Browse Items (15542 total)

Dane, Joseph A.   Huntington Library Quarterly 48 (1985): 345-62.
A double reception was given Th in the eighteenth century. Dane agrees with Warton that Th is not a "grave heroic narrative" but a humorous tale. The burlesque Th is an eighteenth-century creation. Treats genre of Th and SqT and twentieth-century…

Kowalik, Barbara.   Maria Edelson, ed. Studies in Literature and Culture in Honour of Professor Irena Janicka-Świderska Łódź: Wydawnictwo Uniwersytetu Łódzkiego, 2002), pp. 100-110.
Increased concern with female characters in KnT distinguishes it from traditional epics, and its presentation of women and gender relationships embodies "evolutionary changes" in the romance genre. Nonetheless, Emily is imprisoned at the end "in yet…

Patterson, Lee.   Lee Patterson. Acts of Recognition: Essays on Medieval Culture (Notre Dame, Id.: University of Notre Dame Press, 2010), pp. 198-214.
Considers Chaucer's understanding of "tragedy" in Bo, MkT, and TC, tracing this understanding to Dante's use of the term in his "Inferno," where it is affiliated with history. In TC, Chaucer chose to emulate Boccaccio's "Filostrato" because doing so…

Ferster, Judith.   Corinne Saunders, ed. A Concise Companion to Chaucer (Malden, Mass.; Oxford; and Victoria: Blackwell, 2006), pp. 179-98.
Ferster explores the importance of genre for understanding CT, a collection of different genres. Discusses how Chaucer stretches, plays with, and interrogates genre by combining features of genre and the expectations they create. Concentrates on the…

Watson, Michael.   Poetica (Tokyo) 44 (1995): 23-40.
Despite the difficulties of comparing literature cross-culturally, CT and the "Heike Monogatari" are similar in their "middle" styles, their adaptability to parody, and their capacious allusions to "native and foreign literary studies."

Pakkala-Weckstrom, Mari.   Karind Aijmer and Britta Olinder, eds. Proceedings from the 8th Nordic Conference on English Studies (Goteborg: Goteborg University Department of English, 2003), pp. 121-36.
Pakkala-Weckstrom applies linguistic "politeness theory" to the use of pronouns as "forms of address in male/female dialogue" in MilT, MerT, ShT, ClT, Mel, WBT, and FranT. Usage is similar in the romances and religious tales but differs in the…

Stroud, Theodore A.   Modern Philology 72 (1974): 60-70.
Reviews two books about Chaucer: "Language of Chaucer's Poetry: An Appraisal of Verse, Style and Structure" by Norman E. Eliason; and "Disembodied Laughter: 'Troilus' and the Apotheosis Tradition" by John M. Steadman.

Boitani, Piero, and Anna Torti, eds.   Tubingen: Gunter Narr Verlag, 1988.
Fourteen articles by various hands. For five essays that pertain to Chaucer, search for Genres, Themes, and Images in English Literature from the Fourteenth to the Fifteenth Century under Alternative Title.

Monz, Dominic.   Regensburgn : Thomas Braun, 2002.
A study of the ethical and social dimensions of gentilesse and gentils in KnT, WBT, ClT, MerT, SqT, FranT, Th, Mel, MkT, NPT, ManT, and SumT.

Folks, Cathalin Buhrmann.   Eilean Ni Cuilleanain and J.D. Pheifer, eds. Noble and Joyous Histories: English Romances, 1375-1650 (Dublin: Irish Academic Press, 1993), pp. 59-85.
The "Gawain" poet and Chaucer (through the mediating Wife of Bath) modify conventional details of character, description, and action, producing protagonists who develop or who come to self-awareness in ways more complicated than elsewhere in the…

Bradbury, Nancy Mason.   Chaucer Review 28 (1994): 305-29.
In TC, Chaucer uses not only sophisticated, upper-class materials but also lower-class matter that has "moved 'upward' into the most prestigious and learned layers of medieval discourse." This "gentrification" can best be seen in Chaucer's use of…

Richmond, Velma Bourgeois.   New York: Continuum, 1992.
Biographical review; consideration of the fourteenth-century cultural context; and critical discussion of all of Chaucer's works. Half of the chapters are devoted to the CT, divided by subject and tone into secular romances, fabliaux, religious…

