds to two essays concerned with sexual consent in medieval literature, including Leah Schwebel, “Chaucer and the Fantasy of Retroactive Consent." SAC 44 (2022): 337–45. Suggests that we might read RvT "as an incel revenge fantasy."
Schwebel, Leah.
Studies in the Age of Chaucer 44 (2022): 337-45.
Explores aspects of sexual consent and non-consent in RvT--particularly Malyne's romanticizing of Aleyn's assault--linking them with Augustine's comments on Lucretia in "De civitate Dei," modern notions of "retroactive consent," and the Chaucer life…
Focuses on RvT and argues that newly discovered documents allow scholars to move beyond Chaucer's individual blame and address structural issues and concerns with language describing and depicting sexual assault in late medieval texts.
Cibula, Peter R., III.
Ph.D. Dissertation. University of California, Irvine, 2022.
Available at https://escholarship.org/uc/item/3x49m6h9 (accessed November 15, 2023).
Argues that 'Augustine's theology allows us to see providence in romance as a doubled perspective that recognizes the existential smallness of individuals and their collective participatory power in a plural world," addressing KnT, ClT, and…
Yıldız, Nazan.
Journal of Narrative and Language Studies 10 (2022): 83-97.
Uses Homi Bhabha's concepts of borderline community and mimicry ("The Location of Culture" [1994]) to investigate the descriptions of the guildsmen in GP, 361-78, as they relate to shifts and tensions in Chaucer’s contemporary society, focusing on…
Simola, Robert, trans. and illus.
Templeton, Calif.: William and Geoffrey Press, 2022.
Facing-page translation of GP into modern English iambic decasyllables; features illustrations of the pilgrims--reproductions of Caxton’s woodcuts paired with original woodcut portraits--and an extensive glossary.
Sharma, Manish.
Toronto: University of Toronto Press, 2022.
Presents a "new way to conjoin Chaucer's sophisticated engagement with philosophical thought and his obvious focus on amatory concerns" in CT, arguing that the narrative "authoritatively abandons authority"--a paradox that recalls logical…
“[A]pproaches the Canterbury Tales through the lens of humor theory, responding to a much-noted gap in existing scholarship by focusing primarily on the structures and mechanisms of humor in the text.”
Tabulates liturgical references within CT and argues that the poem depicts the secularization of liturgy and its appropriation for social control, while also presenting a carnivalesque celebration of the reversal of social hierarchy.