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The Poems of "Ch": Taxonomizing Literary Tradition.
Strakhov, Elizaveta.
Emily Steiner and Lynn Ransom, eds. Taxonomies of Knowledge: Information and Order in Medieval Manuscripts (Philadelphia: The Schoenberg
Institute for Manuscript Studies, University of Pennsylvania Libraries, 2015), pp. 7-36.
Institute for Manuscript Studies, University of Pennsylvania Libraries, 2015), pp. 7-36.
Considers the appearance of the "mysterious inscription 'Ch'" beside several poems in MS Codex 902 in the University of Pennsylvania Libraries collection. Scholars have assumed that the "Ch" stands for Chaucer, but Strakhov argues that the poems are…
The Poem: An Anthology.
Greenfield, Stanley B., ed.
Weatherhead, A. Kingsley, ed. New York: Appleton-Century-Crofts, 1968.
Weatherhead, A. Kingsley, ed. New York: Appleton-Century-Crofts, 1968.
An anthology of English poetry, arranged chronologically, with a brief introduction on "The Experience of a Poem" and a glossary of poetic terminology. The selections from Old and Middle English poetry are generally given in modern verse translation,…
The Plowman's Tale: The c. 1532 and 1606 Editions of a Spurious Canterbury Tale
McCarl, Mary Rhinelander, ed.
New York and London: Garland, 1997.
Prints two versions of "The Plowman's Tale" (ca. 1400)--the 1533 edition originally intended for publication in Francis Thynne's 1532 edition of Chaucer's "Works" but suppressed and the 1606 edition by additional explanatory notes, a glossary and…
The Ploughman's Tale.
Cannon, Christopher.
Yearbook of Langland Studies 32 (2018): 315-31.
Argues that Mel and Langland's "Piers Plowman" share common features that derive from medieval school texts: axioms and proverbs, recurrent attention to the "Distiches of Cato," and citational and translational practices grounded in school exercises.…
The Ploughman
Bailey, Mark.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 352-67.
Reviews the history of rural society in late fourteenth-century England, as well as stereotypes of medieval ploughmen. Reinforces how the plagues affected labor issues and "social relations within the third estate." Argues that Chaucer's Ploughman…
The Plot of Bigamous Return
McAleavey, Maia.
Representations 123 (2013): 87-116.
Refers to Elizabeth Gaskell's footnotes to "Mary Barton" that explain unfamiliar phrasing in terms of Chaucer and Langland, identifying them as evidence for the synchronic nature of the bigamous return plot in sensation novels.
The Pleasures of Poetry
Hall, Donald, ed.
New York: Harper & Row, 1971.
An anthology of poetry for beginners, with an introduction to understanding and explicating poetry, selections from "Ten Great Poets," and an additional "One Hundred Poems" which includes the GP description of the Wife of Bath
The Pleasure of Influence: Dunbar's 'Golden Tare' and Dream Poetry
DeVries, David N.
Studies in Scottish Literature 27 (1992): 113-27.
The major interpretations of Dunbar's poem fall into two groups: those arguing the poem is representational and those arguing it is reflexive. Comparing "Golden Targe" to Chaucer's dream poetry and to other dream poetry by Dunbar reveals that both…
The Pleasure of English Language and Literature: A Festschrift for Akiyuki Jimura.
Ohno, Hideshi, Kazuho Mizuno, and Osamu Imabayashi, eds.
Hiroshima: Keisuisha, 2018.
Contains essays on Chaucer's use of language, speech, and tone. For essays that pertain to Chaucer, search for The Pleasure of English Language and Literature under Alternative Title.
The Play of the 'Miller's Tale': A Game within a Game
Rowland, Beryl B.
Chaucer Review 5.2 (1970): 140-46.
Reads Chaucer's reference to "game" in MilT 1.3186 as a reference to mystery drama and discusses allusions to cycle plays in the details and correspondences of the Tale, including aspects of the Fall, the Flood, the Annunciation, the Slaughter of the…
The Play of Puns in Late Middle English Poetry: Concerning Juxtology
Shoaf, R[ichard] A[llen].
Jonathan Culler, ed. On Puns: The Foundation of Letters (Oxford: Basil Blackwell, 1988), pp. 44-61.
Unpacks the meanings and implications of sample puns from Chaucer, Langland's "Piers Plowman," and "Sir Gawain and the Green Knight," suggesting that they evince a medieval respect for the transcendent potency of language. Chaucerian examples include…
The Play of Genres in the 'Book of the Duchess'
Ross, Diane M.
Chaucer Review 19 (1984): 1-13.
BD offers a sampler of medieval literary genres including lyric and several varieties of narrative. Consolation comes from the recognition of Blaunche's virtue and her comparison with the Virgin Mary. The answer to the question "Where is she now?"…
The Play of Breath: Chaucer's Narratives of Feeling.
Saunders, Corrine.
Arthur Rose, Stefanie Heine, Naya Tsentourou, Corrine Saunders, and Peter Garratt, Reading Breath in Literature ([Cham]: Palgrave Macmillan, 2018), pp. 17-39.
