Browse Items (16035 total)

Milowicki, Edward, and Rawdon Wilson.   Neohelicon 22 (1995): 9-47.
Ovid's "Metamorphoses" is crucial to the development of characterization in western European literature. Ovid complicates the conventional "divided consciousness" of earlier characterizations through relativism, rationalization, rhetoric…

Hoffman, Richard L.   English Language Notes 3 (1966): 169-72.
Explains the sexual resonances latent in the reference to Priapus in MerT 4.2034-37, citing tales in Ovid, the commentary tradition, and PF. January's statue of Priapus "constitutes a kind of devotion to the obscene god who was the true patron saint…

Andretta, Helen R[uth].   Edward Wesley, ed. Christianity & Literature (Brooklyn, N.Y.: St. Francis, 2003), pp. 16-27.
Essay not located; reported in the MLA International Bibliography, with the following note: "Proceedings of the Northeast Region Conference: Voices Far and Near: Myth, Legend, Folktale, Fantasy, Held Friday, October 25 and Saturday, October 26,…

Dean, Nancy.   Hunter College Studies 3 (1966): 75-90.
Argues that Ovid's "Tristia" and "Ex Ponto" influenced the ideas of Fame, Fortune, and Rumor in HF, along with several details in the poem.

Desmond, Marilynn.   Ithaca, N.Y.: Cornell University Press, 2006.
Desmond studies the discourse of erotic violence in medieval literature and iconography, surveying depictions of the "mounted Aristotle" and focusing on the adaptations of material from Ovid's "Ars Amatoria" found in the letters of Héoïse and…

Hoffman, Richard L.   Notes and Queries 210 (1965): 213-16.
Argues that Chaucer's allusions to Argus in WBP, MerT, and TC derive ultimately from Ovid's "Ars Amatoria" and "Amores" and capitalize on the "conventional moral significations" of the moralized commentary tradition, lending resonances to the…

Fumo, Jamie C.   Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press), pp. 219-37.
Traces connections between Ovid and Chaucer and asserts that "Chaucer emerges not simply as a conveyor of or apprentice to Ovid, but as a 'collaborator' in an Ovidian poetic, one who necessarily and wilfully transforms Ovid's 'book' into his own." In…

Galloway, Andrew.   In John F. Miller and Carole E. Newlands, eds. A Handbook to the Reception of Ovid (Chichester: Wiley, 2014), pp. 187-201.
Surveys texts by and about Ovid that Chaucer and Gower "might have used," arguing that the influence of Ovid was pervasive, complex, and crucial to the "careers and poetic self-fashioning" of both medieval poets, a model of poetic authority for them.…

Hoffman, Richard L.   Notes and Queries 211 (1966): 48-50.
Compares the Wife of Bath's version of the Midas exemplum with Ovid's original in "Metamorphoses," suggesting that the divergences exemplify the Wife's penchant for misquoting and/or misunderstanding authorities and align with her deafness, a…

Hoffman, Richard L.   Notes and Queries 210 (1965): 406-9.
Suggests that although Chaucer generally follows Boethius's "Consolation of Philosophy" in his account of the labors of Hercules, one discrepancy may have been influenced by a scholists' gloss to Ovid's "Ibis" 401-2.

Hoffman, Richard L.   [Philadelphia]: [University of Pennsylvania Press,] 1966.
Argues that Ovid inspired the structure, narrative complexities, and thematic focus of CT—its tales-within-a-tale structure, its multiple narrators characterized by their tales, and its concern with two kinds of love, higher and lower—and shows…

Hoffman, Richard L.   American Notes and Queries 3.7 (1965): 101.
Identifies Ovid's "Amores" 3.4.41-42 as a possible source for the "incompatibility of beauty and marital fidelity" that underlies the choice offered by the loathly lady to the knight in WBT 3.1219-27.

Hoffman, Richard L.   English Language Notes 2.4 (1965): 252-57.
Identifies Ovid as the ultimate source of Chaucer's references to the friendship of Theseus and Piritheus in KnT, perhaps mediated by the "Roman de la Rose 8148-54 or moralizations of Ovid's works.

