Phillips, Helen.
Susanna Fein, ed. The Auchinleck Manuscript: New Perspectives (York: University of York, 2016), pp. 139-55.
Examines "what looking from Auchinleck to Chaucer might reveal about Chaucer." Considers how in Th Chaucer may have been influenced by the "romance formulae exemplified in Auchinleck."
Includes essays that define current Auchinleck manuscript studies. For an essay that pertains to Chaucer, search for The Auchinleck Manuscript: New Perspectives under Alternative Title.
Edwards, A. S. G.
Studies in the Age of Chaucer 38 (2016): 245-54.
Suggests that John Shirley's motives for his scribal activities were "commercial," rather than antiquarian or courtly, motivated by a "shared interest" with John Lydgate.
Doyle, Kara.
Studies in the Age of Chaucer 38 (2016): 275-85.
Focuses on quire xix of Cambridge, Trinity College, MS R.3.20, showing how John Shirley connects Chaucer's Anel with the female-voiced French lyric tradition of skepticism about male courtly rhetoric.
Downes, Stephanie.
Studies in the Age of Chaucer 38 (2016): 287-97.
Considers the "non-lyric French inclusions" in Cambridge, Trinity College, MS R.3.20 as evidence of what "French meant to [John] Shirley" and what this indicates about fifteenth-century English reception of French literature.
Boffey, Julia.
Studies in the Age of Chaucer 38 (2016): 265-73.
Explores the connections between two compilations produced by scribe John Shirley--Cambridge, Trinity College, MS R.3.20 and British Library, Additional MS 16165--suggesting that the manuscripts indicate John Lydgate's two different reactions to the…
Thaisen, Jacob.
Jacob Thaisen and Hanna Rutkowska, eds. Scribes, Printers, and the Accidentals of Their Texts (Frankfurt am Main: Peter Lang, 2011), pp. 73-90.
Presents and discusses tabular data from the Hengwrt and Ellesmere manuscripts of CT, copied by Adam Pinkhurst, to show how "codicological and palaeographical context" can affect orthography and abbreviation in late medieval English manuscripts.
Kopaczyk, Joanna.
Jacob Thaisen and Hanna Rutkowska, eds. Scribes, Printers, and the Accidentals of Their Texts (Frankfurt am Main: Peter Lang, 2011), pp. 91-106.
Identifies several difficulties in representing manuscript abbreviations digitally, focusing on graphic subscription and superscription, and drawing data from manuscripts of MLT transcribed for the "Canterbury Tales" Project.
Thaisen, Jacob, and Hanna Rutkowska, eds.
Frankfurt am Main: Peter Lang, 2011.
Ten essays by various authors on textual concerns of late medieval English manuscripts and early printed books. For three essays that pertain to Chaucer, search for Scribes, Printers, and the Accidentals of Their Texts under Alternative Title.
Tokunaga, Satoko.
Jacob Thaisen and Hanna Rutkowska, eds. Scribes, Printers, and the Accidentals of Their Texts (Frankfurt am Main: Peter Lang, 2011), pp. 157-76.
Tabulates, compares, and analyzes the "collation results" of understudied sections of Wynkyn de Worde's edition of CT and Caxton's second edition, comparing them with variants in manuscripts, and arguing that while De Worde's editorial practice was…
Tokunaga, Satoko.
Transactions of the Cambridge Bibliographical Society 15 (2012): 59-78.
Examines the various kinds of rubrication in copies of books printed by Caxton, 1476-78, including his first edition of CT and his Bo, suggesting that, after printing, the "additional task of rubrication was carried out in an organized manner before…
Shows that "what is thought to be the earliest record of a Chaucer folio in North America in fact refers to a text by the Protestant theologian Daniel Chamier." Concludes "with a brief survey of other early American readers of Chaucer."
Focuses on three letters that preface Thomas Speght's Chaucer editions, which "conceive, invite, and attempt to influence their audiences." Argues that these letters reveal that the intended audience included both the established audience for Chaucer…
Lazaro, Alberto.
Luminita Frentiu and Loredana Punga, eds. A Journey through Knowledge: Festschrift in Honour of Hortensia Pârlog (Newcastle upon Tyne: Cambridge Scholars, 2012), pp. 120-29.
Describes the availability in Spain before 1975 of translations for children of CT and Arthurian stories, observing the emphasis on pious, submissive women found in adaptations of FranT, KnT, ClT, and MLT, the only tales allowed by censors.
Forni, Kathleen
.
Studies in Medieval and Renaissance Teaching 23 (2016): 107-14.
Utilizes Peter Ackroyd's "'The Canterbury Tales': A Retelling" and argues that modern English prose translations of CT are valuable teaching tools for contemporary students.
Identifies difficulties in translating Chaucer for American audiences: linguistic difficulties (especially false cognates such as "countrefete" and "lust") and several social changes that make Chaucer the "absent father in the United States."
Cook, Megan L.
Spenser Studies 26 (2011): 179-222.
Considers how Edmund Spenser's "Shepheardes Calender" "influenced the reception and presentation of Chaucer in the late Tudor period," focusing particularly on how the editorial apparatus of Thomas Speght's "Works" influenced "two of the most…
Coleman, Joyce.
Susanna Fein and David Raybin, eds. Chaucer: Visual Approaches (University Park: Pennsylvania State University Press, 2016), pp. 177-94.
Argues that "Roman de la rose" iconography underlies English conceptions of authorship and "literary self-validation" in MSS of Gower's "Confessio Amantis," "Pearl," and TC (Cambridge, Corpus Christi College, MS 61). The "recombinant iconography"…
Rust, Martha.
Susanna Fein and David Raybin, eds. Chaucer: Visual Approaches (University Park: Pennsylvania State University Press, 2016), pp. 195-217.
Interprets red-ink underlining of lovers' and birds' names in the text of PF in Bodley 638 and Fairfax 16 as a "visual appeal to memory" that activates pedagogical frameworks of language acquisition from medieval grammar school curricula. Viewing…
Cook, Alexandra.
Susanna Fein and David Raybin, eds. Chaucer: Visual Approaches (University Park: Pennsylvania State University Press, 2016), pp. 23-38.
Revisits the significance of the image-based mnemonic system known as artificial memory, especially as conceived in John of Garland's "Parisiana poetria," for Chaucer's poetic project in HF. Argues how "visual mnemonics and creative memory" shape…
Vulic, Kathryn.
Susanna Fein and David Raybin, eds. Chaucer: Visual Approaches (University Park: Pennsylvania State University Press, 2016), pp. 59-85.
Posits that the Paternoster diagram in the Vernon manuscript, transcribed in an appendix, as an example of a "supplementary text" that performs devotional work in dialogue with ParsT's call to prayer. Examines the visual and verbal structure of the…
Stanbury, Sarah.
Susanna Fein and David Raybin, eds. Chaucer: Visual Approaches (University Park: Pennsylvania State University Press, 2016), pp. 39-58.
Considers the counting-house in ShT in light of the late medieval concern with "architectural privacy" and "new formations of sociability" in the bourgeois household. Contextualizes gendered space in ShT in relation to mercantile labor, developments…