Treats the connections between "mind, body and affect" in BD, KnT, TC, MLT, LGW, and elsewhere, describing classical and medieval theories of breathing, sighing, and swooning as physiological movements of vital spirits. Playing a key role in…
The Planning and Construction of the Ellesmere Manuscript
Parkes, M. B.
Martin Stevens and Daniel Woodward, eds. The Ellesmere Chaucer: Essays in Interpretation (San Marino, Calif.: Huntington Library; Tokyo: Yushodo, 1995), pp. 41-47.
Codicologically, Ellesmere was constructed by methods commonly used for fifteenth-century English books, including techniques by which "the scribe and the artists accommodated their work so precisely to the format predetermined by the size and number…
The Planetary Gods in Chaucer and Henryson
Mann, Jill.
Ruth Morse and Barry Windeatt, eds. Chaucer Traditions: Studies in Honour of Derek Brewer (Cambridge: Cambridge University Press, 1990), pp. 91-106.
In giving the planetary gods a role in the narrative dynamics of "The Testament of Cresseid," Henryson is following in the steps of Chaucer in KnT, Mars, and TC. Mann examines "both the resemblances and the differences between the two poets in their…
The Plague and Chaucer's Pardoner
Beidler, Peter G.
Chaucer Review 16 (1982): 257-69.
Only Chaucer places the story of the rioters' search for gold in plague time. The article examines the implications of the plague setting and the plague in literature to explain Chaucer's choice of plague setting.
The Place of the Poet in Chaucer's "House of Fame."
Simmons, J. L.
Modern Language Quarterly 27 (1966): 125-35.
Argues that the "ability of the poet to secure a just and enduring fame" is an important and unifying theme in HF, focusing on the poem's concerns with poetic authority and patronage, and suggesting that its "missing conclusion" was to entail the…
The Place of the Modern in the Late Middle Ages
Patterson, Lee.
Lawrence Besserman, ed. The Challenge of Periodization: Old Paradigms and New Perspectives (New York: Garland, 1996), pp. 51-66.
A revised, shortened version of Patterson's "Perpetual Motion: Alchemy and the Technology of the Self."
The Place of the Bedchamber in Chaucer's "Book of the Duchess."
Stanbury, Sarah.
Studies in the Age of Chaucer 37 (2015): 133-61.
Contextualizes the bedchamber of BD, exploring its adaptations of French source material, the otherness of France, the social and psychological implications of beds and textiles, and the imagery of black and white. Emphatically English in its…
The Place of Fredson Bowers in Mediaeval Editing
Greetham, D. C.
Papers of the Bibliographical Society of America 82 (1988).
Review controversies regarding the editing of medieval texts, faults the new "Riverside Chaucer," which represents no "textual advance over Robinson 2," and judges that "what Bowers offers is the best of two worlds--fidelity to auctorial usage…
The Place of Christine de Pizan's 'Enseignemens moraulx' in Paris BnF fr. 1551
Fresco, Karen.
Juliette Dor and Marie-Élisabeth Henneau, eds. Christine de Pizan: Une femme de science, une femme de lettres. Études christiniennes, no. 10 (Paris: Champion, 2008), pp. 289-300.
Fresco draws attention to the imitation of Chaucer's enchâssement (encasement, enshirement) in Christine's Enseignemens moraulx BnF fr. 1551.
The Place of Chivalry in the New Trojan Court: Gawain, Troilus, and Richard II
Federico, Sylvia.
Laura L. Howes, ed. Place, Space, and Landscape in Medieval Narrative (Knoxville: University of Tennessee Press, 2007), pp. 171-79.
Federico explores how "Ricardian court culture haunts the chivalric spaces inhabited and visited by" Chaucer's TC and by Gawain in "Sir Gawain and the Green Knight." Parallels between the "moral lapses" of Richard II and those of the two protagonists…
The Pitchman in Print : Oral Performance Art in Text and Context
Ugoretz, Joseph.
Dissertation Abstracts International 61: 1392A, 2000.
Defines oral performance art as an artistic genre, with written representations of it also manifesting distinctive generic qualities. Ugoretz examines these matters on the basis of contemporary oral performance and analyzes them in relation to five…
The Pilgrimage to Canterbury and the One to Ise Shrine
Tagaya, Yuko.
Koichi Kano, ed. Through the Eyes of Chaucer: Essays in Celebration of the 20th Anniversary of Society for Chaucer Studies (Kawasaki: Asao Press, 2014), pp. 169-84.
Introduces the historical context of pilgrimage in both the West and Japan in order to interpret the opening lines of GP. Argues that "kejime" as represented in pilgrims in "Tokaidochu Hizakurige," written by Jippensha Ikku, can also be read in the…
The Pilgrimage Road in Late Medieval English Literature.
Legassie, Shayne Aaron.
Valerie Allen and Ruth Evans, eds. Roadworks: Medieval Britain, Medieval Roads (Manchester: Manchester University Press, 2016), pp. 199-219.
Examines the "artistic and ideological purposes" of the notion of a pilgrimage road in the "imaginary of the Middle Ages," focusing on late medieval England and commenting on the attention (or lack of attention) to the road in CT and the Ellesmere…