Minkova, Donka, and Robert Stockwell.
Donka Minkova and Theresa Tinkle, eds. Chaucer and the Challenges of Medievalism: Studies in Honor of H. A. Kelly (Frankfurt and New York : Peter Lang, 2003), pp. 129-39.
Of roughly 30,000 lines of Chaucer's iambic pentameter, only a tiny subset are variant. The majority of his lines follow a template of ten syllables, each foot beginning with a weak syllable. The essay refers specifically to FranT.
Copeland, Rita.
Oxford: Oxford University Press, 2021.
Explores emotion as a device of rhetoric from Antiquity through the fifteenth century, and describes the influence of Aristotle's "Rhetoric" on political, ethical, and literary discourse from the thirteenth century forward. Assesses a wide range of…
Houlik-Ritchey, Emily.
In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/
Compares the functions and effects of Dorigen's "odd pleasure of intense feeling" in FranT with those of Marianne Dashwood in Jane Austen's Sense and Sensibility, considering their feelings in light of their respective community structures and gender…
Ohno, Hideshi.
Hiroshima Studies in English Language and Literature 61 (2017): 69-84.
Focuses on words and phrases collocating with "herte," "minde," and "soule" in CT and TC and analyzes how Chaucer "exerts his influence on the reader's/audience's emotion" through the use of these words.
Radulescu, Raluca L.
Claire McIlroy and Anne M. Scott, Literature, Emotions, and Pre-Modern War: Conflict in Medieval and Early Modern Europe (Leeds: Arc Humanities, 2021), pp. 45-63.
Investigates the restless "emotional movement" of "roaming" in KnT, as expression of both confined frustration and openness to new adventures enacted by Palamon, Emelye, and Arcite. Compares Chaucer's depictions of these movements and emotions with…
Diller, Hans-Jurgen.
Francisco Fernandez, Miguel Fuster, and Juan Jose Calvo, eds. English Historical Linguistics, 1992 (Amsterdam and Philadelphia: Benjamins, 1994), pp. 219-34.
Studying four families of emotion words (wrath, anger, annoyance, grief) in the Chaucer canon, Diller draws several conclusions: the introduction of emotion words from French and their rivalry with native English words deserve close scrutiny;…
Spector, Stephen.
Robert R. Edwards and Stephen Spector, eds. The Olde Daunce: Love, Friendship, Sex, and Marriage in the Medieval World (Albany: State University of New York Press, 1991), pp. 211-28, 289-300 (notes).
Explores the "joining of contradictions in irony" in the GP portrait of the Prioress and the "joining of contraries" in the "sublime paradox" in the allusion to the Incarnation in PrT. A further contradiction is "that the Prioress, whose faith and…
Hazell, Dinah.
Carmina Philosophiae 11: 43-74, 2002.
Explores how the character Theseus in KnT does and does not embody principles of political philosophy found in Boethius's "Consolation of Philosophy." Combining "idealism and political exigency," Theseus fulfills the "composite model of an ideal"…
Vance's concept of "power semantics" articulates how Chaucer uses transgressive exempla--"meta-examples which confound expectations"--to pit the discourse of medieval history against itself in PardT, predicating a literal critique of medieval culture…
Crafton, John Micheal.
Richard J. Utz, ed. Literary Nominalism and the Theory of Rereading Late Medieval Texts: A New Research Paradigm (Lewiston, N.Y.; Queenston, Ont.; Lampeter, Wales: Eswin Mellen, 1995), pp. 117-34.
Chaucer's works reflect a pattern of concern with the realist-nominalist issues of language. Early on, Chaucer critiques realism, and, later on, nominalism, while TC and especially CT pose the two views in dialogic debate. Fragment 6 (Phyt and PardT)…
Céspedes [Benitez], Irma.
Revista Chilena de Literatura 7 (1976): 5-26.
Explores the vibrant language of CT (and the difficulties of translation), its relations with oral tradition, and the constraints and possibilities of traditional medieval narrative set in tension with a competitive tale-telling contest among diverse…
Staley, Lynn.
Brian Cummings and James Simpson, eds. Cultural Reformations: Medieval and Renaissance in Literary History (New York: Oxford University Press), pp. 113-33.
Explores the trope of England as an idealized garden/island in imagery of homes in various medieval and Renaissance works, including NPT.
Cooper, Helen.
Heather Hirschfeld, ed. The Oxford Handbook of Shakespearean Comedy (Oxford: Oxford University Press, 2018), pp. 55-68.
Surveys theatrical genre labels ("comedy," "tragedy," "play," "drama") in early English, including Chaucer's uses of them. Then surveys the ways in which Chaucer's plots, motifs, and emphases influenced Shakespeare, with comments also on the…
Snodgrass, Mary Ellen.
Santa Barbara, Calif.: ABC-CLIO, 1998.
An alphabetical dictionary of the "world fable," i.e., the beast fable and related narratives in various international traditions, both as stand-alone narratives and as exempla in larger works.
Lambdin, Robert Thomas, and Laura Cooner Lambdin,eds.
Westport, Conn.: Greenwood Press, 2000.
An alphabetical one-volume encyclopedia of medieval "literary works, authors, historical figures, events, themes, and genres," with a general emphasis on "early British literature" and individual entries for Continental literatures. Many entries are…
An alphabetical one-volume encyclopedia of international medieval writers, their works, anonymous works, literary genres, and major cultural contexts, with entries by a dozen contributing authors, a time line of writers, a bibliography, and an index.…
Koff, Leonard Michael.
R. A. Shoaf, ed. Chaucer's Troilus and Criseyde, "Subgit to alle Poesye": Essays in Criticism. Medieval & Renaissance Texts & Studies, no. 104. Pegasus Paperbacks, no. 10 (Binghamton, N.Y.: Medieval & Renaissance Texts & Studies, 1992), pp. 161-78.
In TC 1, the narrator's initial confidence that Troilus is an exemplary figure conflicts with the reader's growing awareness of the narrator's limited knowledge of love and its conventions, paralleling Troilus's own movement from confidence to…
Beal, Rebecca S.
Annali d'Italianistica 18: 175-98, 2000.
Concerned with issues of closure in texts of Guillaume de Lorris, Dante, and Boccaccio. Introduction notes recent criticism treating Chaucer's "open endings."
Simonin, Olivier.
Bulletin des Anglicistes Medievistes 87 (2015): 123–44.
Explores the notion of commitment in "Sir Gawain and the Green Knight" and briefly mentions MilT in relation to the several meanings of the term "hend(e)."
Moseley, C. W. R. D., ed.
New York: Berghahn, 2020.
Reprints ten essays on Chaucer by various authors, each previously edited by Moseley for two issues of the journal Critical Survey: 29, no. 3 (2017) and 30, no. 2 (2018). The volume includes an introductory essay by Moseley and a comprehensive index.
Amtower, Laurel.
New York and Houndsmill, Basingstoke : Palgrave, 2000.
Analyzes depictions of reading in books of hours and assesses the theme of reading in Dante, Petrarch, Chaucer, and Christine de Pizan, examining a new "reflexive relationship" between "reading habits and the shaping of identity" in the late Middle…
Bullon-Fernandez, Maria.
R. F. Yeager, ed. Re-Visioning Gower (Asheville, N.C.: Pegasus Press, 1998), pp. 129-46.
In Gower's version of the Constance story, incest is a metaphor for the relationship between the Church and the crown, a means to critique the two. In contrast, MLT "tries to avoid suggesting any tension between lay and clerical power."
