Chaucer Bibliography Online
Title
Chaucer Bibliography Online
Collection Items
Opowieść Młynarza [The Miller's Tale]
Item not seen. The journal's website supplies tables of contents, indicating that this is a translation of MilT into Polish.
The Canterbury Tales.
Whyte's woodcut illustrations adorn the endpapers and text of Coghill's modernization (published originally by Penguin, 1951, often reprinted).
Allas, Myn Hertes Queene: For Male Chorus, a Cappella.
Item not seen. WorldCat record indicates this is a printed reproduction for rehearsal, for four male voices. Evidently a musical setting for KnT 1.2775ff.
Chaucer's "O Sentence" in the "Hous of Fame."
Maintains that Chaucer indicates that there is a "single theme" in HF, arguing that "Distrust of worldly felicity . . . is Chaucer's 'o sentence'," and hypothesizing that the poem "was written for a New Year's entertainment." Cites several…
English Medieval Literature and Its Social Foundations.
Surveys the literatures of medieval England, with emphasis on origins, multilingualism, feudalism, developmental transitions, dominant themes, and social, political, and religious contexts. Includes chapters on the contemporaries of Chaucer,…
Beowulf-Chaucer: Selections from Beowulf and Chaucer.
Item not seen. WorldCat records indicate that these readings were released in LP recording and/or cassette tape recurrently by Whitlock's, Educational Audio Visual, and Lexington Records with slightly varied titles. The selections from Chaucer, read…
Kantaberī Monogatari Purorōgu. [Canterbury Tales Prologue].
Item not seen. WorldCat records indicate that this volume includes GP, with an introduction and notes. In Japanese.
Chaucer's Double Consonants and the Final E.
Describes grammatical and metrical conditions that restrict or encourage pronunciation of final -e at the end of lines in Chaucer's verse. Introduces double-consonant rhymes as a previously unnoticed factor in these concerns, explores their…
A Song-cycle on the Birth of Jesus: For Soprano and Harp or Piano (1951).
Item not seen. WorldCat records indicate this printed musical score includes settings for poetry by Chaucer, Myles Pinkney, St. Teresa of Jesus, and Richard Verstegan (Rowlands), with printed lyrics. An online reprint of page 1 shows the Chaucer…
St. Ninian/Ronyan Again.
Gives phonological evidence to support the identification of "Seint Ronyon" of PardP 6.320 as St. Ninian.
Balade. For S.A.T.B. [Words by] Geoffrey Chaucer.
Item not seen.
"Non Alleluia Ructare."
Includes examination of the verbal play on praying and belching in SumT 3.1934, arguing that the pun is effective satire even when manuscripts (including the Ellesmere) substitute "but" for the onomatopoetic "buf." Considers other puns…
The Clerk of Oxford's Tale.
Item not seen. WorldCat records indicate this edition of ClT includes an introduction and notes by Marjorie M. Barber.
And Gladly Edit: "Studies in the Age of Chaucer" 1997–2003.
Comments on editing SAC and offers personal and historical perspective on the journal’s development.
Borderlands Chaucer.
Explores "imperfect analogies between Chaucerian poetics and border theory/pedagogy," reporting on classroom experiences and discussing what Chaucer can teach us about "inhabiting borderlands."
The Bequests of Isabel of Castile, First Duchess of York, and Chaucer's "Complaint of Mars."
Summarizes the life and legacy of Isabella of Castile, examining in detail her last will and testament (included in Latin and French). Refutes John Shirley's suggestion in his manuscript afterwords to Mars and to Venus that the poems link the…
Geoffrey Chaucer: Complaint to His Purse (Ende 14. Jh).
Translates Purse into German verse, with notes; Middle English text included.
Lik Antigone v predmoderni literaturi.
Surveys depictions of Antigone in western literature from Antiquity through the late Middle Ages, with assessment of Chaucer's characterization of her in TC as an interweaving of Trojan and Theban traditions. In Bulgarian with English abstract.
Forming Pity: Responses to Suffering in Chaucer's "Troilus and Criseyde."
Presents the role of pity as an "essential virtue" that does not negate suffering in TC; claims that Chaucer shifts language as a way to understand the "complex social and subjective position of pity" in TC.
Introduction [Colloquium: Historizing Consent: Bodies, Wills, Desires]
Identifies Criseyde's comment to Troilus about consent in TC, 3.1210–11 as evidence of her awareness of difference between "survival strategy" and "affirmative consent."
". . . Criseyda, / In widewes habit blak" (I.169–70): Fourteenth-Century English Widows and the Victimization of Criseyde.
Investigates TC's portrayal of Criseyde as a representation of English widows facing threats and deceit. Utilizing legal records of the time, considers how Poliphete's false suit mirrors real cases of widows unjustly targeted for their property and…
The Futility of Prophecy: Prophecy and Poetry in English Narratives of Troy.
Examines the themes of prophecy and retold narrative in premodern works about Troy by Virgil, Dares and Dictys, Chaucer (TC), Lydgate, and Shakespeare, arguing that, in various ways, they "call into question the efficacy of poetry and of knowledge,…
Beyond the Girlboss.
Comments on Criseyde in TC and the protagonists of LGW as evidence of Chaucer's effort "to articulate the problem of writing about women: in the public eye, no female character is entitled to a full personality."
Swoon: A Poetics of Passing Out.
Surveys literary representations of swooning from late medieval works to modern ones, assessing how the motif is "inflected and re-inflected as ideas of the body, gender, race, sexuality and sickness shift through time." After an introductory essay…
Calkas's Daughter: Paternal Authority and Feminine Virtue in "Troilus and Criseyde"
Explores Criseyde's role as daughter in TC, Calkas's putative authority over her in marital matters, and the views of other characters concerning her ambiguous, conditional consent to her father's wishes. Treats Criseyde's "feminine virtue" and…