Browse Items (16012 total)

Comparative analysis shows that several changes and emphases Chaucer introduces into Boccaccio's "Filostrato" produce richer characterization in TC. All three major characters "think as well as feel" in Chaucer's poem: Troilus with his fatalism;…

Suggests that the "main source" of TC "may have been" Beauvau's "Le Roman de Troyle et de Criseida," a French prose translation of Boccaccio's "Filostrato." Compares 300+ brief quotations (in all three languages), commenting on verbal and structural…

Argues that Thomas Aquinas was a "direct and major source for Chaucer's philosophy," demonstrates the availability of Thomas's work to Chaucer via Merton College, and explores the similiarities between their views of virtue and of the…

Comments on Chaucer's uses of words that have come to be regarded as obscene or distasteful.

Identifies details in TC and KnT that reflect the influence of the version of the Thebes legend found in the "Ovide Moralisé."

Analyzes the function of the proper names as playful, complex allusions, and associates with January--holder of the silver "clyket" to the garden--both Janus, god of passageways, and Saint Peter, who holds the keys to paradise.

The discovery of Dryden's indebtedness to Chaucer (TC, V, 817: "That Paradis stood formed in hire yen") for a line in "Absalom" ("And 'Paradise' was open'd in his face") is attributed in the California edition of Dryden's works to an article…

Raybin and Fein introduce the six essays included in a "special issue" of Chaucer Review, all pertaining to Chaucer and aesthetics.

Suggests that Aristotle is the "most likely" referent for "the philosopher" in ParsT 10.484.

Examines Chaucer's use of arithmetic--connected with money, towns, upward social mobility, government, the vernacular, astronomy-astrology, universities, commerce--in BD, HF, PF, TC, Astr, CT, GP, KnT, MilT, RvT, MLT, ShT, SumT, CYT, and Ret.

Explores Chaucer's familiarity with conventional costume description and fabric reference in medieval genres, especially romances and fabliaux, and argues that Chaucer often reverses traditional patterns of audience expectation in which romances are…

Chaucer's passages about Arthurian knights, though brief, reveal the poet's understanding of the traditions of Arthurian romance.

Chaucer's many references to astrology have often been discussed, but only recently (as in Wood's "Chaucer and the Country of the Stars") have there been any book-length studies of the subject and of its function in his poetry.

Examines how a twentieth-century atheist can read and respond to Chaucer, suggesting that a form of "dialogism" can mediate between the present and the past and can enable us to recognize that Chaucer is essentially more humanistic than, for example,…

Assesses editions and translations of Chaucer's works between 1660 and 1750 (including Speght 3, Dryden, Urry, and Morrell) for the ways they reflect the principles and practices of Augustan scholarship, lexicography, aesthetic outlooks, social…

One of the most consistent strands of controversy has been Chaucer's reputation for the "bawdy" in CT. What has been objected to as "bawdy," "ribaldry," "wantonness," "scurrility," "incivility," and so on "has "shifted and changed over the…

An extended examination of Boccaccio's "Teseida," Chaucer's KnT, and their relations. After describing "Teseida" and its debts to Dante and the classics, Boitani surveys Chaucer's uses of the work in Anel, PF, TC, and, more extensively, KnT.…

Boccaccio provided Chaucer with a means for understanding and configuring antiquity and modernity. Chapter 1 focuses on kinds of love, tensions in Theseus's rule, and the subjugation of women in KnT. Chapter 2 explores how chroniclers, Boccaccio, and…

Boccaccio's "Amorosa Visione" and the Chaucer's BD and HF were deeply indebted to de Lorris, Machaut, and Dante, but Boccaccio was never comfortable with "court poems," while Chaucer used "cortesia" with subtlety and ease.

Discusses the sources of LGW in Boccaccio's "De cassibus virorum illustrim," "De mulieribus claris," and "Genealogia deorum gentillium."

Describes a "flicker of humour" in Chaucer's allusion to Boethius in NPT (7.3294-95), indicating that the poet disagrees with his authority on the point of musical sensitivity.

Item not seen; cited in MLA International Bibliography.

The innovative material in the first three books of Capgrave's "Life" is indebted to the fifteenth century's interest in Chaucer's "elevated" and pious passages, especially those in TC. Stylistically, however, Capgrave's attempt to emulate his…

Chaucer's optimism, humor, and satire as well can be properly appreciated only in the light of his Catholic view of life. Some typical mistakes in translation are also made from lack of enough knowledge of Catholicism: the doctrines, liturgies,…

Explores the range and depth of Chaucer's familiarity with the "Liber Catonis," its commentaries and glosses, and the likelihood that he memorized portions as a schoolboy. Identifies verbal echoes of "Catoniana" in Chaucer's works; then focuses on…