Browse Items (16360 total)

Kordecki, Lesley.   Isle 10.1 (2003): 97-114.
Describes how Chaucer reaches beyond the phallocentrism and "human parochialism" of his time by giving voice to the feminine and the animal in PF, even though the poem ends with a return to masculinist, human-centered subjectivity.

Kordecki, Lesley.   New York: Palgrave Mcmillan, 2011.
Assuming a consistent narrative voice across the Chaucer canon, this study treats Chaucer's use of animal, specifically, avian, discourse as a means of exploring subjectivity. The author emphasizes the role of non-humans and women in "challenging…

Schwebel, Lana.   Dissertation Abstracts International 62: 1828A, 2001.
In fourteenth-century England, the sale of indulgences was supported by orthodoxy and attacked by Wycliffites. Poetic fictions transcend this simple opposition, as seen in the artful deviousness of PardT and the revitalized idealism of "Piers…

Siewers, Alfred K.   Stephanie LeMenager, Teresa Shewry, and Ken Hiltner, eds. Environmental Criticism for the Twenty-First Century (New York: Routledge, 2011), pp. 105-20.
Views "Sir Gawain and the Green Knight," Malory's "Morte Darthur," and CT through the lens of ecopoetics, contending that they all rely upon the interdependence of author, text, and audience; employ metonyms rather more than metaphors; play with…

Porcheddu, Fred.   Philological Quarterly 80 (2001): 463-500
Critical review of two applied textual theories, exposing their weaknesses in light of recent theory and revealing their ongoing utility. Includes discussion of Laura Hibbard Loomis's arguments that Th indicates Chaucer's firsthand knowledge of the…

Solopova, Elizabeth.   W. Speed Hill, ed. New Ways of Looking at Old Texts, II: Papers of the Renaissance English Text Society, 1992-1996. Medieval & Renaissance Texts & Studies, no. 188 (Tempe, Ariz.: Medieval & Renaissance Texts & Studies, with the Renaissance English Text Society, 1998), pp. 121-32.
A description of questions raised in the process of producing the first installment of the computer-assisted "Canterbury Tales" Project (SAC 20 [1998], no. 11), and a justification of the project. The first installment made possible Solopova's…

Wakelin, Daniel.   Vincent Gillespie and Anne Hudson, eds. Probable Truth: Editing Medieval Texts from Britain in the Twenty-First Century (Turnhout, Belgium: Brepols, 2013), pp. 241-59.
Discusses the importance of "corrections" in Middle English manuscripts. In particular, addresses scribal errors and corrections in the Ellesmere and Hengwrt manuscripts.

Tomasch, Sylvia.   Exemplaria 16: 457-76, 2004
Comments on the critical reception of Manly and Rickert's "The Text of the Canterbury Tales" (1940), exploring underlying assumptions about textual theory and gender politics. Uses Tom Stoppard's play "The Invention of Love" (1997) to reveal…

Utz, Richard [J.]   Wladyslaw Witalisz, ed. "And Gladly Wolde He Lerne and Gladly Teche": Studies on Language and Literature in Honour of Professor Dr. Karl Heinz Göller (Kraków: Wydawnictno Uniwersytetu Jagiellonskiego, 2001)
Argues that John Koch ought to be considered one of the great editors of Chaucer's works, even though he is largely forgotten by Anglophone Chaucerians who downplay German contributions to the field.

Ruggiers, Paul G., ed.   Norman, Okla.: Pilgrim Books, 1984.
A collection of essays on the editorial practices of great editors of Chaucer: Caxton, by Beverly Boyd; Thynne, by James E. Blodgett; Stow, by Anne Hudson; Speght by Derek Pearsall; Urry, by William L. Alderson; Tyrwhitt, by B. A. Windeatt; Wright,…

McGillivray, Murray.   Florilegium 27 (2011 for 2010): 159-76.
Proposes that a "computer facilitated re-spelling of a reconstructed archetype" ought to be the basis for future editions of LGW, Anel, HF, PF, and BD because the textual situations of these poems are "precarious." The reconstruction would use the…

Pearsall, Derek.   Jerome J. McGann, ed. Textual Criticism and Literary Interpretation (Chicago: University of Chicago Press, 1985), pp. 95-106.
Use of the Robinson second edition based on the Ellesmere MS has encouraged the neglect of many textual problems in critical studies concerning "unity" or "idea" of CT; Manly and Rickert's monumental edition is virtually ignored. Hengwrt is a vastly…

Morrison, Stephen.   Bulletin des Anglicistes Medievistes 86 (2015): 37–52.
Analyzes the Wife of Bath's "deceptive nature of fine outward show," in terms of her dress and clothing, as opposed to her inner purity in WBT.

