Stone, David.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 399-420.
Considers the reality, ideology, meaning, and historical context of Chaucer's Reeve, assessing how in RvT Chaucer comments on "contemporary and social trends in a reactionary way."
Stock, Lorraine Kochanske.
Studies in Iconography 7-8 (1981-1982): 134-45.
The garden encounter between Daun John and the merchant's wife is a parody on man's first sin in Eden. The three characters exhibit the sins of lechery, avarice, and vanity. The Monk parallels the tempter; the Wife, Eve; and the Merchant, Adam.
Harty, Kevin J.
Jefferson, N.C., and London : McFarland, 1999.
Alphabetical list by title of 564 movies about medieval Europe, providing details of date, director, cast, and, where possible, critical bibliography. The index lists seven films based on Chaucer's works or Chaucerian material.
Brewer, Derek.
Paul Strohm and Thomas J. Heffernan, eds. Studies in the Age of Chaucer, Proceedings, No. 1, 1984 (Knoxville, Tenn.: New Chaucer Society, 1985), pp. 3-19.
Examines themes of literacy, orality, emphasis on the written word, and reading in BD, HF, PF, LGW. Chaucer is unallegorical, even in NPT. In reconstructing Chaucer, we must beware of approaches too technical that cut us off from a "feeling"…
The artistic unity of Chaucer's TC seems to fall prey to the contradictory philosophical arguments present, the attractiveness of earthly love, and then the repudiation thereof.
Combines feminist critical awareness, reception studies, and codicology to explore the construction of Chaucer as "womanis frend" in fifteenth-century manuscript compilations, studying the intertextualities of English and French works, including…
Dane, Joseph A.
Text: Transactions of the Society for Textual Scholarship 4 (1988): 217-36.
Examining past editions of Chaucer--Urry's 1721 edition (commonly considered the "worst" edition), Tyrwhitt's 1775 five-volume edition (the first "modern" edition), and Thomas Morell's 1727 "open" edition--illuminates current editorial practices. …
Hieatt, Constance B.
The Hague: Mouton & Co., 1967.
Explores the nature and function of dream vision in late-medieval English literature, focusing on BD, HF, PF, LGWP, "Pearl" and "Piers Plowman," and commenting on other works. Considers this poetry in light of post-Freudian psychology as well as…
Rodax, Yvonne
Chapel Hill: University of North Carolina Press, 1968.
Includes (pp. 8-28) impressionistic appreciation of CT for its fusions of realism and idealism in poetic narrative, discussing it as a prelude to assessment of the Boccaccian tradition of novella writing. Treats PrT and NPT as the two best of the…
Reiman, Donald H.
Texas Studies in Literature and Language 5 (1963): 356-73.
Presents ClT as an "elaborate academic joke," concerned primarily with proper submission to "God's law," reading Griselda as "pathetic rather than virtuous," satirized by the Clerk for submitting herself and (as she thinks) her children to Walter,…
Baker, Peter S.
Vincent P. McCarren and Douglas Moffat, eds. A Guide to Editing Middle English (Ann Arbor: University of Michigan Press, 1998), pp. 263-83.
Suggests that "hypertextuality" is the only major advantage of electronic texts over books and indicates an ideal system for a critical edition in electronic format by examining a "working model" of such editions of "Beowulf" and "Battle of…
Sanyal, Jharna.
Indian Journal of American Studies 23.1 (1993): 65-74.
Discusses TC, Henryson's "Testament of Cresseid," Shakespeare's "Troilus and Cressida," and Dryden's "Troilus and Cressida or Truth Found Too Late," arguing that each treatment of Criseyde reflects how its author responds to literary tradition. In…
Matsuda, Takami.
Spicilegium 1 (2017): n.p. Web publication.
Examines FrT and SumT in the "context of the late medieval vision of the afterlife," and argues that the "two tales tell how one is constantly in the dangerous liminal situation between damnation and salvation, between being physically ravished to…
Rogers, William E.
Chaucer Review 14 (1980): 260-77.
A theoretical objection to patristic criticism is that it is guilty of question-begging because it assumes that a work is intended to promote "caritas." It is not the assumption of coherence that produces the fallacy but the assumption of a…
Quinn, William A.
Chaucer Yearbook 5 (1998): 1-18.
Briefly discusses some of the critical responses to Chaucer's alleged raptus of Cecilia Champaigne (Cecily Champain) and how this incident may have influenced certain works, particularly TC, PF, and HF.
Facing-page adaptations of KnT (abridged), MilT, PardT, and WBT, with Middle English and lyrics designed for rap performance. The Middle English text is glossed, and each Tale is accompanied by a brief introduction to the plot. Brinkman's…
Brinkman, Baba.
Canada : Spin Digital Media, 2004.
Audio recording of hip-hop performance of adaptations of GP (cast as a bus trip), KnT, MilPT, PardPT, WBPT, and Ret (with additional tracks: "Rhyme Renaissance Prologue," "Rhyme Renaissance," and "Dead Poets"). Affiliated website at .
Reviews critical opinion about the date on which the pilgrims started for Canterbury and concludes that it was Easter Saturday, 18 April 1394. The term "Ram" refers both to the constellation Aries (thus confirming the date) and to the sign Aries,…
Da Rold, Orietta.
Library, 7th ser., 4: 107-28, 2003.
The arrangement of quires in this early fifteenth-century manuscript indicates that the scribe was working from an unrubricated text, the order of CT was not yet stable, and the scribe may have helped create the Ellesmere ordering.
Jordan, Robert M.
English Studies in Canada 3 (1977): 373-85.
The organic model of unity does not fit discontinuous, dilated, expository, encyclopedic medieval works such as PF. A model more "multiple" deserves hegemony.
Jordan, Robert M.
Rossell Hope Robbins, ed. Chaucer at Albany (New York: Franklin, 1975), pp. 77-104.
The differences between the narratives classified as "Chaucerian romance" indicate that either all of his narratives are romances, or else that none are."
Lee, Brian S.
Yearbook of English Studies 22 (1992): 190-200.
FranT is a rhetorical . . . completion" of SqT, which should itself be read with "rhetorical and lyrical" rather than narrative models in mind. The literate mode of Dorigen's complaint and Aurelius's two speeches to her contrasts with the oral mode…
Eberle, Patricia J.
Robert Taylor, James F. Burke, Patricia J. Eberle, Ian Lancashire, and Brian S. Merrilees, eds. The Centre and Its Compass: Studies in Medieval Literature in Honor of Professor John Leyerle (Kalamazoo: Medieval Institute Publications, Western Michigan University, 1993), pp. 111-49.
Growing out of the Parliament of 1386 and subsequent confrontations between Richard II and his subjects, arguments over the nature of royal and representative authority shape the portrayal in MLT of pagan savagery, Northumbrian custom, Providential…
Emerson, Katherine T.
Notes and Queries 202 (1957): 277-78.
Argues that Aleyn's "easy conquest" of Malyne in RvT can be attributed to their prior familiarity and to her promiscuity, the latter evident in the "ease" with which she uses the term "lemman."
