Browse Items (15542 total)

Tinkle, Theresa.   Viator 18 (1987): 289-307.
Medieval mythographies interpret Saturn in various ways: astrologically, euhemeristically, morally, naturally, and Neoplatonically. Interpretation of Saturn in KnT should entail recognizing this complexity of influences rather than privileging only…

Loomis, Dorothy Bethurum.   Arno Esch, ed. Chaucer und Seine Zeit: Symposion für Walter F. Schirmer (Tübingen: Niemeyer, 1968), pp. 149-61.
Describes the neo-Platonic, Chartrian tradition in which astral influence (or determinism) includes Saturn as a figure of wisdom as well as cold, temporal destiny, suggesting that the depiction of the god/planet in "De Universitate Mundi" by Bernard…

Timmis, Patrick.   Chaucer Review 51.4 (2016): 453-68.
Contends that Cresseid's maturation in Henryson's "Testament of Cresseid" includes an evolving contemplation of free will, as one finds in Boethius and in Chaucer's depiction of Troilus in TC.

Reale, Nancy M., and Ruth E. Sternglantz, eds.   Donington : Shaun Tyas, 2001.
Fourteen literary studies that range across Old English, Old French, Anglo-Latin, Middle English, and medieval Irish, Spanish, and Italian. For four essays that pertain to Chaucer, search for Satura under Alternative Title.

Mann, Jill.   Studies in the Age of Chaucer 5 (1983): 17-48.
Both "Pearl" and ClT use comparatives for contrasts with a notion of satisfaction signified by the words "enough" and "suffisaunce." The set of related words in ClT, including "sadness," "suffraunce," "outrely," and other words of degree and…

Vermeule, Blakey   Classical and Modern Literature 22.2: 85-101, 2002
Describes the cognitive condition of "mind blindness," often associated with autism, and argues that a literary version of the condition recurs in satire, where authors use the blind spots of characters to ironically convey unstated information. Uses…

Lall, Rama Rani.   New Delhi: New Statesman Publishing Co., 1979.
The satiric fable, with oral origins among the Orientals and Greeks, is usually characterized by economy, light-heartedness, and singleness of impression. The popularity of the genre continued into the Middle Ages and beyond not only because of its…

Allen, Charles A., and George D. Stephens, eds.   Belmont, CA: Wadsworth, 1962.
Anthologizes theoretical essays and illustrative examples of literary satire drawn from the ancients through the moderns. Designed for classroom use, with a glossary of terms, a bibliography of suggestions for further study, and an index. Includes…

Russell, John, and Ashley Brown, eds.   New York: World Publishing, 1967.
Anthologizes samples of satire from classical to modern literature, arranged by genre (Prose and Drama, Verse, Epigrams), including modernizations (by Nevill Coghill) of FrPT and SumP under Verse. The Foreward (pp. xv-xxxiv) describes the…

Kiley, Frederick, and J. M. Shuttleworth, eds.   New York: Odyssey, 1971.
An anthology of examples, arranged chronologically, of literary, social, and political satires; includes a prose translation (by Robert Lumiansky) of PardPT, with a brief introduction.

Garbáty, Thomas Jay.   Chaucer Review 8.1 (1973): 1-8.
Identifies the "compound humor" of the "geographic dialect" material in RvT and the GP description of the Reeve, where he is depicted as an "immigrant" from Norfolk to London and thereby the butt of humor for indigenous Londoners.

Ogborn, Jane, and Peter Buckroyd.   Cambridge: Cambridge University Press, 2001.
An introduction to satire for classroom use, directed at university students and focusing on English literature from Chaucer to Carol Ann Duffy; concerned with definitions, social contexts, and the transaction between reader and text. The discussion…

Russell, Jeffrey Burton.   Ithaca, N.Y., and London: Cornell University Press, 1981.
Deals chiefly with Patristic and Gnostic traditions.

Koonce, Benjamin G., Jr.   Mediaeval Studies 21 (1959): 176-84.
Describes the "traditional Christian" symbolism that underlies the fowler/bird and winter/spring imagery in LGWP 125-39, identifying biblical roots, exegetical commentary, and literary examples that precede Chaucer, suggesting that the "alert…

Smith, Nicole D.   Notre Dame: University of Notre Dame Press, 2012.
Studies clothing in imaginative literature, arguing that writers of romances redirect the negative depictions of the courtly body found in clerical chronicles and penitential writings into positive images that convey virtue. While religious and…

Hodges, Laura F.   Chaucer Review 35: 223-58, 2001.
Chaucer employs "costume signs" in TC, affecting plot and characterization. Signature costumes assigned to each character shed light on significant parts of the plot, as do the reversal and degeneration of costume patterns. Characterization through…

Bradley, Ann.   Dissertation Abstracts International 56 (1996): 4763A.
Chaucer's Troilus derives from three reflections of the "Iliad": classical, the Christian-allegorical, and the romance. Sarpedon's feast is central to TC, with classical, Scholastic, and finally Dantesque treatment of free will, fate, and…

Cowen, J. M.   Notes and Queries 232 (1987): 152-53.
The handwritten collations in the British Library 643.M.1 copy of Urry's "Chaucer" are in the hand of Samuel Pegge the elder, antiquary and vicar in Kent, 1730-51. The collations are from British Library MS Add. 9832, which Pegge evidently owned.

Tkacz, Catherine Brown.   Chaucer Review 25 (1990): 125-37.
Chaucer prepares for Arcite's Samsonlike vow to cut his hair by drawing on the traditions of Samson as a fool for love and by reworking and adding details to the story of Boccaccio's "Teseida." Samson was commonly paired with Hercules as biblical…

Linkinen, Tom.   Amsterdam: Amsterdam University Press, 2015.
Includes a chapter, "Sharing Laughter" (pp. 205-32), that identifies examples from late medieval art and literature where laughter constitutes "moral censorship" of same-sex desire or actions, then focuses on the Pardoner; his relation with the…

Harwood, Britton J.   Exemplaria 13: 99-135., 2001.
Psychoanalytic reading of PF that identifies a reversal of the "logical sequence of origin, wish, and desire." This reversal "represses consciousness" and disguises the presence of the "Chaucerian ego" of the poem that is recognizable in the…

Jackson, Gabriel, composer.   Oxford: Oxford University Press, 2012.
Item not seen. WorldCat records indicate that this vocal score for unaccompanied mixed voices is printed with the text of the Antiphon to the Virgin Mary, "Salve Regina," in Latin by Herman Contractus (attributed), "interspersed with English words by…

Dean, Christopher.   Chaucer Review 3.1 (1968):44-49.
Treats the Old Man of PardT as the "total opposite" of the three revelers: he "embodies or manifests . . . in some manner Christian goodness." He first offers to the revelers a merciful "way to salvation," but when they "flatly reject" it, he justly…

Malo, Roberta [Robyn].   DAI A68.07 (2008): n.p.
Discussing the use of relics as a site of "institutional control," Malo argues that in works such as CT, writers "use relics as tools" for affirmation or critique of the Church's position as dispenser of grace and healing.

Leffingwell, William.   Thoth 12 (1971): 29-32.
In giving the tale of Constance the form and narrative structure of a saint's life while omitting conventional motivations or explanations, Chaucer has made the Man of Law an inept narrator and has invested the tale with irony and humor.
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