Kellogg, A. L.
Notes and Queries 204 (1959): 190-92.
Disagrees with editorial explanations of FrT 3.1314, arguing that the subject of the sentence, a "composite sinner," is the recipient of "pecunyal peyne." Offers supporting evidence from several contemporary sources.
Kaske, R. E.
Modern Language Notes 74 (1959): 481-84.
Identifies biblical and patristic resonances in GP 1.634, suggesting that they help to "deepen an already ugly picture of spiritual as well as physical deformity."
Examines the "apparent momentary tenderness between Aleyn and Malyne" in RvT 1. 4234-48, reading the passage as a parody of the "dawn-song," variously known as the "aube," "aude," "aubade," or "tageliet," an "established form in the medieval poetry…
Hitt, Ralph E.
Mississippi Quarterly 12 (1959): 75-85.
Describes how, as protagonist of NPT, Chauntecleer is the "mock-hero" of Chaucer's burlesque, engaging in three "battles" and failing because of his own vanity, the target of Chaucer's satire. His "avisioun" was no vision at all, a result of…
Friedman, William F., and Elizebeth S. Freidman.
Philological Quarterly 38 (1959): 1-20.
Introduces literary acrostics and anagrams as examples of "unkeyed" transposition ciphers, clarifying some terminology of cryptography, and applying technical analysis to invalidate Ethel Seaton's claims (1957) about "so-called double acrostic…
Evans, Lawrence Gove.
Modern Language Notes 74 (1959): 584-87.
Explicates the "striking instance of Chaucer's use of word-play and Scriptural allusion" in TC 4.1585 to "enrich his presentation of the lovers' predicament" and emphasize differences between earthly and divine happiness.
Ethel, Garland.
Modern Language Quarterly 20 (1959): 211-27.
Examines the characterization of the Pardoner as the "wretchedest and vilest of the ecclesiastical sinners" among Chaucer's pilgrims in CT, arguing that "not covetousness, but wrath against the Divine was the Pardoner's prime motivation." Tallies a…
Dunn, Charles W., reader.
New York: Folkways, 1959.
Includes various readings by Dunn that illustrate changes in the English language and English literary style, among them, a reading of Book III.m9 of Bo (Side 1, band 9; 41 sec.). Text from F. N. Robinson's edition of Chaucer complete works (1957).
Dent, A. A.
Proceedings of the Leeds Philosophical and Literary Society 9 (1959): 1-12.
Investigates the "equestrian vocabulary" used by Chaucer, with particular attention to GP, but including his other references to horses, their tackle, colors, names, conditions, movements, etc., clarifying the denotations of the terminology. Includes…
The first two in a series of essays Dédéyan published on Dante in England in Les Lettres Romanes, volumes 12-15 (1958-1961). The first surveys references, allusions, and uses of Dante in TC, PF, and HF. The second continues the discussion of HF,…
Creekmore, Hubert, ed.
New York: Grove Press, 1959.
Anthologizes samples of Greek, Latin, Provençal, French, Portuguese, Spanish, Italian, Welsh, Irish, Norse, Danish, Dutch, German, and Old and Middle English verse--generally in modern English translation--from the fifth to the fifteenth century.…
Identifies an early modern allusion to Chaucer and CYT (by Hugh Platt) and one on dreams and, possibly, NPT (by William Vaughan), neither previously noted.
Birney, Earle.
Notes and Queries 204 (1959): 345-47.
Clarifies the Franklin's "morning dish" of a "wine-sop," suggesting dietary or medicinal implications necessary to compensate for his culinary excesses.
Reads FrT as "one of Chaucer's more carefully worked and closely unified poems, and, . . . one of his most dramatic." Focuses on the poem's "Faustian situation," its '"unusual withholding of the denouement," and "its moral implication," exploring…
Explicates GP 1.673 (not 1.163, as in title), adding depth to the multiple, generally sexual innuendoes of the "stif burdoun" borne by the Summoner to accompany the Pardoner's song.
Traces developments in Chaucer's "attitude to love" as reflected in his narrative personae in BD, LGWP, PF, HF, and TC, assessing this attitude in light of the courtly, Chartrian, and neo-Platonic standards of works by Alain de Lille, Jean de Meun,…
Benjamin, Edwin B.
Philological Quarterly 38 (1959): 119-24.
Attributes the disruption of order in the plot of FranT to Dorigen's pride and "indecisiveness" and to Aurelius's "moral flaw" and use of "unlawful" magic. Order is reinstated by means of seriatim "self-sacrifice" triggered by the "manly firmness" of…
Argues that the "key fact" in Chaucer's satiric GP description of the Monk is that he is an "outrider," allowing leeway for suggestive details about diet, hunting, and other worldly concerns. Fabricates a fictional dialogue between the Monk and the…
Argues that the Reeve's efforts to represent himself as respectable are mirrored in the characterization of Symkin in RvT, and Malyne's "repressed subjectivity" reveals Symkin's over-simplified, patristic notions self-definition.
Fludernik, Monika.
David Herman, ed. The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English (Lincoln: University of Nebraska Press, 2011), pp. 69-100.
Shows that modern understandings of and distinctions among speech, thought, and signifying gesture do not necessarily obtain in Middle English discourse, and that Middle English literature "displays much more extensive narrative depictions of…
Watkins, John.
New Haven, CT: Yale University Press, 1995.
Includes discussion of how Chaucer's influence on Spenser's works inflects the Virgilian "epic paradigm" of the Renaissance poet, observing how in his treatments of Dido in HF and LGW Chaucer "figures his poetic identity . . . in terms of…
Bellhouse, D. R.
Franklin, J.
International Statistical Review 65 (1997): 73-85.
Tallies possible evidence of "early probability calculus" in Middle English literature and its lexicon, including discussion of examples from John Gower, John Lydgate, and PardT. In the latter, line 6.653, chances in dicing are "events which had the…
Spicer, Paul.
In Paul Spicer. Sir George Dyson: His Life and Music (Woodbridge: Boydell, 2014), pp. 160-87.
Includes appreciative summary-description of Dyson's 1931 choral arrangement, "The Canterbury Pilgrims," with comments on its reception and relationship with GP.