Fyler, John M.   William S. Anderson, ed. Ovid: The Classical Heritage (New York: Garland, 1995), pp. 143-65.
Describes Ovid's response to Virgil, and gauges Ovid's influence on Chaucer, focusing on the latter's acquaintance with "Ars Amatoria," "Remedia Amoris," and "Amores," and on the "self-conscious, obtrusive narrator." Like Ovid, and unlike Virgil,…

Hoffman, Richard Lester.   Dissertation Abstracts International 25.03 (1965): 5280A.
Examines the "nature and extent" of Ovid's influence on CT, identifying wide-ranging allusions to various Ovidian works and providing parallel passages, assessing Chaucer's emulation of Ovidian techniques and considering Chaucer's uses of…

Thaisen, Jacob.   Journal of the Early Book Society 11 (2008): 121-43.
Thaisen illustrates how a distribution of orthographical variants can be an "internal standard of reference," using as an example the Ad3 manuscript of CT. He comments on the order of tales in the manuscript and on various features of the…

Clarke, Catherine A. M.   Reading Medieval Studies 29: 19-30, 2003.
Clarke discusses the motif of eavesdropping in TC, KnT, and BD. Overhearing (both deliberate and accidental) places speaker and listener in a dialectic relationship.

Reed, Teresa P.   Exemplaria 15 : 245-61, 2003.
Argues that spoken recordings of Chaucer's works (and other Middle English writings) are useful in the classroom. Surveys critical attitudes toward such recordings and comments on the products produced by the Chaucer Studio.

Garver, Marjorie   Critical Inquiry 42 (2016): 731-59.
Reviews canon, allusion, and literary influence in English literature. Refers to Chaucer as the head of the English canon, discusses Matthew Arnold's thoughts on Chaucer, and reveals limited attention to Chaucer in the 1909 "Harvard Classics"…

Kane, George.   Acta (Binghamton, N.Y.) 4 (1977): 1-17.
Chaucer scholarship provides an example of the need for the correction and reassessment of texts, authorship, chronology, and influences on Middle English literature.

Jones, Timothy S.   New York: Palgrave Macmillan, 2010.
Studies the depiction and reception of historical and literary outlaws in England from the eleventh to the sixteenth century, focusing on how borders of various sorts--legal, ethnic, political, social, and religious--define the outlaw identity. Jones…

Goldberg, Midge, ed.   Cambridge: Cambridge University Press, 2022.
Collects 100 poems and excerpts from poems on views of outer space, including NPT, 3187–99. In Middle English with no indication of edition.

Watson, Nicholas.   Karen Pratt, ed. Shifts and Transpositions in Medieval Narrative: A Festschrift for Elspeth Kennedy (Woodbridge, Suffolk; and Rochester, N.Y.: D. S. Brewer, 1994), pp. 89-108.
The relation of Lydgate and Henryson to Chaucer is anxious and competitive; their retellings of TC help canonize Chaucer but also subvert "his authority by criticizing or outdoing him." Lydgate associates Chaucer with Criseyde's falsity and "stands…

Rogers, Cynthia A.   Valerie B. Johnson and Kara L. McShane, eds. Negotiating Boundaries in Medieval Literature and Culture: Essays on Marginality, Difference, and Reading Practices in Honor of Thomas Hahn (Boston: De Gruyter; Kalamazoo: Medieval Institute, 2022), pp. 183-202.
Focuses on the "outcast" lyrics of the Findern manuscript (Cambridge University Library, MS Ff.1.6), i.e., those "“overlooked" poems as they appear among works by Chaucer and others. Analyzes how the lyrics "respond" to the works they accompany…

Stafford, Kim R.   John Witte, ed. 2084: Looking Beyond Orwell (Portland: Oregon Committee for the Humanities, 1984), pp. 17-21.
Contemplates the notion that "space travel helps us to see what we have on earth," musing upon the Apollo 11 moon landing and a number of literary representations of travel through space, ancient and modern, including Troilus's rise through the…
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