Knight, Stephen.   Oxford: Blackwell, 1986.
Sees Chaucer's world in the midst of change from feudalism to mercantilism. Threats to society represented by dream visions must yet be integrated into the rational structure. The CT pilgrimage is a Peasant's Revolt in reverse. Knight takes a…

Bloom, Harold, ed.   New York: Chelsea, 1985. Reissued in 1987.
Nine previously published essays or exerpts. Topics include Chaucer's "greatness" (G. K. Chesterton), the ending of TC (E. Talbot Donaldson), the impact of MerT (E. Talbot Donaldson), Wife of Bath as narrator (David Parker), Chaucer in the…

Erzgräber, Willi, ed.   Darmstadt: Wissenschaftliche Buchgesellschaft, 1983.
Twenty previously published essays, in English or German, and a bibliography (447-69) arranged by individual work. The volume opens with Erzgräber's "Chaucer-Forschung im 20. Jahrhundert: Einleitung" (pp. 1-31), an introduction to the essays…

Dillon, Janette.   Basingstoke and London:
Historicist introduction to Chaucer's life, works, literary context, and influence.

Crepin, Andre.   Premieres mutations: De Petrarque a Chaucer, 1304-1400.
The 12-volume "Patrimoine litteraire europeen" surveys major European authors and works from the early roots of European literature to the present, providing for each an introduction, a short bibliography, and extracts in French translation--some…

Olson, Glending.   David Wallace, ed. The Cambridge History of Medieval English Literature (Cambridge and New York: Cambridge University Press, 1999), pp. 566-88
Surveys Chaucer's life and art in light of their cultural contexts, commenting on his status as a court poet, the nature of his audience, his self-consciousness and uses of contemporary literary forms, his relations to his contemporaries, and his…

Ellis, Steve.   Plymouth, U.K : Northcote House, in Association with the British Council, 1996.
An introduction to Chaucer that surveys critical issues and concentrates on how oppositions are posed in his poetry rather than resolved. Topics include the following: The Chaucer Business; Life, Works, Reputation; Dream, Text, Truth; Society,…

Bloom, Harold.   Harold Bloom. Genius: A Mosaic of One Hundred Exemplary Creative Minds. New York: Warner, 2002, pp. 102-9.
Impressionistic praise of Chaucer's ability to combine human sensitivity with comedy, his refusal to be cowed by Dante, his characterizations, and his irony.

Burnley, J. D.   D. Alan Cruse et al., eds. Lexikologie: Ein Internationales Handbuch zur Natur und Struktur von Wortern und Wortschatzen/Lexicology: An International Handbook on the Nature and Structure of Words and Vocabularies. 2 vols. . Berlin and New York: Walter de Gruyter, 2002, 2: pp. 1468-71.
Describes the historical and regional characteristics of Chaucer's vocabulary, his particular uses of various registers, and how he adapts them to circumstances and contexts.

Staley, Lynn.   David Scott Kastan, ed. The Oxford Encyclopedia of British Literature. 5 vols. Oxford: Oxford University Press, 2006, vol. 1, pp. 450-56.
Treats Chaucer as a "means of entry" into the political and cultural world of late fourteenth-century England, surveying Chaucer's works (CT most extensively) and summarizing his life and reception. Includes a brief bibliography.

Shippey, Tom.   Joseph Epstein, ed. Literary Genius: 25 Classic Writers Who Define English & American Literature (Philadelphia, Pa.: Paul Dry Books), 2007, pp. 8-15.
Comments on Chaucer's life and works, focusing on his narrative timing, depth of characterization, and linguistic subtlety as means to express sympathy for human weakness. Includes three glossed passages from CT and two wood engravings by Barry Moser…

Bloom, Harold, ed.   Broomall, Pa. : Chelsea House, 1999.
Includes a brief biography, bibliography, and introduction to CT; summaries of GP, KnT, WBPT, and PardPT; and excerpts from critical studies of these sections of CT.

Kelly, Stuart.   Stuart Kelly. The Book of Lost Books: An Incomplete History of All the Great Books You Will Never Read (New York: Random House, 2005), pp. 105-09.
Comments on implications of the lists of works in Chaucer's Ret and their relationship to the fragmentary nature of CT.
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