Browse Items (16107 total)

Schwebel, Leah.   Studies in the Age of Chaucer 44 (2022): 337-45.
Explores aspects of sexual consent and non-consent in RvT--particularly Malyne's romanticizing of Aleyn's assault--linking them with Augustine's comments on Lucretia in "De civitate Dei," modern notions of "retroactive consent," and the Chaucer life…

Hansen, Elaine Tuttle.   Berkeley: University of California Press, 1992.
Explores the relationship between gender and subjectivity in the works of Chaucer, assessing from a feminist critical perspective the traditional "adulation" of the poet. Hansen examines the "feminization" of Chaucer's characters and narrators and…

Crepin, Andre.   Piero Boitano and Anna Torti, eds. Medieval and Pseudo-Medieval Literature (Tubingen: Narr, 1984), pp. 55-77.
Deals with Chaucer's French sources and his reception in France.

Fisher, John H.   Donald M. Rose, ed. New Perspectives in Chaucer Criticism (Norman Okla.: Pilgrim Books, 1981), pp. 177-91.
In his early poetry Chaucer tried to use a purely native English vocabulary; his later works show a more comfortable use of the cultural vocabulary with which he and his bilingual audience were familiar.

Wimsatt, James I.   Chapel Hill: University of North Carolina Press, 1968.
Demonstrates Chaucer's extensive dependence upon French love poetry, tracing the development of "dits amoreux" from Guillaume de Lorris's portion of the "Roman de la Rose" to Chaucer's contemporaries and identifying where in BD Chaucer was influenced…

Collette, Carolyn P.   Jocelyn Wogan-Browne et al., eds. Medieval Women: Texts and Contexts in Late Medieval Britain: Essays for Felicity Riddy (Turnhout, Belgium: Brepols, 2000), pp. 151-68.
Defines the French literary topos of the good wife, wherein "female virtue grounded in prudence and self-control benefits the immediate domestic and also the wider public spheres." Reflected in Philippe's "Le livre de la vertu du sacrement de…

Muscatine, Charles.   Berkeley and Los Angeles: University of California Press, 1957.
Describes aspects of medieval French poetry that influenced Chaucer's style, high and low, tracing the idealizing, nonrepresentational conventions of courtly romances from the early twelfth century to their epitome in Guillaume's de Lorris's portion…

Scattergood, V. J.   Glyn S. Burgess and others, eds. Court and Poet (Liverpool: Cairns, 1981), pp. 287-96.
Th, a burlesque romance, and Mel, a moral allegory, express substantially the same ideas in their satiric evaluation of military heroes and affairs.

Holley, Linda Tarte.   Dissertation Abstracts International 36 (1976): 8075A.
Medieval thinkers reverenced the word for its power to give order to experience, but Chaucer throughout his writings calls attention to the unreliability of the word.

Hanna, Ralph.   SAC 24: 309-15, 2002.
Hanna encourages more refined analysis of Chaucer's lexical practice, especially examination of patterns of choices between English and French synonyms.

Warren, Michelle R.   Literature Compass 15, no. 6 (2018): n.p.
Explores interrelations among world literature studies, comparative literature studies, textbook marketing, translations of Chaucer's works into various languages, Ngugı wa Thiong'o's concept of "globalectics," and the essays accompanying Warren's…

Harwood, Britton J.   Studies in Philology 103 (2006): 26-46.
Explores gift-giving in Part 5 of CT, from the magical gifts given to Ghengis Khan in SqT to the concern with generosity that ends FranT. Uses Derridean notions of gifts and exchange to argue that the sequence is Chaucer's means to "erase…

Cigman, Gloria.   Literature and Theology 5 (1991): 162-80.
Although elite cultural views, such as those of theologians, set the polarities of moral judgment as good and evil, vernacular writings in Middle English--including Lollard sermons, Piers Plowman, and CT--set up instead a dialectic of sin and evil. …

