Shippey, Tom.
Jean E. Godsall-Myers, ed. Speaking in the Medieval World (Boston: Brill, 2003), 125-44.
Just as in RvT Chaucer plays on his audience's awareness of dialect geography, in SumT he exploits strong contemporary awareness of linguistic class markers. If Chaucer was in some sense a philologist, he was also an efficient and deliberate…
Von Kreisler, Nicolai.
Chaucer Review 3.1 (1968): 60-64.
Adduces several passages from "thirteenth century 'De Arte Venandi cum Avibus' of Frederick of Hohenstaufen" to argue that in the setting and details of his bird parliament in PF Chaucer "may have been concerned as much with authentic bird lore as…
Davenport, W. A.
Julia Boffey and Janet Cowen, eds. Chaucer and Fifteenth-Century Poetry. King's College London Medieval Studies, no. 5 (London: King's College Centre for Late Antique and Medieval Studies, 1991), pp. 66-83.
Davenport's survey articulates formal, thematic, and verbal influences of PF and HF on a wide variety of late-medieval English bird poems, also mentioning those in which Chaucer's influence is not apparent.
Halbrooks, John.
Essays in Medieval Studies 33 (2018): 1-9.
Argues that the birdsong of GP, line 9, and the silencing of the crow in ManT indicate "the permeable animal/human boundary" in CT, evidence of a mutual "soundscape" or a shared "acoustic community." Includes comments on avian and human communication…
Comparative analysis of the "correspondences" and the "disparities of ideas" in these works while revealing their "individual intentions." Originally presented as Baeten's Ph.D. dissertation, Ludwig-Maximilians-Universität, 2019.
Bahr, Arthur.
In Thomas A. Prendergast and Jessica Rosenfeld, eds. Chaucer and the Subversion of Form (Cambridge: Cambridge University Press, 2018), pp. 165-81.
Traces allusions to BD and PF in Gower's "Cinkante balades" as preserved in the Trentham manuscript. The "intertextual play" and "interpretive challenges" activated by these allusions contribute to Lancastrian legitimization at the same time that…
Krier, Theresa M.
Ithaca: Cornell University Press, 2001.
Treats Chaucer's topoi of bird song, maternal goddess Nature, voice, mother tongue, and biblical gardens in PF. Argues that the movement from aggressive plot to lyric in the poem and its male protagonist's oblique approach to the maternal draw the…
Hughes, Ted.
New York: Farrar Straus Giroux, 1998.
A series of husband-to-wife [Hughes to Sylvia Plath] love poems in free verse, including two poems that refer to Chaucer: "St Botolph's" (pp. 14-15) which connects Chaucer with Dante and astrology, and "Chaucer" (pp. 51-52) which commemorates a…
Examines the role of the Bishop Guðmundr in mediating the relationship between the papacy and the Icelandic Church in the thirteenth century. Demonstrates how Guðmundr's actions, and strategy for challenging traditional notions of papal authority,…
There is little or no archival or topographical evidence to suggest that the Prioress's convent of St. Leonard's Priory in Stratford-at-Bow profited from houses of prostitution in Southwark. Bordellos existed along the Thames (and were duly taxed and…
Shonk, Timothy A.
Essays in Medieval Studies 15: 81-91, 1999.
Produced in Leicester, Harley 7333 supplies information about how Chaucer was known in the "provinces" outside of London. Shonk disagrees with several of Manly and Rickert's (1940) ideas about the manuscript and challenges their suggestion that it is…
Neel, Travis, and Andrew Richmond.
Myra Seaman, Eileen A. Joy, and Nicola Masciandaro, eds. Dark Chaucer: An Assortment (Brooklyn, N. Y.: Punctum Books, 2012), pp. 103-16.
Reviews Chaucer's three uses of a crow (in ManT, PF, and as a "metaphor for the very blackness of blood" at the end of KnT) as a "marker for silence, sterility, and death."
Harrison, Leigh.
Myra Seaman, Eileen A. Joy, and Nicola Masciandaro, eds. Dark Chaucer: An Assortment (Brooklyn, N. Y.: Punctum Books, 2012), pp. 59-69.
Argues that Form Age transcends its sources to offer "its own glimmer of hope" for new textual communities.
Examines William Blake's painting of the Canterbury pilgrims for its artistic value and its place in the history of taste. Blake's "Descriptive Catalog," which accompanied the first exhibition of the painting, and his "Prospectus" for a subsequent…
Mertz describes documents and commentary that relate to the illustrations of the Canterbury pilgrims by William Blake and Thomas Stothard, the latter published by Robert Hartley Cromek. The materials belonged to antiquarian Francis Douce (1757-1834)…
D'Agata d'Ottavi, Stefania.
Piero Boitani and Anna Torti, eds. Mediaevalitas: Reading the Middle Ages (Cambridge: D. S. Brewer, 1996), pp. 115-28.
William Blake's painting "The Canterbury Pilgrims" and his commentary on it in a "Descriptive Catalog" (1809) are a "complex allegory of life, where the classicist belief in the imitation of nature is thoroughly discarded." Blake returns to a…
The successive deaths between 1810 and 1816 of several men associated with Thomas Strothard's "Canterbury Pilgrims" painting would seem to have executed a certain poetic justice, for Blake had dubbed himself "Death" in one Notebook poem and, in…
Examines the imagery and irony of FrT, RvT, ShT, MerT, SumT, and MilT, focusing on how in each tale Chaucer achieves "organic" unity through transformation of the "conventional formulae" of medieval rhetorical handbooks. Summarizes the practices…
Ellmann, Maud.
Jeremy Hawthorn, ed. Criticism and Critical Theory. Stratford-upon-Avon Studies, 2d ser. (London: Arnold, 1984), pp. 98-110.
BD discursively performs the act of burial. Blanche's death is comparable to Freud's "primal scene"; her "whiteness" traces primordial obliteration; as in Lacan, narrative arises in loss.
Byrd, David G.
Ball State University Forum 19.3 (1978): 56-64.
Standard modern studies of courtly love do not refer to a term used in French poetry, "blanche fever." A study of this sickness endured by the lovers in TC, "Confessio Amantis," "The Cuckoo and the Nightingale," and Caxton's "History of Jason"…
