Browse Items (16039 total)

Wildermuth, M. Catherine Turman.   Dissertation Abstracts International 45 (1984): 1112A.
Medieval literature uses pathos of innocent suffering to relate physical to spiritual. The humanization of Griselda highlights her Christian virtues; the Prioress emphasizes the spiritual; the Physician stimulates audience self-awareness.

Caie, Graham D.   Neuphilologische Mitteilungen 100: 175-85, 1999.
The extensive and apparently authorial glosses that accompany MLT often underscore contradictions-spiritual against material, internal against external, ascetic against monetary-between Innocent's treatise and the narrator's perspective; these…

Donner, Morton.   Mediaevalia 9 (1986, for 1983): 125-44.
Chaucer was not an inept translator in Bo, as some contend, but an innovator who expanded the vocabulary of English ideological writing by some 500 constructions, anglicizing new Latin and Romance terms and extending the meanings of existing English…

Smilie, Ethan Kobus.   DAI A73.10 (2013): n.p.
Examines the vice of curiosity, arguing that Chaucer both expands its application from the realm of the intellectual to the realm of the physical, and suggests that poetry may be a cause and a remedy for the desire to inquire into private matters.…

Baker, Denise N., ed.   Albany : State University of New York Press, 2000.
Eleven essays examining the reciprocity between literature and history in the fourteenth and fifteenth centuries. For two essays that pertain to Chaucer, search for Inscribing the Hundred Years' War under Alternative Title.

Donoghue, Emma.   New York: Knopf, 2010.
A topically arranged survey of female same-sex desire in Western literature, with a brief discussion (p. 6) of MLT as "perhaps the earliest example in English" where "mutual passion between two women . . . moves the story along."

Harris, Carissa M.   Essays in Medieval Studies 27 (2011): 45-60.
Examines fifteenth-century scribal responses to sexual language in the CT, noting that some manuscripts either replaced obscenities or added to sexual language. Observing that female narrators in the CT are restricted in their use of vernacular…

Khinoy, Stephan A.   Chaucer Review 6.4 (1972): 255-67.
Assesses the Pardoner as a "puzzle" posed by Chaucer to challenge his audience to consider the relationship between morality and story-telling. The Pardoner's dazzling rhetoric, his relics, and the tensions between his immoral prologue and moral tale…

Morrison, Susan Signe.   Medieval Feminist Forum 56, no. 2 (2020): 73-92.
Uses "lessons from trauma studies concerning silence, as well as new materialist and ecocritical approaches," to explore the resistance of Griselda's patient silence. "[T]hrough a preponderant use of negative words"--a "poetics of negation"--Griselda…

Whiteley, Giles.   Notes and Queries 262 (2017): 478-80.
Asserts without explanation that a reference to Chaucer in "To Mr. Creech on His Translation of Lucretius" by "J. A." derives from RvT 1.3992 and that it may help to clarify a crux in Alexander Pope's "Dunciad" Variorum.

Sedgwick, Fred.   New York: Routledge, 2011.
Practical handbook to literacy training, with exercises that include using lines from GP to inspire literacy, from a chapter titled "Exploring Geoffrey Chaucer: A Start" (pp. 181-84).

Harris, A. Leslie.   English Studies 74 (1993): 124-32.
Late-medieval instructional poetry presents children as adults saw them and with adults' worries about them. In late-medieval narrative poetry, children are almost entirely absent, apart from a few exceptions such as the Pearl-maiden, the clergeon…

Crane, Susan.   Berkeley, Los Angeles, and London: University of California Press, 1986.
Argues that romances produced in England, whether in Anglo-Norman or Middle English, share a consistent series of concerns that distinguishes them from French romances.

Schaefer, Ursula.   Anna Kathrin Bleuler and Manfred Kern, eds. Poesie des Widerstreits: Etablierung und Polemik in den Literaturen des Mittelalters (Heidelberg: Winter, 2020), pp. 271-98.
Shows not only that Th is a send-up of the tail-rhyme romance and its conventions, but that the poem's metadiscursive horizon of expectation, established by means of the characterization of Chaucer the Pilgrim, resonates in the tale and reveals…

Snipes, Katherine   Discourse: A Review of the Liberal Arts 13 (1970): 240-50.
Compares Jean-Baptiste Clamence, narrator of Camus' "The Fall," with other literary characters, including Chaucer's Pardoner who is a manipulator of language and rhetoric, "acutely conscious of his own evil, yet arrogantly intent upon exploiting his…

Boitani, Piero, and Anna Torti, eds.   Tubingen: Narr; Cambridge: Brewer, 1986.
For two essays that pertain to Chaucer, search for Intellectuals and Writers in Fourteenth-Century Europe under Alternative Title.

Ferster, Judith.   Criticism 22 (1980): 1-24.
The primary mode of discourse, conversation, emphasizes the difficulty of communication. BD oscillates between two opposing views: the existence and dissolution of the self and the other. Chaucer gives the reader an awareness of the conditions…

Katz, Stephen Andrew.   Dissertation Abstracts International A71.05 (2010): n.p.
Examines Chaucer's declarations of "entente" and their uses in his works, concluding that Chaucer's deployment of the term compels the reader to interpret the texts as "intentional acts"--rather than an arrangement of "exemplary narratives"--thereby…

Richardson, Janette.   Leigh A. Arrathoon, ed. Chaucer and the Craft of Fiction (Rochester, Mich.: Solaris Press, 1986), pp. 85-95.
Rhetoric is the Pardoner's mode of existence, but, despite his success with rural audiences, evil intentions negate his moral persuasiveness in the eyes of the pilgrims and the modern reader.

Meecham-Jones, Simon.   Carolyn P. Collette, ed. The Legend of Good Women: Context and Reception (Cambridge: D. S. Brewer, 2006), pp. 132-56.
In LGW, Chaucer sets classical action in the context of Christian notions of moral intention; he poses a range of subtly differentiated portraits of difficulty in recording truth in human terms and human time. Knowability, the narrator's presence,…

Kahn, Victoria.   Exemplaria 2 (1990): 279-85.
Both Spearing and Leicester focus on the question of authorial intention as an interpretive norm. By acknowledging that Chaucer may intend private allusions, Spearing opens the possibility that one audience's "use" is another audience's "allusion,"…

Herman, Jason Michael.   Dissertation Abstracts International A70.04 (2009): n.p.
Suggests that Ret should be considered as a rhetorical appeal for the prayers of readers, who are encouraged to reflect on their own readings of CT and to engage in the self-scrutiny that Ret exemplifies.

Coleman, Joyce.   Yearbook of English Studies 25 (1995): 63-79.
Argues that aural reading--the reading aloud of a written text--lasted much longer in English tradition than is normally assumed.

Hagen, Susan K.   Exemplaria 8 (1996): 449-53.
An undergraduate Chaucer course exploring the late fourteenth century as a time of political, economic, religious, technological, and epistemological change can both enrich students' experiences of the texts and help them realize that…

Sauer, Hans.   Masachiyo Amano, Michiko Ogura, and Masayuki Ohkado, eds. Historical Englishes in Varieties of Texts and Contexts: The Global COE Programme, International Conference 2007 (New York and Frankfurt am Main: Peter Lang, 2008), pp. 387-403.
Surveys the structure, frequency, and functions of interjections in the English language, tracing discussion of this word class in linguistic commentary and in Beowulf, MilT, and modern comic books.
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