Browse Items (15542 total)

Bloomfield, Morton W.   Poetica (Tokyo) 12 (1981): 28-35
Bloomfield considers natural law, an interest in distant geography, and the similarities between magic and technology in SqT as evidence of the "new spirit of the Renaissance" in Chaucer's works.

Kordecki, Lesley.   Chaucer Review 36 (2002): 277-97.
Various concepts of "otherness" in SqT—oriental setting, magic, non-human speech, female centrality—reflect Chaucer's "reshaping" of Ovidian "transformation" myth. His efforts to enter "into feminized animal subjectivity . . . intertwine with magic."…

Kellogg, Arthur L., and Robert C. Cox.   Alfred L. Kellogg. Chaucer, Langland, Arthur: Essays in Middle English Literature (New Brunswick, N. J.: Rutgers University Press, 1972), pp. 108-45.
Describes the backgrounds to Chaucer's reference to St. Valentine in PF (line 309) and explores its contemporaneous contexts in the poetry of Oton de Grandson and Charles d'Orléans. Rooted in Roman Lupercalia seasonal rites of purification and…

Taylor, Paul Beekman.   Chaucer Yearbook 4 (1997): 1-19.
Explores Chaucer's meanings for "translation" and related terms, using them to examine Chaucer's use of source material. Conjointure, verbal play, etymologizing, and transfer of meaning typify Chaucerian translation, exemplified in Troilus's…

Breeze, Andrew.   Notes and Queries 254 (2009): 21-23.
For both linguistic and political reasons, the town in RvT from which John and Aleyn hail may be identified as Westruther in Berwickshire, making Chaucer's rendition of their speech "the first imitation of Scots dialect in English literature."

Stroud, Theodore A.   Annuale Mediaevale 21 (1981): 31-45.
Chaucer exploited the structural similarities of the "Teseida" and the "Filostrato," though he shortened the first and greatly expanded the second.

Cannon, Christopher.   Piero Boitani and Jill Mann, eds. The Cambridge Companion to Chaucer, 2d ed. (Cambridge: Cambridge UP, 2003), pp. 233-50.
Though traditional at root, Chaucer's diction, syntax, and rhetoric are made fresh by the poet's careful combination and articulation of traditional features. Doubleness (as in mixed styles, ambiguity, and irony) is characteristic of his style and a…

Cawley, A. C.   Proceedings of the Leeds Philosophical and Literary Society (Literary and Historical Section) 8 (1956-1957): 173-80.
Assesses "unsavory" details of the GP description of the Summoner, the "bad feeling" between the Friar and the Summoner (WBP 3.829ff. and FrP 1265ff.), and concerns that link the GP Summoner and the summoner of FrT, clarifying the Friar's "attack" on…

Biggins, D.   Notes and Queries 209 (1964): 48.
Maintains that the Summoner's fondness for "overheating foods" conveys lechery, adducing evidence from Reginald Pecock's fifteenth-century "The Reule of Crysten Religioun."

Garbáty, Thomas Jay.   Papers of the Michigan Academy of Science, Arts, and Letters 47 (1962): 605-11.
Reviews evidence in GP that Chaucer's Summoner suffers from venereal disease rather than leprosy, using it as an example of little-known or overlooked scholarship that might be lost or ignored. Cites other examples more briefly, including the record…

Peltola, Niilo.   Neuphilologische Mitteilungen 69 (1968): 560-68.
Traces several iconographical, etymological, and punning associations of cherubs with redness, commenting on confusion with seraphs, and suggesting that these associations underlie details of the Summoner's description in GP.

Finlayson, John.   Studies in Philology 104 (2007): 455-70.
SumT is not a hidden allegory, but a narrative that exploits characteristics of the fabliau to explore larger issues of morality and ethics. By focusing almost solely on the distribution of the "gift," critics have ignored most of the story and…

Millns, Tony.   Essays in Criticism 27 (1977): 1-19.
In TC, PF, HF, and CT the narrator/author split permits a veiled and implicit expression of judgment at the beginning to be suspended until the end.

