German translation of CT, with notes and glosses,originally produced by Adolf von Düring as part of his three-volume "Geoffrey Chaucers Werke" (Strassburg, 1883-86). Hoevel's edition was reissued in 1974.
Facing-page translation (Middle English verse/German prose) of selections from the CT, with introductions, commentaries, and bibliographies. Includes GP, KnT, MilT, WBPT, FranT, PardPT, and NPT. Translations by Bergner, Waltraud Böttcher, Günter…
Examines the narrative devices of WBP, classifying the Wife's oaths, metaphors, logic, euphemisms, and proverbs and suggesting that her appropriations of these traditional devices underpin her broader challenge to male authority.
Kleinstück, Johannes.
In Johannes Kleinstück, Mythos und Symbol in Englischer Dichtung (Stuttgart: Kohlhammer, 1964), pp. 25-55.
Argues that Chaucer's depiction of fame in HF is skeptical, emphasizing its dependence upon fortune, and arguing that it is more similar to Montaigne's notion of glory than to those of Dante or Petrarch.
Haug, Walter.
Dorothee Lindemann, Berndt Volkmann, and Klaus-Peter Wegera, eds. "Bickelwort" und "wildiu maere": Festschrift fur Eberhard Nellmann zum 65. Geburstag (Goppingen: Kummerle, 1995), pp. 354-65.
Compares RvT with its analogue in Boccaccio's "Decameron" and with the Middle High German "Studentenabenteuer," exploring their concerns with disorder and its effects.
The lament for the dead is a literary form that critics have found difficult to appreciate, even in Chaucer. The book sketches the sociocultural background in medieval England in connection with older traditions, native, biblical, Greco-Roman,…
Studies the interconnected development of fabliaux, tales, and novellas in the European Middle Ages, with emphasis on the German tradition and the impact of Boccaccio. Includes discussion of CT (pp. 292-97) as an early ("früher") response to…
Obst, Wolfgang, and Florian Schleburg.
Heidelberg : C. Winter, 1999.
Includes twelve chapters, organized as follows: a passage from TC (usually 100 lines each from MS Cambridge Corpus Christi 61) is followed by a discussion of specific grammatical or phonological features. Thus, chapter one contains the first night…
Schelp, Hanspeter.
Germanisch-Romanische Monatsschrift, New Series, 15 (1965): 251-61.
Assesses the morning-scene in TC 3.1415ff. in light of source-and analogue materials in Ovid's "Amores," Boccaccio's "Filostrato," and elsewhere, arguing that Chaucer combines elements from various genres and forms ingeniously to produce something…
Delany, Sheila.
Florilegium 10 (1991, for 1988): 83-92.
Deeply rooted in late-medieval social and religious ambivalence toward women, Chaucer's poetry both subverts and asserts traditional gender differences, as seen in LGWP, FranT, and WBP.
Reimer, Stephen R.
Ian Lancashire, ed. Computer-Based Chaucer Studies (Toronto: Centre for Computing in the Humanities, University of Toronto, 1993), pp. 161-76.
Summarizes questions of Lydgate's canon and its relation to Chaucerian apocrypha. Describes a series of computer-assisted stylistic analyses used to clarify the canon, showing that Lydgate tends to use "large and complex syntactic structures" and…
Ensley, Mimi.
Manchester: Manchester University Press, 2023.
Studies post-Reformation understandings and treatments of romance--a "fluid" genre--for the ways they disclose "subtle continuity" across the traditional divide between medieval and Renaissance. Focuses on resistance to erasure of the genre,…
Jones, Chris.
Bettina Bildhauer and Chris Jones, eds. The Middle Ages in the Modern World: Twenty-First Century Perspectives (Oxford: Oxford University Press, 2017), pp. 168-85.
Attends to histories of reinterpretation and translation of medieval poetry of Chaucer and of "Sir Gawain and the Green Knight." Focuses on the return to medievalism
by British poets of the twenty-first century, including Seamus Heaney. Also notes…
Situates the digital humanities (DH) within media history by arguing that DH depends upon collocation of visual, perspectivistic technology and artistic pursuit, as does anamorphosis. Exemplifies anamorphosis by means of Hans Holbein's "The…
Pidd, Michael, Peter Robinson, Estelle Stubbs, and Clare E. Thomson.
Literary and Linguistic Computing 12 (1997): 197-201
Argues that digital imaging of all available reproductions of CT manuscripts is necessary to make a pictorial history of the manuscripts. Reproductions of Hengwrt show changes over time.
Describes the history of digitizing the journal SAC, commenting on the future of print journals and "the overall impact of digitization on scholarly societies."
Kinney, Clare Regan.
Clare Regan Kinney, Strategies of Poetic Narrative (Cambridge University Press, 1992), pp. 31-68.
Considers TC as a narrative poem in relation to Boccaccio's Filostrato, exploring three narrative "designs" highlighted by the comparison: additive, goal-resistent dilation; patterned, goal-determining organization; and revisionary interpretation in…
Borroff, Marie.
Traditions and Renewals: Chaucer, The Gawain-Poet, and Beyond (New Haven, Conn., and London: Yale University Press, 2003), pp. 3-49.
Wycliffite elements of SumT and of the GP description of the Friar are submerged, but Chaucer sympathized with Wycliffite thought and believed that the Summoner's friar was damned. Borroff surveys anti-fraternal tradition, comments on Fals-Semblant…
Cohen, Jeffrey Jerome.
Peter G. Beidler, ed. Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde (Cambridge; and Rochester, N.Y.: D. S. Brewer, 1998), pp. 143-55.
One of the dominant themes of fragment 7 of CT is the "gendering of male bodies." The theme plays out through the shrinking masculinity ofThopas and the absence of menacing sexuality in his encounter with Olifaunt. It parallels the diminution of…
Sola Buil, Ricardo (J.)
Zaragoza: Publicationes de la Universidad de Zaragoza, 1981.
Point of view in the structure of CT and the use of direct speech and dialogue are a consequence of Chaucer's interest in showing the contradictions in his environment without the mediating influence of an omniscient narrator. The open structure of…
Pinti, Daniel J.
Translation Review 44-45 (1994): 16-23.
Examines Gavin Douglas's "Eneados" as a work in which Mikhail Bakhtin's notions of diologism and heteroglossia help illuminate medieval translation practice. Encourages application of such an approach to medieval translators, including Chaucer.
Peyton, Henry H.,III.
Interpretations 6 (1974): 1-6.
That Diomed was indeed "of tonge large" is to be evinced from his conversations with Criseyde in Book V. His large tongue becomes a symbol of the eventuality of Criseyde's infidelity and of Troilus' tragic demise, as well as of the inevitability of…
