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The Merchant's Tale.
Pittock, Malcolm.
Essays in Criticism 17 (1967): 26-40.
Reads MerT as a "striking example" of the "tension between the tale and its teller" insofar as the Merchant fails to understand the "true significance" of the Tale. His "moral perception has been disturbed by anger and by a ludicrous…
Number Symbolism in the Prologue to Chaucer's "Parson's Tale."
Peck, Russell A.
English Studies 48 (1967): 205-15.
Analyzes the symbolic import of the numbers used in lines 1-12 of ParsP (29, 4, 11, and 6), considering them in light of medieval number theory, time-telling, and the astrological sign of Libra. Together, the numbers "suggest the approaching…
A Mode of Word-Meaning in Chaucer's Language of Love.
Masui, Michio.
Studies in English Literature, English Number (1967): 113-26.
Explores the semantic operation of words drawn from the language of courtly love, following J. R. Frith's theory of linguistic context and collocation, and discussing examples from TC.
Chauntecleer's Paradise Lost and Regained.
Levy, Bernard S., and George R. Adams.
Mediaeval Studies 29 (1967): 178-92.
Identifies patterns, details, images, and wording in NPT that direct the "reader's attention not only to basic biblical narrative of Adam and Eve, but also to the theological commentary on the Fall." The overall moral of the Tale is the universality…
Chaucer.
Grose, M. W.
London: Evans Brothers, 1967.
Introduces to a non-scholarly audience Chaucer's life and works, cast against a background of social, scientific, and intellectual history, with frequent comparisons and contrasts with the modern world. Includes sections on Chaucer's Life, his…
The Non-Comic "Merchant's Tale," Maximianus, and the Sources.
Hartung, Albert E.
Mediaeval Studies 29 (1967): 1-25.
Evaluates MerT in light of its sources and analogues, including the "Miroir de Mariage," Boccaccio's "Ameto," and the "Elegies of Maximianus," the latter identified here as an analogue for the first time, with its presentation of "amorous senility…
Clerks and Quiting in the "Reeve's Tale."
Delany, Sheila
Mediaeval Studies 29 (1967): 351-56.
Explores the "ambivalent status" of clerks in the Middle Ages and the significance of clerkly success in "quiting" (defeating, taking vengeance on) carpenters and millers in MilT and RvT. In the latter, Chaucer avoids "quiting" the Reeve and thereby…
Game, Play, and High Seriousness in Chaucer's Poetry.
Lanham, Richard A.
English Studies 48 (1967): 1-24.
Challenges Matthew Arnold's assertion that Chaucer's poetry lacks "high seriousness," considering the issue in light of game theory and Chaucer's attitude toward characterization. Because Chaucer's viewed character as performative role-playing…
Appearance, Reality, and the Ideal in Chaucer's "Franklin's Tale."
Howard, Ronnalie Roper.
Ball State University Forum 8.3 (1967): 40-44.
Argues that each of the major characters in FranT falls "short of an ideal standard," and that, although the Franklin "recognizes excellence," his Tale expresses an "amused recognition of human inability to live up to ideal standards."
Two Notes on Chaucer's Arcite.
Hoffman, Richard L.
English Language Notes 4.3 (1967): 172-75.
Explicates the allusion to Joshua 9.21 in KnT 1.1422, and hypothesizes that KnT 1.2415-17 may allude to Samson.
Two Notes on the Summoner's Tale: Hosts and Swans.
Hartung, Albert E.
English Language Notes 4.3 (1967): 175-80.
Reads "hostes man" in SumT 3.1755 as referring to the "servant of the innkeeper at whose inn the two friars are staying," and adduces paleographical evidence for retaining unemended "swan" as a suggestive detail in SumT 3.1930.
Chaucer in Spain, 1366: Soldier of Fortune or Agent of the Crown?
Garbaty, Thomas Jay
English Language Notes 5.2 (1967): 81-87.
Argues that Chaucer's role in Spain in 1366 was as a "confidential messenger" of the Black Prince, adducing historical and biographical evidence as well as the attitude expressed about Pedro of Spain in MkT 7.2375ff.
Style and Stereotype in Early English Letters.
Davis, Norman.
Leeds Studies in English 1 (1967): 7-17.
Demonstrates the "conventional and unspontaneous elements in the language" of early English letter-writing, citing examples from the Paston letters, Cely letters, Stonor letters, etc., and discussing how phrasing reflects earlier literary usage,…
Chaucer's Use of the "Thebaid."