Rowland, Beryl.   Notes and Queries 209 (1964): 48-49.
Argues that Chaucer's references to a swallow in Alison's song (MilT 1. 3257-58) and to a dove in the Pardoner's claim about preaching (PardP 6.397) are suggestive, and may well derive from his familiarity with the two birds.

Ono, Shigeru.   Jacek Fisiak, ed. Studies in English Historical Linguistics and Philology: A Festschrift for Akio Oizumi. Studies in English Language and Literature, no. 2 (Frankfurt am Main: Peter Lang, 2002), pp. 405-17.
Argues that scribes altered Chaucer's modal auxiliaries, dative verb constructions, infinitives, and negations, simplifying Chaucer's syntax and making his stylistic compactness apparent by contrast.

London: Argo Sight and Sound; released in the U.S. by Holt, Rinehart and Winston, 1970.
Item not seen; WorldCat records indicate that this audiovisual movie "Depicts the various institutions, traditions, and forces which shaped Chaucer's life and writings. Includes medieval paintings, tapestries, and music, and portions of Chaucer's…

Ferster, Judith.   Denise N. Baker, ed. Inscribing the Hundred Years' War in French and English Cultures (Albany: State University of New York Press, 2000), pp. 73-89.
Argues that Chaucer produced Mel to demonstrate his allegiance to Richard II and to challenge the Appellants. Mel deconstructs the advice of Prudence, whose "advisory coup" echoes the Appellants' takeover.

Aers, David.   David Aers, ed. Medieval Literature and Historical Inquiry: Essays in Honor of Derek Pearsall (Cambridge: D. S. Brewer, 2000), 68-81.
Challenges the notion that Mel asserts orthodox Christian sensibility. By privileging prudence over the theological virtues and by omitting "Christ, the Church [. . .], the Trinity" and sacramental forgiveness, Mel suggests heterodox views.

Taylor, Jamie.   Exemplaria 21 (2009): 83-101.
Considers Mel as an allegory of translation, proposing that Chaucer applies legal theory drawn from Henry de Bracton's "De legibus et consuetudinibus Angliae" to questions of ownership. In MelP, Chaucer uses "thyng" as a legal term pertaining to an…

Brinton, Laurel J.   English Studies in Canada 10 (1984): 251-64.
Identifies three concerns in Mel: being reasonable in worldly affairs, sovereignty and proper cousel as themes, and the role of the tale in the sentence / solaas dynamic in CT. Includes a survey of criticism.

Johnson, Lynn Staley.   Studies in Philology 89 (1992): 314-33.
Reads SNT as paralleling Wycliffite dissent, arguing that Chaucer's alterations of his sources emphasize Cecilia's challenges to institutional values and power.

Strohm, Paul.   New York: Viking, 2014.
Biography of Chaucer that centers on the events of 1386 when he left London for residence in Kent and, by "virtue of necessity," imagined a new audience for his poetry--the embedded audience of CT, depicted in GP. Explores social, civic, and…

Nolan, Barbara.   C. David Benson and Elizabeth Robertson, eds. Chaucer's Religious Tales (Cambridge: D. S. Brewer, 1990), pp. 21-38.
The "special quality" of MLT, ClT, PrT and SNT is their focus on spiritual transcendence rather than simply religious or moral values. All four tales "reveal exactly the same incandescent core of prayerful faith and spiritual aspiration presented…

Meyer, Robert J.   Chaucer Review 18 (1984): 221-38.
Structural unity is achieved by the back-to-back romances in the tale, the first a mock quest, the second a narrative that asks what men most desire (gentility, youth, beauty). The Midas exemplum and the pillow talk of gentility are integral parts…

Cornelia, Marie.   Dalhousie Review 57 (1977): 81-89.
Until mid-thirteenth century, the East was, in spite of some factual knowledge, the fabled land of Prester John. Then real travel in the Tartar empire gave Europe facts just as marvellous.
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