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Romancing Capital: The Gift in Middle English Literature
Wadiak, Walter Philip.
Dissertation Abstracts International A69.01 (2008): n.p.
Wadiak considers how Middle English romances focus on "giving and spending" as a questioning of the emergent capitalistic system, examining romances from "King Horn" through KnT and arguing that these works simultaneously shape and reflect the move…
Romance.
Brown, Ashley, ed.
Kimmey, John L., ed. Columbus, Ohio: Merrill, 1968.
Kimmey, John L., ed. Columbus, Ohio: Merrill, 1968.
A classroom anthology of sixteen examples of the literary mode of romance, including FranT in Nevill Coghill's modern poetic translation. The volume describes the mode of romance, offers brief biographies of the writers included, and lists discussion…
Romance, Distraint, and the Gentry
Johnston, Michael.
Journal of English and Germanic Philology 112 (2013): 433-60.
Argues that many late Middle English romances appeal to the gentry by coded references to the practice of "distraint," whereby gentry landowners were forced to take up knighthood or to pay fines. Concludes by comparing the attitudes expressed in…
Romance Repetitions and the Sea: Brendan, Constance, Apollonius.
Cooper, Helen.
A. S. G. Edwards, ed. Medieval Romance, Arthurian Literature: Essays in Honour of Elizabeth Archibald (Cambridge: Brewer, 2021), pp. 46-60.
Argues that "repetition should be included among the family resemblances that trigger the imaginative response that signals 'romance'." " Includes discussion of MLT and the analogous accounts in Nicholas Trevet's "Chronicles" and John Gower's…
Romance Reading on the Book: Essays on Medieval Literature Presented to Maldwyn Mills
Fellows, Jennifer, Rosalind Field, Gillian Rogers, and Judith Weiss, eds.
Cardiff: University of Wales Press, 1996.
Collection of essays on medieval romance that contains recurrent references to FranT, KnT, MLT, MilT, PhyT, and Th. For an essay that pertains to Chaucer, search for Romance Reading on the Book under Alternative Title.
Romance Logic: The Argument of Vernacular Verse in the Scholastic Middle Ages
Yu, Wesley Chihyung.
DAI A70.03 (2009): n.p.
Yu examines the changing roles of literary rhetoric and dialectic, poesy and logic, from the twelfth to the fourteenth centuries. Chaucer is cited as a writer whose use of irony reflects changes in the understanding of logic.
Romance in Medieval England
Mills, Malwyn, Jennifer Fellows, and Carol M. Meade, eds.
Cambridge: D. S. Brewer, 1991.
Papers read at the first meeting (1988) of the Society for the Study of Medieval Romance, ranging in chronological concern from the twelfth to the fiftennth centuries. Included are general discussions of MS Ashmole 61 and the Percy Folio. …
Romance and Parody
Tigges, Wim.
Henk Aertsen and Alasdair A. MacDonald, eds. Companion to Middle English Romance (Amsterdam: VU University Press, 1990), 129-51.
Examines eleven texts, dating from the late fourteenth to the early seventeenth century, that are related to the metrical romance by their metatextual commentary on one or more romance characteristics. Includes discussion of CT, particularly KnT,…
Romance and Love in Chaucer's "Troilus and Criseyde," "The Squire's Tale," and "The Parliament of Fowls."
Perkins, Nicholas.
Susan Scollay, ed. Love and Devotion from Persia and Beyond (South Varra, Victoria: Macmillan Art Publishing, 2012), pp. 151-56; 3 b&w figs.
Comments on the importance of love as a topic in Chaucer's works, with particular attention to TC, SqT, and PF.
Romance and Epic in Chaucer's 'Knight's Tale'
Wetherbee, Winthrop.
Exemplaria 2 (1990): 303-28.
Wetherbee examines the literary history of KnT in classical epic, Statius, Dante, and Boccaccio to demonstrate (1) how, in a "deliberate, political" move, the Knight attempts to suppress psychological and historical reality to produce an "optimistic…
Romance
Reiss, Edmund.
Thomas J. Heffernan, ed. The Popular Literature of Medieval England. (Knoxville: University of Tennessee Press, 1985), pp. 108-30.
A general discussion of the popular character of Middle English romances. The Theseus story in KnT and the Gawain material in WBT show Chaucer relying on audience familiarity with the material. Juxtaposing courtliness and bawdy, the structure of CT…
Rolled on Many a Tongue : The Ironic Convergence of Women, Authority, and Language in Five of Chaucer's Works
Dessart, Jamie Marie Thomas.
Dissertation Abstracts International 60: 4003A, 1999.
Meanings of the words "women," "authority," and "language" change throughout Chaucer's works, depending on the complex and shifting relationships of speaker, persona, scribe, and audience, plus pervasive irony. Treats TC, LGW, ClT, FranT, and SNT.
Rolle Reassembled: Booklet Production, Single-Author
Anthologies, and the Making of Bodley 861.
Kraebel, Andrew.
Speculum 94.4 (2019): 959-1005.
Explores connections between authority and production/distribution in Bodley 861. Briefly compares the Bodley scribe and scribe B in the Hengwrt CT, discusses Chaucer's shorter poems and their dependence on external evidence, and discusses John…
Role-Conformity and Role-Playing in Troilus, Pandarus, and Criseyde
Schleburg, Florian.
