Browse Items (15542 total)

Burton, H. M., compiler.   Cape Town: College of Careers, 1974.
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Cape Town: College of Careers, 1972.
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Ashworth, Clive V., compiler.   Cape Town: College of Careers, 1979.
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Ross, Thomas W.   English Language Notes 13 (1976): 256-58.
Nicholas' seduction of Alisoun is an impudent parody of the Annunciation, of which he sings in the "Angelus ad virginem." Absolon is clad "ful smal," i.e., in a tight-fitting garment, as a sign of his lechery and vanity.

Burton, H. M.   Cape Town: College of Careers, 1974; London: Methuen, 1975.

Cape Town: College of Careers, 1972.
Item not seen.

Cape Town: College of Careers, 1972.
Item not seen.

Marshall, Simone Celine.   N&Q 247 (2002) : 439-42, 2002.
A short list of caveats for users of the 1977 photographic facsimile of the Findern manuscript, together with transcriptions of marginalia previously unprinted. Note 1 includes an extensive bibliography of scholarship on the manuscript.

Cains, Anthony G.   Huntington Library Quarterly 58 (1996): 127-57.
Discusses the disbinding, preservation, and rebinding of Huntington Library MS El 26C9. Provides new information regarding earlier bindings, inks, pigments, the relationship of text and decoration, repairs, etc.

Francon, Marcel.   Annali Istituto Universitario Orientale, Napoli, Sezione Germanica 9 (1966): 195-97.
Maintains that "rondeaux tercet" is the precise name for the verse form of the three stanzas of MercB and of the song at the end of PF.

Gutiérrez Arranz, José María,   Anglogermanica online <http://www.uv.es/anglogermanica/> 5 (2007): 39-49.
Classifies approximately 220 mythological characters that appear in Chaucer's works: supernatural creatures, human beings, and other classical references. Describes and analyzes the presence of Ascalafo, Canace, and Midas in Chaucer, focusing…

Greenfield, Jane.   Yale University Library Gazette 72.1-2: 68-72, 1997.
Describes a Yale University copy of the Kelmscott Chaucer (1896) printed on vellum and elaborately bound (apparently by Douglas Bennett Cockerell) in pigskin stamped with designs by William Morris. Includes 2 figures.

Simpson, James.   Studies in the Age of Chaucer 37 (2015): 31-54.
Explores aspects of anagogical reading practices and their relations with social prediction and prophecy. Reformation readers perceived predestinarian and prophetic themes in spurious Chaucerian texts, although Chaucer himself seems to distrust…

Symons, Dana.   Kathleen A. Bishop, ed. Standing in the Shadow of the Master? Chaucerian Influences and Interpretations (Newcastle upon Tyne: Cambridge Scholars, 2010), pp. 123-59.
Also named "The Cuckoo and the Nightingale," "Boke of Cupide" was once considered one of Chaucer's great poems until it fell into obscurity when it was removed from the canon. The essay considers stylistic similarities to Chaucer's dream visions, the…

Mason, Wendy.   [n.p.]: Conrad Press, 2020.
Fictional account of twenty-one Australian tourists telling self-disclosing stories, modeled on CT, with many echoes, e.g., character-names such as Tony Knight, Giles Sumner, Barbara Bath, etc.

Wakelin, Daniel.   Exemplaria 29 (2017): 331-48.
Explores scribal errors in copying and comprehending details regarding classical characters and classical allusions in poetry, and how poets' phrasing implies awareness of those risks and seeks to mitigate them. These problems in transmission reveal…

Cook, Megan L.   Parergon 33.2 (2016): 39-56.
Describes how Chaucer and John Gower appear as two poets/storytellers in "Greenes Vision" (1592), offering "authorization and legitimization" to Robert Greene's work "within a specifically English tradition," colored by "ambivalent nostalgia for an…

Ueshima, Yasuo.   Hisayuki Sasamoto et al., eds. Hearts to the English-American Language and Literature: Essays Presented to Emeritus Professor Sutezo Hirose in Honour of His 88th Birthday (Osaka: Osaka Kyoiku Tosho, 1999), pp. 59-68. (In Japanese).
Documents Chaucer's uses of northern dialect in RvT and assesses their effects.

Murphy, Michael.   Lore and Language 9 (1983): 65-76.
Examines the evidence for medieval views--mostly negative--about the significance of North, especially in England, treating RvT and FrT.

Robertson, Elizabeth.   Sharon Farmer and Carol Braun Pasternack, eds. Gender and Difference in the Middle Ages. Medieval Cultures, no. 32 (Minneapolis and London: University of Minnesota Press, 2003), pp. 322-51.
A revised version of the author's essay, "The 'Elvyssh' Power of Constance: Christian Feminism in Geoffrey Chaucer's The Man of Law's Tale" (SAC 23 [2001], pp. 143-80).

Burrow, J. A.   Richard Firth Green and Linne R. Mooney, eds. Interstices: Studies in Middle English and Anglo-Latin Texts in Honour of A. G. Rigg (Toronto: University of Toronto Press, 2004), pp. 44-54.
Burrow comments on several scenes in TC while exploring the limited vocabulary with which medieval English poets could convey nonverbal communication. Considers words such as "cheere" and "countenance."

Blake, N. F.   Irma Taavitsainen, Gunnel Melchers, and Päivi Pahta, eds. Writing in Nonstandard English (Amsterdam and Philadelphia: J. Benjamins, 1999), pp. 123-50.
Assesses the northernisms in RvT and the speech of the bastard in Shakespeare's King John as examples of "nonstandard" language in a time when a standard was only developing. In both pronunciation and lexicon, the northernisms of RvT "should perhaps…

Machan, Tim William.   A. N. Doane and others, eds. Old English and New: Essays in Language and Linguistics in Honor of Frederic G. Cassidy (New York: Garland, 1992), pp. 111-24.
Explores Chaucer's lexical and stylistic experimentation in Bo, assessing how its 516 different words reflect the philosophical content of the original and a desire for lexical variety.

Russell, Raegan Leigh.   DAI 63: 2537A, 2003.
Examines illustrations as cues to engage non-professional readers of the Ellesmere manuscript and the Kelmscott Chaucer. These techniques may suggest ways of engaging present-day non-professional readers of Chaucer as well.

Hamaguchi, Keiko.   Frankfurt am Main: Pater Lang, 2006.
Applies postcolonial theory to explore how Chaucer represents non-European women as Other in both gender and culture and how Chaucer reflects his own position as a poet and his career in historical context. Treats KnT, MLT, SqT, MkT, HF, and LGW.
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