Apstein, Barbara.   DAI 32.06 (1971): 3240A.
Summarizes traditions antecedent to Chaucer's uses of classical deities, and asserts that Chaucer's own uses rejuvenate the tradition, arguing that he is less conventional than usually assumed. Treats sources and analogues, BD, HF, PF, TC, LGWP, KnT,…

Schmidt, A. V. C.   Essays in Criticism 26 (1976): 99-115.
The solemn tone of an unusually learned vocabulary, the skillful syntax, and the architectural strength of the ababbcbc eight-line unit combine to give Chaucer's "image of regret" in "Form Age" what Joseph Campbell calls the "force of living myth"

Pratt, Robert A.   Speculum 41 (1966): 619-42.
Documents the influence on WBPT, SumT, PardT, and, to a lesser degree, other parts of CT of the "Communiloquium" of John of Wales (or another fraternal compendium much like it), showing that a number of biblical, classical, and medieval quotations or…

DiMarco, Vincent.   Leeds Studies in English 23 (1992): 105-26.
While Chaucer undoubtedly mined John of Wales's Communiloquium for details in PardT, he also consulted Jerome's Letter 22, to Eustochium, for details not found in John's florilegium. Comparison of PardT with Jerome's letter elucidates Chaucer's…

Bowen, Nancy E.   DAI A68.01 (2007): n.p.
Bowen considers the treatment of stringed instruments in Chaucer's Latin sources, their treatment as symbols of "celebration and peace" for characters in CT, and connections between the instruments and concepts of bodies. Stringed instruments…

Machan, Tim William.   Studies in Philology 87 (2012): 147-76.
Critiques traditional treatment of Chaucer's English as the main antecedent of modern English and the assertion that it is representative. Chaucer's English is more conservative than that of many of his contemporaries and of general spoken discourse.…

Waller, Martha S.   DAI 34.04 (1973): 1942A.
Surveys medieval understandings of Rome and its history as background to understanding Chaucer's allusions to Rome and Romans, especially his treatments of them in PhyT, SNT, the Caesar and Nero accounts in MkT, and the Lucrece legend of LGW.…

Pratt, Robert A.   Modern Language Notes 70 (1955): 324-25.
Clarifies the appropriateness of Symkin's wife swearing by the "croys of Bromeholm" (RvT 1. 4286), adducing Roger of Wendover's "Flores Historiarum" and, possibly, the clerical status of the wife's father.

Dent, A. A.   Proceedings of the Leeds Philosophical and Literary Society 9 (1959): 1-12.
Investigates the "equestrian vocabulary" used by Chaucer, with particular attention to GP, but including his other references to horses, their tackle, colors, names, conditions, movements, etc., clarifying the denotations of the terminology. Includes…

Morgan, Philippa.   New York: Carroll & Graf; London: Constable, 2004.
Historical detective novel, with Chaucer as the investigator of a string of murders while on a diplomatic mission to France in 1370.

Kane, George.   Geoffrey Chaucer: Conferenze Organizzate dall'Accademia Nazionale dei Lincei in Collaborazione con la British Academy (Rome: Accademia Nazionale dei Lincei, 1977), pp. 35-49.
Postulates a crucial division in Chaucer's poetic career, separated by a "courteous but thoughtful and decisive rejection of 'fine amour'," reflected in PF, TC, and LGWP. Acknowledges the impact of French and Italian models on Chaucer's changing idea…

Axton, Richard.   Michel Bitot, ed., with Roberta Mullini and Peter Happe. Divers Toyes Mengled: Essays on Medieval and Renaissance Culture in Honour of Andre Lascombes (Tours: Universite Francois Rabelais, 1996), pp. 83-100.
Examines theatricality in Chaucer's work evidenced in spatial representations, the specialized behavior of performers, and the presence of an audience in PrT, SNT, and MilT. Some attention to TC, HF, MkT, SqT, and FranT.
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