Pelling, Margaret.
Social History of Medicine 8 (1995): 383-401.
Comments on the appropriateness of PhyT to its teller, both in its classical learning and in its "gender-related ambivalences," also found among historical physicians.
Plummer, John F.
Vox Feminae: Studies in Medieval Woman's Songs (Kalamazoo: Medieval Institute, Western Michigan University, 1981), pp. 135-54.
In the character of Absolon in MilT, Chaucer exploits the literary fact that "the minor orders were not taken seriously as lovers, but were found precisely in the burlesque world of the 'fabliau'." The willfulness and sexual appetite of the Wife of…
McWhir, Anne.
SEL: Studies in English Literature 23 (1983): 413-23.
Explores comic allusions in John Gay's pastorals "The Shepherd's Week" and "Trivia," along the way identifying "several allusions" to Chaucer's work in "The Shepherd's Week"--allusions to the Wife of Bath's red stockings, the use of "queynte" and the…
Postmus, Bouwe
Tony Bex, Michael Burke, and Peter Stockwell, eds. (Contextualized Stylistics: In Honour of Peter Verdonk. Amsterdam.: Rodopi, 2000), pp. 103-11.
Argues that a seventeenth-century play, "The Wisest Have Their Fools About Them," may reflect the influence of Chaucerian fabliau and some late-medieval stage traditions. Baldwin's analysis focuses on stereotypical characters.
Brooke, Christopher N. L.
Christopher N. L. Brooke. The Medieval Idea of Marriage (Oxford: Oxford University Press, 1989), pp. 211-27.
Comments on the theme of marriage in Chaucer's works to indicate the poet's "capacious view of love and sexuality." Chaucer's representations of marriage range from bawdy humor in WBP to the sublime in BD, often combining more than one view, as in…
Bloomfield, Morton W.
Edward Vasta and Zacharias P. Thundy, ed. Chaucerian Problems and Perspectives: Essays Presented to Paul E. Beichner, C. S. C. (Notre Dame, Ind.: University of Notre Dame Press, 1979), pp. 70-82.
Generically and rhetorically NPT is a fable devoted to the teaching of wisdom, undercut by its mock quality, by its characterization, by its scholastic reasoning; but finally leading us back, on a higher level, to its original didactic purpose. NPT…
Kellogg, Michael K.
Amherst, N.Y.: Prometheus, 2016.
Defends the "depth of thought and the diversity of expression that characterized the Middle Ages" through an examination of "philosophical treatises, memoirs, letters, tales, romances, and epics that drove the medieval search for wisdom." The chapter…
Rowland, Beryl.
Jan Goosens and Timothy Sodmann, eds. Third International Beast Epic, Fable and Fabliau Colloquium, Munster 1979: Proceedings (Koln and Wien: Bohlau, 1981), pp. 340-55.
Surveys several classical, oriental, and exegetical traditions of the symbolic or exemplary value of the cock, variously an emblem of wisdom, pugnacity, or stupidity. Chauntecleer of NPT is unusual in combining many qualities, for later literary…
Minnis, Alastair.
Helen Cooney, ed. Writings on Love in the English Middle Ages (New York: Palgrave Macmillan, 2006), pp. 99-114.
In the Wife of Bath, Chaucer radically remakes La Vieille from the Roman de la Rose, granting her true wisdom and authority. The Wife of Bath successfully uses Latin tradition and academic techniques in WBP, and WBT reflects the profound wisdom of…
Chaucer uses "the winds of Fortune" as a metaphor to organize the genre and to define the characters. Troilus' perception of Fortune shifts from the divine to Criseyde, assuring his fall. The narrator opposes Pandarus' attitude in accepting the…
Ferris, Sumner.
Journal of the Rocky Mountain Medieval and Renaissance Association 8 (1987): 33-66.
The diptych (1398-99), an English work that once belonged to Richard II, shows "God, the Blessed Virgin, and Richard's ancestors" conferring upon him "absolute, unlimited sovereignty." As the king's altarpiece, it "proclaimed the religious mystery…
Explores de Worde's multiple uses of the same woodcut (a depiction of an exchange of rings) in various books he produced. Found twice in de Worde's TC, the woodcut may reflect his reception of TC via the summary of it in John Skelton's "Phyllyp…
Breeze, Andrew.
Housman Society Journal 38 (2012): 89-135.
Explores the sources of several details and attitudes in poems by A. E. Housman, including discussion of the impact of KnT and TC on "A Shropshire Lad," particularly their depictions of love sickness ("amor heroes") and the ennobling effects of…
Finnegan, Robert Emmett.
Neuphilologische Mitteilungen 92 (1991): 457-62.
Textual evidence suggests that the friar may be the father of the dead child--rendering the squire Jankyn (little John, the diminutive of the friar) the projection of the central character's sinfully fathered child.
Verse-drama adaptation/translation of WBPT and Ret in decasyllabic rhyming couplets and north London dialect, with Jamaican patois, and multiple actors. WBP is set in a contemporary London pub; WBT, in eighteenth-century Maroon Town, Jamaica, under…
Malone, Kemp.
Modern Language Review 57 (1962): 481-91.
Examines WBPT for internal contrasts, attributing them to the Wife's comic inability to see the implications of her own tale. WBT is a "tale of wonder" or "folktale" in which the rape is merely a plot device and the education of the knight…
Scala, Elizabeth.
Frank Grady, ed. The Cambridge Companion to "The Canterbury Tales" (Cambridge: Cambridge University Press, 2020), pp. 105-20.
Explains how the Wife of Bath dominates not only her own material in WBPT, but also CT as a whole. Discusses generic expectations for the Wife and her handling of biblical and classical material, to demonstrate that she represents "an irreducibly…