Browse Items (15542 total)

Kanno, Masahiko.   Masahiko Kanno, Gregory K. Jember, and Yoshiyuki Nakao, eds. A Love of Words: English Philological Studies in Honour of Akira Wada (Tokyo: Eishosha, 1998), pp. 115-31.
Kanno examines instances of "mesure" and its synonyms in Chaucer's works, comparing those meanings with the virtue of moderation in Confucianism. The meanings range from "calculation" to "moderation." Generally, Chaucer's distinction between good and…

Johnson, William Clark.   DAI 33.01 (1972): 275A.
Outlines the "kinds of ambiguities in Chaucer's verbal and narrative technique" based in his commitment to epistemological "indeterminacy." Then examines MLT and its changes to its source in Nicholas Trevet to show that the "theme of the limitation…

Zellefrow, W. Ken.   Chaucer Newsletter 1.1 (1979): 12-15.
Traces broad similarities between FrT and the Robin Hood ballads to suggest that Chaucer knew early forms of the ballads and adapted them for comic effect.

Davenant, John.   Maledicta 5 (1981): 153-61.
Passages from ShT and MLT suggest that men have a right to beat their wives; furthermore, MilT and passages from Mel and WBT (in the wife's marriage to Jankin) seem to suggest masochism in female characters. MkP suggests that women are naturally…

Noji, Kaoru.   Hisao Tsuru, ed. Fiction and Truth: Essays on Fourteenth-Century English Literature (Tokyo: Kirihara Shoten, 2000), pp. 19-34.
Concludes that the three female voices of Dorigen, Griselda, and the Wife of Bath ironically expose Chaucer's hierarchical idea of women.

Dor, Juliette.   Cordelia Beattie and Kirsten A. