Browse Items (16035 total)

Santoyo, Julio Cesar.   Antonio Leon Sendra, Maria C. Casares Trillo, and Maria M. Rivas Carmona, eds. Second International Conference of the Spanish Society for Medieval Language and Literature (Cordoba: Universidad de Cordoba, 1993): pp. 149-55.
Brief biography of the first translator of CT into Spanish (ca. 1920). (In Spanish.)

Berndt, David E.   Studies in Philology 68 (1971): 435-50.
Reconciles an apparent discrepancy between teller and tale in Chaucer's depiction of the Monk, arguing that the worldliness of the GP description, the exchange in MkP, and the concern with fall through Fortune in MkT are unified by the "common,…

Kisor, Yvette.   Chaucer Review 40 (2005): 141-62
Unlike the character in the sources and analogues, Custance in MLT forcefully confronts her father's authority at times. This confrontation and her willingness to disclose her past inscribe a "lesser version of the incest motif that has supposedly…

Schreyer, Kurt A.   Exemplaria 29 (2017): 210-33.
Explores how John Gower's tomb in Southwark lent "authority" to the character of Gower-as-chorus in Shakespeare and George Wilkins's play "Pericles." Includes examination of how the title pages, commemorative verses, and Chaucer's portrait in Thomas…

Crepin, Andre.   Bulletin des Anglicistes Medievistes (Paris) 11 (1977): 116-21.
Discusses the function of groups of twelve lines in the NPT.

Ramsey, Vance.   Beryl Rowland, ed. Companion to Chaucer Studies (New York: Oxford University Press, 1979), pp. 352-79.
Irony--"the Chaucerian pose"--is of five basic types in CT: verbal, structural, dramatic, and philosophic irony, as well as irony of manner.

Brewer, Derek.   Marie-Francoise Alamichel and Derek Brewer, eds. The Middle Ages After the Middle Ages in the English-Speaking World. (Woodbridge, Suffolk: Boydell and Brewer, 1997): pp.103-20.
Surveys the reception of Chaucer reflected in translations by Dryden, Samuel Johnson, Pope, and Wordsworth, viewing it as the beginning of modern criticism, of the modern idea of a national literature, of modern textual criticism, and of modern…

Hirsh, John C.   Chaucer Review 27 (1993): 387-95.
The lack of popularity of PhyT may derive in part from the separate, seemingly modern, aesthetic it espouses--one designed not to "define virtue and suppress vice" but to illustrate a sense of "randomness and discontinuity" that anticipates a new…

Watkins, Charles A.   Southern Folklore Quarterly 30 (1966): 202-13,
Tabulates the plots and motifs of twenty-one modern Irish tales purported to be analogues of the pear tree episode in MerT, suggesting that those accounts which include the motif of optical illusion (rather than blindness) should not be considered…

Wright, Glenn.   Genre 30 (1997): 167-94.
Examines biographical, textual, and comparative approaches to Th to show how dependent they are on modern notions of author and text. Argues that medieval textuality and authorship pose methodological problems for understanding Th as parody, a genre…

Lázaro Lafuente, Luis Alberto   Teresa Fanego Lema, ed. Papers from the IVth International Conference of the Spanish Society for Medieval Language and Literature (Santiago de Compostela: Universidad de Santiago de Compostela, 1993), pp. 175-82.
Outlines the aspects of Chaucer's works that are usually regarded as characteristic of twentieth-century British modernism: innovation and convention-breaking, fusion of genres, colloquial idioms, metrical license, dramatic monologue, poetic…

Kalter, Barrett.   Lanham, Md.: Bucknell University Press, 2012.
Examines how the long eighteenth century reflected "the emergence of a modern historical consciousness." Chapter 2, "Chaucer Ancient and Modern: Standardization, Modernization, and the Eighteenth-Century Reception of The Canterbury Tales," pp.…

Kalter, Barrett Dean.   Dissertation Abstracts International 65: 2211A, 2004
Chapter 2 examines two views of CT in eighteenth-century England: as a philologist's "historical foundation in need of preservation" and as "merchandise facilitating social refinement."

