Espie, Jeffrey George.
Dissertation Abstracts International A78.08 (2016): n.p.
Considers Spenser's perception of Chaucer as inspiration, influence, and creator whose creations have themselves been mediated by other writers and society.
Examines three interiors within HF, and the use of the "catalogue" as a way of articulating and revealing the spatial relationships within the poem. Compares the "navigation of space" in HF to classical and medieval techniques of a "memory palace."
Chelis, Theodore.
Ph.D. dissertation. Pennsylvania State University, 2022.
Abstract accessible at https://etda.libraries.psu.edu/catalog/22564tbc126 (accessed November 15, 2023).
Argues that "the vernacular literature of late medieval England contributes importantly to the theorizing of psychological subjectivity and that this theorizing is connected fundamentally with the history of shame"; focuses on selected works by…
Sisk contends that a number of late medieval works, including Fragment 8 of CT, "obliquely" address contemporary religious issues. These works mark a departure from more traditional (and clearly didactic) religious treatises and may even suggest that…
Boffey, Julia.
Ursula Schaefer, ed. The Beginnings of Standardization: Language and Culture in Fourteenth-Century England (Frankfurt am Main: Peter Lang, 2006), pp. 61-70.
Analyzes the terms - "song," "dite," "tretyse," etc. - used for short poems in Middle English, including terms in Chaucer's works.
Ganim, John, M.
Poetica: An International Journal of Linguistic Literary Studies 34 (1991):88-100.
Investigates the ways CT problematizes the medium of speech and, through its self-conscious narrators, comments on the changing value of spoken language. Though Chaucer preserves and allows resistance to the tyrannies of high literary form, his…
Yvernault, Martine.
Colette Stévanovitch, Elise Louviot, Philippe Mahoux-Pauzin, Dominique Hascoët, eds. La Formule dans la Littérature et la Civilisation de l'Angleterre Médiévale (Nancy: Presses Universitaires de Nancy, Regards Croisés sur le Monde Anglophone, 2011), pp. 189-206.
Explores the type, use, and functions of formulas in Th, in relation to parody; in Mel, in dramatic form reinforcing allegory.
Rock, Catherine A.
Chaucer Review 40 (2006): 416-32.
Arcite breaks his oath of brotherhood with Palamon, the promise he made to Theseus never to return to Athens, and the code of knighthood by doing menial labor disguised as a "povre laborer." The "ignoble, freakish manner of [his] death" thus suits…
Score for voice and orchestra in forty-two bars (fifteen minutes). The text that accompanies the score, compiled from twenty-six lines selected from KnT and Truth by Daphne Burgess, is given in Middle English; a modern "paraphrase" also included.
Gerke, Robert S.
Proceedings of the International Patristic, Mediaeval, & Renaissance Conference 5 (1980): 119-35.
The Clerk and his tale serve as a corrective to the Wife of Bath's philosophy by "exploiting a fictional and moral failure of nerve on the Wife's part," since it is not realism but weakness that motivates the Wife.
Studies the "dynamic relationship" between Fortuna and Natura in PhyT, ClT, and KnT, surveying in an Introduction (pp. 9-45) their presence elsewhere in Chaucer's works and his antecedents. In PhyT which "approaches allegory" the "destructive forces…
Phillips, Helen.
Nottingham French Studies 38: 120-36, 1999.
Summarizes how contemporary intertextual theory complicates traditional notions of source relations. Surveys intertextual relations in Chaucer's works, especially examples where, by failing to "include the conclusion" from his source(s), Chaucer…
Depictions of Fortune and Fortune's effects in Malory's Morte Darthur have much in common with depictions in works by his English predecessors. Corrie comments on Chaucer's Bo, TC, KnT, and MkT.
Jost, Jean E.
Medieval Perspectives 28 (2013): 145-82,
Though medieval orthodoxy insisted on the reality of free will, TC presents three characters subject to fortune at every turn, perhaps because they are pre-Christian pagans. Troilus is a victim of fortune from the moment he sees Criseyde. Pandarus…
Surveys the literary and philosophical backgrounds of fortune, nature, and grace, and assesses their roles in CT, with particular attention to PhyT, PardT and the unity of Part 6. Includes an appendix that explores nineteen analogues to PardT
Haines, R. Michael.
Chaucer Review 10 (1976): 220-35.
That the Fortune-Nature-Grace topos is the unifying theme of Fragment C is supported by Chaucer's additions to its sources and by his probable revision of the link. PhyT shows the gifts of Grace overcoming Fortune and Nature; PardT shows the abuse…
Harder, Bernhard D.
University of Windsor Review (Ontario) 18:1 (1984): 47-52.
The coherence problem in KnT can be solved by viewing the tale as Boethian, but Theseus ironically perverts Boethian arguments from "De consolatione philosophiae" until those arguments contradict Boethian philosophy, typically telling a familiar…
Neel, Travis E.
Open access Ph.D. dissertation (Ohio State University, 2017). Available at http://rave.ohiolink.edu/etdc/view?acc_num=osu1492705588117003 (accessed May 8, 2022).
Examines "how Middle English writers appropriated different forms and figures of friendship in their discussions, critiques, and activations of friendship," describing modifications of classical, biblical, Boethian, and humanist models, with…
The introduction to this critical edition addresses cultural, historical, syntactic, and metrical aspects pertinent to Chaucer's works as well as to those of Charles of Orleans.
Sandidge, Marilyn.
Albrecht Classen, ed. Old Age in the Middle Ages and the Renaissance: Interdisciplinary Approaches to a Neglected Topic. (New York: Walter de Gruyter, 2007), pp. 357-73.
Youthful attitudes toward old age in the works of Boccaccio and Chaucer differ strikingly, perhaps because of demographic changes caused by the Black Plague. In Boccaccio, youth respects the wisdom of age, whereas in Chaucer young people resent the…
Takada, Yasunari, presiding.
Eigo Seinen 146.8: 478-87, 2000.
Discusses the reception history of Chaucer, ranging from Spenser through Shakespeare to the English Romantics. Panelists include Nahoko Miyamoto, Yoshiko Kobayashi, and Atsuhiko Hirota.