Blake, N. F.   Norman Blake and Peter Robinson, eds. The 'Canterbury Tales' Project Occasional Papers, Volume I (Oxford: Office for Humanities Communication Publications, 1993), pp. 5-18.
Surveys textual issues that confront editors of CT, presenting the issues as background to the "Canterbury Tales" Project. Considers problems of lineation, the incompleteness of the text, the role of the links, questions of early circulation,glosses,…

Blake, N. F.   Anglia 116 (1998): 198-214.
Referring to "The Wife of Bath's Prologue on CD-ROM" (Studies In the Age Of Chaucer 20 [1998], no.11), Blake concludes that Hengwrt should be used as the base text for the "Canterbury Tales" Project. He proposes three areas in which Hengwrt might be…

Moorman, Charles.   Jackson: University Press of Mississippi, 1975.
A pedagogical introduction to the practices involved in preparing a critical edition of a Middle English text, with commentary on paleography, the language of Middle English, and the processes of textual criticism. Includes reproductions of the…

Machan, Tim William.   A.N. Doane and Carol Braun Pasternack, eds. Vox Intexta: Orality and Textuality in the Middle Ages. (Madison: University of Wisconsin Press, 1991), pp. 229-45.
Questions the role of orality in the recording and transmission of Middle English texts, suggesting that various attitudes and techniques of oral improvisation have left residues in these texts and that modern editors should use oral models. Draws…

Bianciotto, Gabriel.   Dissertation, Paris, 1977.
Argues from linguistic evidence that Pratt is wrong when hypothesizing that Chaucer used a French version of the Troy story.

Reiss, Edmund.   College English 26 (1965): 572-83.
Surveys the "editions and translations of Chaucer currently in print" (in 1965) and designed for college courses, commenting on their strengths and weaknesses.

Blake, N. F.   Poetica 20 (1984): 1-19
Considers textual issues that pertain to the "Host stanza" at the end of ClT (4.1212a-g) and several passages in MkT and NPT: the "Adam stanza" (7.2007-14), the "Modern Instances" (7.2375-2462), and the short versus long versions of NPP. Discusses…

Horobin, Simon.   Norman Blake and Peter Robinson, eds. The Canterbury Tales Project Occasional Papers, Volume II (London: King's College, Office for Humanities Communications, 1997), pp. 15-21.
Demonstrates the dangers of over-reliance on Hengwrt, Ellesmere, or any limited number of privileged manuscripts in establishing the text of CT, arguing for attention to all available material.

Costomiris, Robert Douglas.   Dissertation Abstracts International 56 (1996): 4783A.
William Thynne, the first true editor of Chaucer's oeuvre, performed fewer duties for the royal household than has been believed; thus, he had more time for editing. Familiar with the three previous printings and with many manuscripts, he built on…

Petrina, Alessandra.   Cahiers Elisabéthains 112 (2023): 3-13.
Introduces a special issue dedicated to Shakespeare's references to Padua, summarizing the collected essays and addressing references to Padua in the Towneley mystery play ("Magnus Herodes") and in ClP (27). Suggests that Chaucer's linking of Padua…

Machan, Tim William.   Studies in Bibliography 41 (1988): 188-96.
The textual problems of Bo are more complex than they seem. Chaucer used several source texts, including commentaries and French translations; his chief interest was to translate the "'Consolatione' tradition," not just the "Consolatione" itself. …

Niebrzydowski, Sue.   English: The Journal of the English Association 64, no. 244 (2015): 1–4.
A general introduction to the "Chaucer Reconsidered" special issue of the journal that focuses on the many genres in which Chaucer worked, as well as his primary topics.
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