Weiss, Judith.   Rhiannon Purdie and Michael Cichon, eds. Medieval Romance, Medieval Contexts. Studies in Medieval Romance (Cambridge: D. S. Brewer, 2011), pp. 121-34.
Surveys representations of male and female fainting in medieval romances and "chansons de geste," and describes the medieval medical status of fainting ("syncope"). Considers Troilus' swoon in TC 3, observing that the "precision of Chaucer's medical…

Rushton, Cory James.   Raluca L. Radulescu and Cory James Rushton, eds. A Companion to Medieval Popular Romance (Cambridge: D. S. Brewer, 2009), pp. 165-79.
Rushton suggests that Th and "Sir Gawain and the Green Knight" may be accountable for the lack of sustained academic focus on medieval popular romance. Modern popular fiction, games, and films have, on the other hand, embraced many features of the…

Bell, Kimberly K.   Eileen A. Joy, Myra J. Seaman, Kimberly K. Bell, and Mary K. Ramsey, eds. Cultural Studies of the Modern Middle Ages (New York: Palgrave Macmillan, 2007), pp. 23-47.
Bell argues that "The Joe Schmo Show" and Th "use metafictional parody to 'refunction' generic forms and critique stereotypes of masculinity."

Akbari, Suzanne Conklin.   Middle Eastern Literatures 20.1 (2017): 2-17.
Explores three "models" for considering medieval studies in the context of world literatures--"Mediterraneans," "distant reading," and "moving things"--using the last to compare MLT and the Ethiopian "Kebra nagast" and assess "Mandeville'sTravels"…

Strickland, Deborah Eileen.   DAI A73.10 (2013): n.p.
Examines figures of women writers in the work of male authors from Chaucer to Marlowe, with the goal of recovering the woman writer's significance, even in the absence of female-authored direct texts. Includes discussion of TC and Philomela and Dido…

Nakao, Yoshiyuki.   Yoko Iyeiri and Margaret Connolly, eds. And Gladly Wolde He Lerne and Gladly Teche: Essays on Medieval English Presented to Professor Matsuji Tajima on His Sixtieth Birthday (Tokyo: Kaibunsha, 2002), pp. 73-94.
Nakao tabulates the frequency of epistemic "trewely" in Chaucer's major works and compares its semantic frequency in Chaucer with that in several contemporary poetic texts. Investigates the significance of the modal adverb "trewely" in TC,…

Wright, Sarah Breckenridge.   Cambridge: D. S. Brewer, 2020.
Explores "expressions of mobility" in the frame narrative and tales of CT to show how physical and metaphorical mobilities are shaped by "geographical, ecological, sociopolitical, and gendered identities."

Valenzuela, Shannon K.   DAI A69.06 (2008): n.p.
Traces Chaucer's interest in three concerns that are related to the development of English as a vernacular language: "the nature of translation, the construction of textual memory, and the relationship between reading and ethics." Assesses literal…

Linde, Ebbe, trans.   Goteberg: Rundqvist, 1967.
Item not seen. The WorldCat records indicate this is a translation of MilT into Swedish, with illustrations by Baengt Dimming.

Feinstein, Sandy, and Bryan Shawn Wang.   New Chaucer Studies: Pedagogy & Profession 2.2 (2021): 95-112.
Discusses in dialogue format a hybrid "general education honors course focusing on the description, understanding, and classification of animals over time," including comments on the use of PF in this course and syllabi for it from 2019 and 2021.

Gretsch, Mechthild.   Anglia: Zeitschrift fur Englische Philologie 108 (1990): 113-32.
Using concordances, the MED, and textual variants from the manuscripts, Gretsch clarifies ten passages in Th.

Erzgräber, Willi.   Freiburg im Breisgau: Rombach, 1997.
Twenty-two essays by Erzgräber, most of them previously published. Eight of the essays pertain to Chaucer, one published here for the first time: "Predestination in Langland and Chaucer" (pp. 179-201). In it, Erzgräber surveys St. Augustine's…
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