Clogan, Paul M.
English Miscellany 18 (1967): 9-31.
Explores the "artistic impact" of Statius's "Thebaid" on Chaucer, particularly the influence of Statius's style and his "portrayal of the ideals of Theban antiquity," tracing Chaucer's allusions to and uses of the epic in Pity, BD, Mars, HF, Anel,…
Caxton and Chaucer
Blake, N. F.
Leeds Studies in English 1 (1967): 19-36.
Gauges William Caxton's appreciation of Chaucer's literature by exploring why Caxton printed the works of Chaucer that he did, how he treated the texts, and to what extent his decisions reflect his own tastes or those of patrons, poets, and the likes…
The Sources of Chaucer's "Seys and Alcyone."
Wimsatt, James I.
Medium Aevum 36.3 (1967): 231-41.
Focusing on the exemplum of Ceyx and Alcyone in BD, illustrates Chaucer's "early use of multiple sources in close alternating sequence," discussing source relations with Machaut, Froissart, Virgil, Ovid, Statius, the "Ovide Moralise," and the "Roman…
The Apotheosis of Blanche in "The Book of the Duchess."
Wimsatt, James I.
Journal of English and Germanic Philology 66 (1967): 26-44.
Argues that in BD Chaucer "heavily inlays the Black Knight's long description of his lady with imagery of the Blessed Virgin" and "that the effect produced by such imagery is an apotheosis not inconsonant with the traditional apotheosis of the…
An Old French Analogue to General Prologue 1-18.
Rea, John A.
Philological Quarterly 46 (1967): 128-30.
Offers the "tempting hypothesis" that Adenet le Roi's "Berte aud Grans Pies" is a source of the "coincidence of . . . three motifs" in GP ("pilgrimage, spring, framing device"); also observes several "interesting verbal similarities" between the two.
The Problem of Free Will in Chaucer's Narratives.
Owen, Charles A., Jr.
Philological Quarterly 46 (1967): 433-56.
Explores free will in Mars, KnT, TC, and CT, focusing on the relative balance of astrological determinism and character complexity. The "compulsions of astrology" in Mars are lessened in KnT, replaced by the "searching" for examples of providence in…
Pygmalion in the "Physician's Tale."
Hoffman, Richard L.
American Notes and Queries 5.6 (1967): 83-84.
Interprets the allusion to Pygmalion in PhyT (6.7-18) as an indication of Apius's "concupiscence," drawing on depictions of Pygmalion in Ovid's "Metamorphoses" and Jean de Meun's "Roman de la Rose."
The Role of Calkas in "Troilus and Criseyde."
Greenfield, Stanley B.
Medium Aevum 36.2 (1967): 141-51.
Compares and contrasts the characterizations of Calkas in the Troy stories of Guido, Benoit, Boccaccio, and Chaucer, arguing that in TC he is depicted so as to ridicule "astrology-prophetism" even while contributing to the poem's "atmosphere of…
The "Pamphilus" Tradition in Ruiz and Chaucer.
Garbaty, Thomas Jay.
Philological Quarterly 46 (1967): 457-70.
Explores parallels of plot and detail found in "Pamphilus de Amore" (or "Pamphilus and Galatee"), "aspects" of the "Roman de la Rose," "parts" of Juan Ruiz's "Libro de Buen Amor," and the first three books of TC, demonstrating that the "'Pamphilus'…
Chaucer's "Complaint," a Genre Descended from the "Heroides."
Dean, Nancy.
Comparative Literature 19 (1967): 1-27.
Surveys the status of the complaint as a formal genre in classical and in medieval French, Provencal, Italian, and English traditions as background to discussing Chaucer's uses of the genre in BD, TC, Mars, and elsewhere. Focuses on Chaucer's…
The Art of Chaucer's Franklin.
Burlin, Robert B.
Neophilologus 51 (1967): 55-73.
Describes the Franklin's grasping "imitation of noble ways" in FranPT and in his GP description. The genre and rhetoric of the Tale are outdated, absurd, and/or obtrusive, while its depictions of ideals of marriage, gentility, and patience are either…
The Narrative Art of the "Pardoner's Tale."
Bishop, Ian.
Medium Aevum 36.1 (1967): 15-24.
Attributes the aesthetic success of the three-rioters account in PardT to Chaucer's suggestive "economy" of characterization and narrative and to the double perspective ("drunken fantasy" and "sober calculation") that irrevocably leads to death,…
