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Il Sogno e Il Libro: La "Mise en Abyme" nei Poemi Onirici di Chaucer
D'Agata D'Ottavi, Stefania.
Rome: Bulzoni Editore, 1992.
Chaucer's dream poems reflect the self-consciousness of "mise en abyme"--literally, "setting of the abyss"--used here to identify Chaucer's means of drawing attention to structural and thematic circularity and to poetics. …
Difference and the Difference It Makes: Sex and Gender in Chaucer's Poetry
Delany, Sheila.
Florilegium 10 (1991, for 1988): 83-92.
Deeply rooted in late-medieval social and religious ambivalence toward women, Chaucer's poetry both subverts and asserts traditional gender differences, as seen in LGWP, FranT, and WBP.
Being Alone in Chaucer
Goodall, Peter.
Chaucer Review 27 (1992): 1-15.
Although the concept of solitude is considered a Renaissance phenomenon, it occurs often in Chaucer's works as "alone" or "privity" and in the concept of private space, such as Nicholas's room in MilT. The "struggle for personal space" was an…
Obstetrical and Gynecological Texts in Middle English
Green, Monica H.
Studies in the Age of Chaucer 14 (1992): 53-88.
Tallies eleven texts in thirty-three manuscripts, arranged and described under three headings: translations of the Latin "Trotula" (cited in WBP), versions of "The Sekenesse of Women," and related texts. Explores the readership of these texts and…
Chaucer and the Fictions of Gender
Hansen, Elaine Tuttle.
Berkeley: University of California Press, 1992.
Explores the relationship between gender and subjectivity in the works of Chaucer, assessing from a feminist critical perspective the traditional "adulation" of the poet. Hansen examines the "feminization" of Chaucer's characters and narrators and…
Chaucer on 'Speche': House of Fame, the Friar's Tale, and the Summoner's Tale
Harwood, Britton J.
Chaucer Review 26 (1992): 343-49.
The immobile house of Fame and the whirling cage of rumor are linked to each other much as a subject and a predicate are. FrT and SumT are held together by Chaucer's sense of sentences as "full-blown speech acts": in the former, the same words are…
Margery Kempe: Social Critic
Johnson, Lynn Staley.
Journal of Medieval and Renaissance Studies 22 (1992): 159-84.
Like Chaucer, Margery Kempe constructs a narrative context for the self she creates. Kempe uses autobiographical details to shape "Margery" into a representative type and to analyze communal values and practices. Kempe employs Chaucer's strategy of…
The Role of Swine Symbolism in Medieval Culture
Kearney, Milo.
Lewiston, N.Y.: Edwin Mellen, 1991.
A general survey referring to the hag of WBT as part of the tradition of women who approach heroes in disguises; to Troilus's dream of Diomedes as a pig, a symbol of lust; and to the Pardoner's counterfeit relics, pig bones.
Varieties of Medieval Historicism
Knapp, Peggy A.
Chaucer Yearbook 1 (1992): 157-75.
Curry's and Robertson's critical efforts seek to disclose stable, authoritative meaning; they reflect the hermeneutics of Hirsch, concerned with finding valid interpretation. The efforts of Aers and Patterson reflect Gadamer's reconstruction of…
Dreaming in the Middle Ages
Kruger, Steven F.
Cambridge and New York: Cambridge University Press, 1992.
Analyzes medieval theory of dreams, tracing development from late antiquity to the late Middle Ages. In theory, in literature, and in life, dreams were regarded as both potentially deceptive and potentially illuminating. The work concentrates on…
Be Prepared: Chaucer
Kohl, Stephan.
Anglistik & Englischunterricht 46-47 (1992): 341-53.
A survey of issues in Chaucer study, designed to help students prepare for examinations.
Chaucer's Merchants: A Trade-Based Speculation On Their Activities
Martindale, Wight, Jr.
Chaucer Review 26 (1992): 309-16.
Fourteenth-century business practices, financial transactions,and fluctuating currency rates illuminate the characters of the ShT monk (a cloth merchant) and the GP Merchant, who probably would have chosen to travel in April, when the relative values…
Discursive Violence: Women with Authority in Old English, Middle English, Middle High German, and Early New High German Texts
Morrison, Susan Signe.
Dissertation Abstracts International 53 (1992): 3275A-76A.
With few exceptions, medieval German and English texts depict female authority figures as truth-tellers. Female saints reveal the falseness of male antagonists, but queens lose their power to men who lie, act violently, and rule efficiently. CT…
Warnings at Seattle: Is Chaucer in Danger?
Murphy, Michael.
Chaucer Newsletter 14:2 (1992): 1, 5-6.
Considers a potential crisis in the teaching of Chaucer and suggests attending more to the pragmatic matters of teaching and less to theoretical problematizing.
Chaucer's Edwardian Poetry
David, Alfred.
James M. Dean and Christian Zacher, eds. The Idea of Medieval Literature: New Essays on Chaucer and Medieval Culture in Honor of Donald R. Howard (Newark: University of Delaware Press, 1992), pp. 35-54.
Considers BD, ABC, Pity, and HF to be Chaucer's "Edwardian" poetry, produced when he was closely associated with the royal family--first with the households of Elizabeth of Ulster and her husband, Prince Lionel, and then with the king's household.
