Browse Items (16334 total)

Wittig, Joseph [S.]   Yoko Iyeiri and Margaret Connolly, eds. And Gladly Wolde He Lerne and Gladly Teche: Essays on Medieval English Presented to Professor Matsuji Tajima on His Sixtieth Birthday (Tokyo: Kaibunsha, 2002), pp. 181-94.
Examines TC 4.958-1078, comparing the context of these lines with that of their source in Boethius's Consolation of Philosophy. The Christian import of the poem's closing lines is implicit in TC 4.

Green, Richard Firth.   Chaucer Review 13 (1979): 201-20.
Throughout TC Chaucer uses the social play of "luf-talkying" as a vehicle for irony and as a means of establishing man's inability to attain an ideal. Troilus plays the love game too earnestly and so is both truly comic and, in terms of final…

Reiss,Edmund.   Modern Language Quarterly 29 (1968): 131-44.
Questions whether Troilus has gained wisdom by the end of TC and explores what is evident as true wisdom in PF. Although Troilus's laughter indicates his contempt for the world, the hero does not realize fully the hierarchical nature of love that is…

Ebel, Julia.   English Studies 55 (1974): 15-21.
Attributes the metaphors of blindness and light in TC to the direct influence of Statius's "Thebaid" (unmediated by the "Roman de Thébes"), suggesting that the pattern of imagery culminates in Troilus's comparison of himself to Oedipus (TC 4.300).

Storm, Melvin.   Yearbook of English Studies 22 (1992): 154-61.
In TC 3, Chaucer evokes the geography and atmosphere of Dante's "Inferno," while in Pandarus's actions he evokes Virgil's role as guide through hell. These associations provide a context for "judging Troilus's position at the poem's centre" and…

Fruoco, Jonathan, ed. and trans., with Barry Windeatt.   Paris: Classiques Garnier, 2023.
Middle English text and French translation of TC, with introduction and commentary in French. Includes a chronology of Chaucer's life; a bibliography; and indices of names, places, and works.

An, Sonjae.   Medieval English Studies 10.2 : 153-68, 2002.
The influences of Boethius, Dante, and Petrarch ("Canzoniere") on TC are not fully evident to readers unfamiliar with these sources because Chaucer nowhere indicates what he is doing. Such secrecy renders interpretations of his text complex.

Shoaf, R[ichard] A[llen].   Hugh T. Keenan, ed. Typology and English Medieval Literature (New York: AMS, 1992), pp. 149-68.
Repeated imagery of falconry's mew, derived from typology and folklore, symbolize the poem's vision of mutability in human affairs. Especially as they relate to the character of Troilus, these images represent the Neo-Platonic notion of the soul as…

Jelliffe, Robert Archibald.   [Tokyo]: Hokuseido, 1956. Rpt. Norwood, PA: Norwood Editions, 1975.
Praises the art and skill of Chaucer's adaptations of sources and literary conventions in creating TC, comparing and contrasting the plot and characterizations of the work with those of a full range of its "literary progenitors" and exploring…

Windeatt, Barry.   Helen Cooney, ed. Writings on Love in the English Middle Ages (New York: Palgrave Macmillan, 2006), pp. 81-97.
Windeatt assesses the uncertainties and experiences of love in TC and considers aspects of Chaucer's humanism and experimentalism. Rather than condemning worldly love, TC explores its many variations.

Schirmer, Ruth, trans.   Stuttgart: Reclam, 1974.
Item not seen, reported in WorldCat which indicates that this German translation of TC is accompanied by notes and an afterword by Walter F. Schirmer.

Pickering, Kenneth, and Michael Herzog.   Malvern: J. Garner Miller, 1997.
Adapts TC for the stage in modern prose, with Production Notes, a dramaturgical Introduction, and stage directions in the modern-English text. Michael B. Herzog's "Music Score" (n.p.; at end of text) provides musical scores for four lyrics in the…

Soules, Eugene Henri.   Dissertation Abstracts International 26.10 (1966): 6053A.
Studies the "three narrative parallels" of TC which complement the story and unify the theme: the "cosmic drama, the fall of Troy, and the performance of the narrator."

