Hanawalt, Barbara A.,and David Wallace, eds.
Minneapolis and London : University of Minnesota Press, 1999.
Ten essays by various authors and an introduction by the editors. The essays focus on intersections between literary and historical texts, especially those concerned with representations of law and transgression of law. For three essays that pertain…
Cartwright, John [H].
John H. Cartwright and Brian Baker, eds. Literature and Science: Social Impact and Interaction (Santa Barbara, Calif.: ABC-CLIO, 2005), pp. 1-29.
Summarizes "Aristotelian cosmology" and describes its role as a structural and thematic device in Dante's "Paradiso." Describes the roles of astrology, the humours, and alchemy in Chaucer's CT, especially in the description of the Physician and in…
First, McGerr reviews modern theories on closure and examines medieval theory on literary design and closure in Geoffrey of Vinsauf, John of Garland, Ludolf of Hildesheim, Brunetto Latini, Dante, and others to show that "medieval concepts of closure…
David, Alfred.
Studies in Medieval and Renaissance Teaching, n.s., 2 (1991): 23-30.
Individual GP pilgrims represent distinct groups or organizations within medieval society, epitomizing social diversity--yet the community functions as a cohesive whole.
Brewer, Derek, ed.
Woodbridge, Suffolk ; and Rochester, N. Y. : D. S. Brewer, 1996.
An expanded revision of the 1973 edition, with one additional tale translated from French, three from Spanish, five from Middle English, three from German, six from Dutch (with three deleted), and one from Latin, for a total of eighty tales, songs,…
Treats three examples of eighteenth-century comic medievalism as the "male adolescence of the Enlightenment": Henry Fielding's presentation of Arthurian material as "farcically lascivious discourse" in "Tom Thumb," the "pre-modern prurience" of…
Phillips, Helen.
Rosalind Field, Phillipa Hardman, and Michelle Sweeney, eds. Christianity and Romance in Medieval England. Christianity and Culture: Issues in Teaching and Research (Cambridge: D. S. Brewer, 2010), pp. 3-25.
Surveys the treatment of classical material in medieval romances (arranged by topic), exploring where and how the romance authors engage the status and validity of their pre-Christian material. Comments on KnT and TC.
Kaske, R. E.,with Arthur Groos and Michael W. Twomey.
Toronto: University of Toronto Press, 1988.
Bibliography including the following divisions: biblical exegesis, liturgy, hymns, sermons, visual arts, mythography,commentaries on major authors, and miscellaneous.
Beidler, Peter G.
Chaucer Review 44 (2009): 186-204.
Reading ShT in the context of fabliaux in which children witness their mothers' infidelity, Beidler recalls that the Tale was originally intended for the Wife of Bath. He argues that the placement of a prepubescent girl on the scene of another wife's…
Orme, Nicholas [I.]
New Haven and London : Yale University Press, 2001.
Orme surveys medieval childhood, from the seventh to the mid-sixteenth century, with emphasis on England. Topics include birth and family life, danger and death, children's literature, learning to read and reading for pleasure, play, children and the…
Yamaguchi, Eriko.
Gengobunka Ronshu (University of Tsukuba) 53: 17-44, 2000.
Assesses the chest--a significant piece of furniture as both a container and a bench in the Middle Ages--as an image in CT, discussing "possession" and the body-space formed on/in the chest by the act of sitting on it.
Benson, Robert G.
Copenhagen: Rosenkilde and Batter, 1980.
Treats Chaucer's use of and experimentation with conventional gesture as modified by genetic considerations in CT, TC, PF,HF, Anel, LGW, BD, Rom, and minor poems. Includes an appendix of relevant passages.
Medieval fable cannot be read as though each animal or figure held a fixed allegorical meaning. NPT, for instance, could signify as many meanings as subsequent readers have postulated.
Spearing, A. C.
Notre Dame: University of Notre Dame Press, 2012.
Suggests we cannot necessarily assume that, in medieval texts, every instance of an "I" must represent a fictionalized narrator who has a persona that can be analyzed and ultimately held responsible for various details of, or problems within, the…
McMillan, Samuel F.
Dissertation Abstracts International A80.05 (2016): n.p.
Argues that the "Roman de la Rose" "initiates a literary tradition that understands reason to be in tension with and even antithetical to imaginative writing," examining in this light works by Chaucer (TC), Gower, Lydgate, and Hoccleve, exploring in…
Hamaguchi, Keiko.
Doshisha Literature 33 (1988): 1-24.
Examines the women in Chaucer's fabliaux in connection with the antifeminist tradition. Hamaguchi argues that Chaucer's view of women was complex, partly affected by the antifeminist tradition yet partly sympathetic to the feminist position.
Hatton, Thomas J.
Language and Style 7 (1974): 261-70.
Generalizes that John Dryden's compositional technique (in which abstractions precede concrete details) has precedent in the medieval "rhetorical poetic." Then shows how the details of KnT are "the vehicle for the presentation of certain Boethian…
Chaucer elaborately constructs the pagan love story as an epic, a romance, and a philosophical demonstration, but simultaneously undercuts all three frames of reference; however, the Christian epilogue decrying earthly existence is modified by the…
Analyzes legal, hermeneutic, and social ramifications of murder and murderers in the Middle Ages. Includes Tracy's own essay entitled "'Mordre wol out': Murder and Justice in Chaucer," which focuses on Chaucer’s treatment of murder in CT,…
Bolens, Guillemette, and Lukas Erne, eds.
Tübingen: Narr Verlag, 2011.
Reviews notions and constructions of authorship in medieval and early modern texts, including works by Chaucer, Gower, Shakespeare, Jonson, Milton, and Marvell. For two essays that pertain to Chaucer, search for Medieval and Early Modern Authorship…
Brodnax, Mary Margaret O'Bryan.
Dissertation Abstracts International 29 (1969): 2667A.
Concentrates on Old English poems and Middle English plays that are analogous to Milton's "Paradise Lost," but includes in an appendix "[s]some relationships with The Canterbury Tales and . . . description of seven Middle English poetic analogues."
Ashton, Gail, and Daniel T. Kline, eds.
New York: Palgrave Macmillan, 2012.
Collection of essays exploring how medievalisms and medieval elements are reclaimed and reconceptualized in contemporary print and digital texts, TV, and film. For an essay pertaining to Chaucer, search for Medieval Afterlives in Popular Culture…
Collection of essays covers a comprehensive range of medieval-related media, including literature, film, TV, comic-book adaptations, electronic media, performances, and commercial merchandise and tourism. For three essays that pertains to Chaucer,…