The Manuscripts and Transmission of Chaucer's Troilus
Hanna, Ralph, III.
James M. Dean and Christian Zacher, eds. The Idea of Medieval Literature: New Essays on Chaucer and Medieval Culture in Honor of Donald R. Howard (Newark: University of Delaware Press, 1992), pp. 173-88.
Though they are continuous copies, made without hesitation, surviving manuscripts of TC contain embedded features of their predecessors. The features we infer from extant copies may belong to immediate exemplars used by the scribes of those copies…
The Idea of Medieval Literature: New Essays on Chaucer and Medieval Culture in Honor of Donald R. Howard
Dean, James M., and Christian Zacher, eds.
Newark: University of Delaware Press, 1992.
A collection of original essays by friends and students of Donald R. Howard--Oliver H. Palmer Professor in the Humanities at Stanford University--who died in 1987 at the age of fifty-nine.
For individual essays that pertain to Chaucer, search for…
For individual essays that pertain to Chaucer, search for…
Chaucer, Pope, and the House of Fame
Fyler, John M.
James M. Dean and Christian Zacher, eds. The Idea of Medieval Literature: New Essays on Chaucer and Medieval Culture in Honor of Donald R. Howard (Newark: University of Delaware Press, 1992), pp. 149-59.
Alexander Pope wrote a youthful imitation of HF Book 3, entitled the Temple of Fame. Pope's imitation of Chaucer and his reworking of that imitation in the Dunciad show he had assimilated Chaucer's troubling thoughts about the centrality and…
Scriptura Rescripta: The (Ab)use of the Bible by Medieval Writers
Brown, George H.
James M. Dean and Christian Zacher, eds. The Idea of Medieval Literature: New Essays on Chaucer and Medieval Culture in Honor of Donald R. Howard (Newark: University of Delaware Press, 1992), pp. 285-300.
Medieval uses of the Bible include imitation, satire, and parody. Chaucer's biblical quotations and allusions, which number more than seven hundred, are used to prove a proposition, to reinforce a statement, to enhance some personage, to criticize a…
The Literary Uses of the New History
Ganim, John M.
James M. Dean and Christian Zacher, eds. The Idea of Medieval Literature: New Essays on Chaucer and Medieval Culture in Honor of Donald R. Howard (Newark: University of Delaware Press, 1992), pp. 209-26.
Explores the importance of the "new history" for Chaucer criticism and for our idea of medieval literature in general. Examines interpretive models by historians such as Emmanuel Le Roy Ladurie, Natalie Davis, and Carlo Ginzburg.
Spenser's 'Shepheardes Calendar' and Protestant Pastoral Satire
King, John N.
Barbara Kiefer Lewalski, ed. Renaissance Genres: Essays on Theory, History, and Interpretation. Harvard English Studies, no. 14 (Cambridge, Mass.: Harvard University Press, 1986), pp. 369-98.
Connects Spenser's "association of pastoral with a Protestant gospel ethos" in "Shepheardes Calendar" with the Renaissance construction of medieval anticlerical satire as proto-Protestant. The spurious attribution of the "Plowman's Tale" to Chaucer…
Writing Amorous Wrongs: Chaucer and the Order of Complaint
Patterson Lee.
James M. Dean and Christian Zacher, eds. The Idea of Medieval Literature: New Essays on Chaucer and Medieval Culture in Honor of Donald R. Howard (Newark: University of Delaware Press, 1992), pp. 55-71.
Chaucer maintained a persistent interest in the complaint genre. Its modest dimensions and unprepossessing claims are part of its appeal, but Chaucer raises large questions about the foundations of cultural and metaphysical truths through the…
Telling the Private Parts: 'Pryvetee' and Poetry in Chaucer's Canterbury Tales
Hanning, Robert W.
James M. Dean and Christian Zacher, eds. The Idea of Medieval Literature: New Essays on Chaucer and Medieval Culture in Honor of Donald R. Howard (Newark: University of Delaware Press, 1992), pp.108-25.
"Pryvetee" assumes a spectrum of meanings and a range of functions in the overall scheme of CT. Hanning examines a few of these functions, suggesting that at the center of the poem and Chaucer's art is a mysterious, antithetical, yet symbiotic…
Chaucer's Idea of a Canterbury Game
Olson, Glending.
James M. Dean and Christian Zacher, eds. The Idea of Medieval Literature: New Essays on Chaucer and Medieval Culture in Honor of Donald R. Howard (Newark: University of Delaware Press, 1992), pp. 72-90.
CT is a collection of narratives bound together in a frame with two central features: a pilgrimage and a game. The pilgrimage is the outer frame, while the game is a second, inner framing device--the organizing principle that brings the stories into…
The Friar and the Critics
Ridley, Florence H.
James M. Dean and Christian Zacher, eds. The Idea of Medieval Literature: New Essays on Chaucer and Medieval Culture in Honor of Donald R. Howard (Newark: University of Delaware Press, 1992), pp. 160-72.
Surveys critical commentary and presents an account of the Friar and FrT. The Friar wants to be deemed a compassionate clergyman, concerned only with correction of sin and perhaps a bit of amusement. But as he moves from his vehement opening tirade…