Uwe Boker et al., eds. Of Remembraunce the Keye: Medieval Literature and Its Impact Through the Ages. Festschrift for Karl Heinz Goller on the Occasion of His 80th Birthday (Frankfurt am Main: Lang, 2004), pp. 79-93.
The three main characters of TC "embody three widely different ways of handling the roles they want to be judged by": total identification (Troilus), total detachment (Pandarus), and acceptance with reservations (Criseyde). Although Chaucer could not…
Roger of Ware: A Medieval Masterchef in Chaucer's "Canterbury Tales."
Paravano, Cristina.
Francesca Orestano and Michael Vickers, eds. Not Just Porridge: English Literati at Table (Oxford: Archaeopress, 2017), pp. 1-11; 4 illus
Assesses the characterization and culinary skills of the Cook, commenting on details of GP, CkP, and ManP, and commending his variety of cooking techniques. Includes recipes for "Chicken with the Marrowbones" and "Mortreux" (GP, 380, 384).
Roger Bacon's "in convexitate" and Chaucer's "In convers" ("Troilus and Criseyde". V. 1810).
Manzalaoul, Mahmoud.
Notes and Queries 209 (1964): 165-66.
Cites Roger Bacon's "Tractatus brevis . . . in libro Secreti Secretorum Aristotilis" as possible justification for emending "convers" to "convex" in the reference to the eighth sphere in TC 5.1910, despite the lack of textual support.
Rocky Shores and Pleasure Gardens: Poetry vs. Magic in Chaucer's Franklin's Tale
Kolve, V. A.
Piero Boitani and Anna Torti, eds. Poetics: Theory and Practice in Medieval English Literature (Bury St. Edmunds, Suffolk: D. S. Brewer, 1991), pp. 165-95.
An illustrated analysis of moral and aesthetic issues raised by Chaucer. The rocks, garden, and study that form the loci of FranT carry iconographic meaning suggesting a true poetics of illusion.
Rockwell Kent's Canterbury Pilgrims
Wein, Jake Milgram
William K. Finley and Joseph Rosenblum, eds. Chaucer Illustrated: Five Hundred Years of the Canterbury Tales in Pictures (New Castle, Del.: Oak Knoll; London: British Library, 2003), pp. 311-25.
Wein examines and appreciates the ways Kent's illustrations of the Canterbury pilgrims broke with formal and interpretive traditions. The essay focuses on the aesthetic impact of the lavish 1930 limited edition (published by Covici-Friede), later…
Robyn the Miller's Thrifty Work
Knapp, Peggy A.
Julian N. Wasserman and Lois Roney, eds. Sign, Sentence, Discourse: Language in Medieval Thought and Literature (Syracuse, N. Y.: Syracuse University Press, 1989), pp. 294-303.
Studies MilT for its "intersecting strands of linguistic coding" and contrasts Robertsonian character typing with Bakhtin's "dialogic imagination," semantic open-endedness. The stock character type of the Miller is "quited" by his tale. Bakhtin's…
Robin Hood & Friar Tuck: Zombie Killers, A Canterbury Tale
Freeman, Paul A.
Winnipeg: Coscom Entertainment, 2009.
Horror fiction in rhymed pentameter couplets, presented as the "Monk's Second Tale," with Prologue and Epilogue.
Robertson and the Critics.
DeNeef, A. Leigh.
Chaucer Review 2.4 (1968): 205-34.
Critiques--pro and con--Robertsonian criticism, also known as exegetical, Augustinian, or historical criticism, describing its theoretical and practical strengths and limitations, and exploring its possibilities for further illuminating medieval…
Robert K. Root (1877-1950)
Hanna, Ralph, III
Paul Ruggiers, ed. Editing Chaucer: The Great Tradition (Norman, Okla.: Pilgrim Books, 1984), pp. 191-205.
Explains Root's dependence on William Symington McCormick's theory of Chaucer's seriatim revisions of TC, and castigates the "illogical rationalism" of Root's editorial methods, especially his treatment of scribal error. Root's "longing for an…
Robert Holcot on the Jews
Turner, Nancy L.
Sheila Delany, ed. Chaucer and the Jews: Sources, Contexts, Meanings (New York and London: Routledge, 2002), pp. 133-44.
Both in his emphasis on particular Christian issues and in his stereotyping of Jews, Dominican writer Robert Holcot reflects the lack of Jews in England. Holcot may have influenced Chaucer's understanding of Jews.
Robert Henryson's Pastoral Burlesque 'Robene and Makyne' (c.1470)
Cornelius, Michael G.
Fifteenth-Century Studies 28 (2003): 80-96.
Reads Henryson's pastoral "Robene and Makyne" as a burlesque, attributing its generic variety to the poet's attempt to emulate Chaucer's "virtuosity," and exploring several instances where Henryson follows Chaucer's steps more closely, treating most…
Robert Henryson: Poems.
Elliott, Charles, ed.
Oxford: Clarendon, 1963.
Edits a selection of Robert Henryson's poetry, with appended critical notes and glosses, an Introduction, a Biographical and Textual Note, and a series of Appreciations by literary historians. The Introduction (pp. vii-xv) focuses on how and to what…
