Textual Subjectivity : The Encoding of Subjectivity in Medieval Narratives and Lyrics

Author / Editor
Spearing, A. C.

Title
Textual Subjectivity : The Encoding of Subjectivity in Medieval Narratives and Lyrics

Published
Oxford : Oxford University Press, 2005.

Physical Description
viii, 273 pp.

Description
Spearing counters the assumption that all medieval narration implies a narrator. Medieval literature is permeated with subjectivity, but it is often "subjectless subjectivity," better compared to painting than to oral storytelling. Similar to twentieth-century experiments in disembodied perception, medieval fiction was just beginning to explore the possibility of representing unified consciousness.
Examination of linguistic phenomena, such as deixis, shows how subjectivity is encoded in medieval lyrics and narratives, even though it is not represented as the product of a unitary speaking voice. Spearing considers TC, MLT, and Pity, as well as other works of Middle English literature.

Chaucer Subjects
Troilus and Criseyde.
Man of Law and His Tale.
Complaint unto Pity.