Pictorial Allusion as a Distancing Technique from the Chaucerian Hypotext in "The Canterbury Tales."
- Author / Editor
- Lanzarini, Ilaria.
Pictorial Allusion as a Distancing Technique from the Chaucerian Hypotext in "The Canterbury Tales."
- Published
- In Ryan Calabretta-Sajder, ed. Pasolini’s Lasting Impressions: Death, Eros, and Literary Enterprise in the Opus of Pier Paolo Pasolini (Madison, N.J.: Fairleigh Dickinson University Press, 2018), pp. 177-90.
- Description
- Argues that, for Pasolini, "Chaucer presages the spiritual corruption of the nascent bourgeoisie" in the style and content of CT; yet, to "represent [the] spoiled fruits" of bourgeois corruption visually in "I racconti di Canterbury," the filmmaker emulated Pieter Bruegel’s paintings.
- Contributor
- Calabretta-Sajder, Ryan, ed.
- Alternative Title
- Pasolini’s Lasting Impressions: Death, Eros, and Literary Enterprise in the Opus of Pier Paolo Pasolini.
- Chaucer Subjects
- Recordings and Films
Chaucer's Influence and Later Allusion