Browse Items (15544 total)

Hardwick, Paul.   Chaucer Review 52.2 (2017): 237-52.
Portrays the symbolic and naturalistic use of the cat and applies these concepts to SumT and its critique of the mendicant orders.

Saltzman, Benjamin A.   Chaucer Review 52.4 (2017): 363-95.
Looks at how both erasure and the anxiety that erasure produces in material culture are revealed in FrT and SumT.

Matsuda, Takami.   Spicilegium 1 (2017): n.p. Web publication.
Examines FrT and SumT in the "context of the late medieval vision of the afterlife," and argues that the "two tales tell how one is constantly in the dangerous liminal situation between damnation and salvation, between being physically ravished to…

Sylvester, Ruth.   ETC: A Review of General Semantics 71.3 (2014): 248-57.
Summarizes differences between oral and literate communication, describes CT as a product of a transitional "manuscript culture," and discusses how WBP lends verisimilitude to the speaking voice of WBT, an example of Chaucer's virtuosity in a "time…

Strouse, A. W.   Dissertation Abstracts International A78.09 (2017): n.p.
Uses WBT as a case study in the development of circumcision's use as a metaphor for situations ranging from shifting of intellectual ground to the process of reading itself.

Perfetti, Lisa.   Peter Dickinson, Anne Higgins, Paul St. Pierre, Diana Solomon, and Sean Zwagerman, eds. Women and Comedy: History, Theory, Practice (Lanham: Fairleigh Dickinson University Press, 2013), pp. 41-53.
Asks to what extent CT and Boccaccio's "Decameron" advocate "women's equality," exploring female laughter in these works, and focusing on Boccaccio's Pampinea and on the Wife of Bath as a "comic performer who has an intent to play."

Noji, Kaoru.   Tokyo: Hon-no-Shiro, 2017.
Examines eloquence of the Wife of Bath, Criseyde, and Prudence. Focuses on Chaucer's intention in creating these female characters.

Inskeep, Kathryn.   Dissertation Abstracts International A74.12 (2014): n.p.
Studies the "role of stigma in determining the social value of a lone woman of loathly proportions or perceptions," discussing a range of texts, medieval to postmodern, including two chapters on WBPT that assess the loathly lady as the "alter ego" of…

Edwards, Suzanne M.   New York: Palgrave Macmillan, 2016.
Investigates the "discourses of [rape] survival" in medieval literature and its historical contexts, addressing the aftereffects of rape as they are depicted in saints' lives, anchoritic literature, accounts of raped wives (particularly Lucretia in…

Staley, Lynn.   Postmedieval 7 (2016): 539-50.
Contrasts Custance of MLT with her source in Trevet's "Cronicles," exploring the depictions of the sea in the two poems as well, arguing that women and water are tamed by "providential control" in Chaucer, especially when seen in light of Alatiel of…

Quinn, William A.   Critical Survey 29.3 (2017): 48-64.
The Ptolemaic universe of MLT should have a still center, but neither this Tale nor the CT as a whole seems to reflect "a single interpretive order." Thematic and tonal threads pull in different directions, as if the Tale harbored an anticipation of…

Lim, Hyanyang K.   Medieval and Early Modern English Studies 25.1 (2017): 67-97.
Explores Chaucer's reservations about the reliability of written documents by examining Donegild's counterfeit letters in MLT and Thomas Woodstock, duke of Gloucester's "Confession", written in 1397. Examines problems of written documents implicated…

Hsy, Jonathan.   Jason Barr and Camille D. G. Mustachio, eds. The Language of Doctor Who: From Shakespeare to Alien Tongues (Lanham: Rowman & Littlefield, 2014), pp. 109-23.
Explores three examples of literary representation of cultural contact across language boundaries: an episode from the "Doctor Who" television series, MLT, and the BBC adaptation of MLT, identifying parallels among cross-linguistic contact,…

Erwin, Bonnie J.   Enarratio 20 (2016): 41-66.
Argues that MLT and MLE are "fundamentally concerned with the transmission of affect." The tale "dramatizes how affect operates as a physical force that realigns individual and collective identities," while the narrator's style, combined with…

Birns, Nicholas.   Nicholas Birns. Barbarian Memory: The Legacy of Early Medieval History in Early Modern Literature (New York: Palgrave Macmillan, 2013), pp. 44–59.
Assesses the uses of late Antique historiography in MLT and in Gower's Prologue to his "Confessio Amantis," comparing Gower's depiction of the late Roman empire and that of Otto of Freising's "Chronica," and arguing that the ultimate source of MLT is…

Purdon, Liam O.   Chaucer Review 52.2 (2017): 202-16.
Proposes that the Cook is suffering from illness, which challenges the traditional interpretation of the Cook as a drunkard.

Okamoto, Hiroki.   Bulletin of the Society for Chaucer Studies 5 (2017): 3–21.
Reconsiders the role of the clerks' northern dialect in RvT as well as the Reeve's Norfolk dialect, paying particular attention to the fading of the former within the tale.

Johnson, Travis William.   Dissertation Abstracts International A75.01 (2014): n.p.
Investigates the lexicons of emotion and "codes of masculinity" in a range of late medieval English literary texts, including RvT.

Bertolet, Craig E.   Chaucer Review 52.4 (2017): 456-75.
Analyzes the ways in which Chaucer uses the word "sight" in order to examine concepts of taste and tastelessness in RvT.

Smilie, Ethan K., and Kipton D. Smilie.   Interdisciplinary Humanities 31.3 (2014): 32-52.
Surveys Marxist scholarship concerning "class clowns" in American school rooms, classroom management of them, and their vocational potential. Then discusses Nicholas of MilT and John and Aleyn of RvT as students "who ‘work the system' for the sake of…

Peksenyakar, Azime.   Interactions: Ege Journal of British and American Studies / Ege Ingiliz ve Amerikan incelemeleri dergisi 25.1-2 (2016): 149-59.
Explores spaces, places, and gendered power relations in MilT and RvT, arguing that Alisoun, Malyne, and Symkyn's wife all use trickery to evade spatial oppression and achieve pleasure.

Heffernan, Carol F.   Neophilologus 97 (2013): 191-97.
Suggests the "possible influence" of Horace's Ode 1.9 on Alisoun's laugh in the dark in MilT, observing similarities in erotic setting, imagery, and opposition between youth and age.

Yu, Wesley Chihyung.   Exemplaria 28 (2016): 1-20.
Explores how the figure of a drunken man, originating in Boethius's "Consolation of Philosophy" and "De topicis differentiis," and used by Chaucer in Arcite's complaint in KnT, I.1260–67, "blurs the line between universal and particular" and thereby…

Wadiak, Walter.   Notre Dame: University of Notre Dame Press, 2016.
Traces the evolution of the romance to the start of the sixteenth century, and its repositioning from an aristocratic genre to one that was embraced by the common audience. Claims this move marks a shift from violence in its early stages to one of…

Tasioulas, Jacqueline.   Medium Aevum 82.2 (2013): 213-35.
Explores "the role of the imagination" in KnT, with attention also to MilT and RvT, focusing on the "cerebral process" in the "amorous desire" of the characters, especially Arcite, whose lovers' malady results from his "lack of imaginative control."…
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