Parkes, Malcolm, and Elizabeth Salter, intro.   Cambridge: D. S. Brewer, 1978.
Written in the early fifteenth centruy, the Corpus Christi TC,one of the sixteen manuscripts of the poem, is probably the earliest extant copy of TC. Parkes gives a paleographical description of the manuscript; Salter, an iconographical study of the…

Stanley-Wrench, Margaret, trans.   London: Centaur, 1965.
Translates TC into modern English, in rhyme royal stanzas, with end-of-text notes and three appendices: a) the "domestic background" of the poem, b) courtly love, and c) a chronology of Chaucer's life. The notes emphasize social and literary…

Cook, Daniel, ed.   Garden City, N. Y.: Anchor, 1966.
An edition of TC with facing-page glosses and occasional notes, preceded by an Introduction (pp. vii-xxxviii) that includes a summary of the medieval Troy story, commentary on Chaucer's source material (Boccaccio, Boethius, and the conventions of…

Schoenberg Thomas J., and Lawrence J. Trudeau.   Thomas J. Schoenberg and Lawrence J. Trudeau, ed. Literature Criticism from 1400 to 1800. Volume 173 (Detroit: Gale, Cengage Learning, 2010), pp. 225-346. [Electronic book].
Reprints twelve examples of critical studies of TC published between 1962 and 2008, several in excerpts. An introduction (pp. 225-27) summarizes the plot of TC and comments on its characters, major themes, and critical reception. Closes with…

Edmondson, George Thomas.   Dissertation Abstracts International 64 (2004): 2880A
Considers the relations both between TC and Boccaccio's "Filostrato" and between TC and Henryson's "Testament of Cresseid," examining them, not as sources or descendants, but as psychoanalytic "neighbors," fraught with "unsettling desires."

Turner, Marion.   Studies in the Age of Chaucer 25: 26-39, 2003.
Examines how records of the Uprising of 1381 reflect contemporary attitudes toward treason, truth, and social fragmentation. This background helps to clarify how TC undermines social idealism through its depictions of civil division and…

Howard, Donald R., and James Dean, eds.   New York: New American Library, 1976.
An edition of TC, accompanied by Adam, Ven, Ros, Wom Unc, MercB, Wom Nob, and Scog, an Introduction, textual notes, explanatory notes at the bottom of the page, and a brief glossary at the end of the volume. The Introduction (vi-lvi) includes…

DiMarco, Vincent.   Chaucer Review 33: 252-63, 1999.
Chaucer's rhyming of "sike" with "endite" (TC 2.884 and 2.886) is likely a scribal mistake."Lite" is more consistent with Chaucer's linguistic habits and forms a perfect rhyme. In line 2.936, "yeden" is placed to rhyme with "dede," while an…

Miyata, Takeshi, trans.   Tokyo : Kobian Shoten, 1987.
Reprint of a Japanese translation of TC with notes and commentary, based on F. N. Robinson's second edition. First published in 1979.

Medcalf, Stephen.   Deland, Florida: Everett/Edwards, 1973.
Item not seen. WorldCat entry describes this as a lecture which discusses TC, "comparing it to similar poetry of the period."

Brewer, D. S., and L. Elisabeth Brewer, eds.   London: Routledge and Kegan Paul, 1969.
A textbook edition of selections from TC in Middle English (some 5000 lines), with an introduction and end-of-text commentary and glossary. Much of Book 4 is excluded (its Prologue of is included), and other passages reduced slightly. The…

Frantzen, Allen J.   New York: Twayne, 1993.
Investigates how historical and textual frames produce meaning. The book situates TC in the history of the Troy legend, discusses the importance of the text, reviews historically significant issues in the reception of TC, explains the concept of the…
Output Formats

atom, dc-rdf, dcmes-xml, json, omeka-xml, rss2

Not finding what you expect? Click here for advice!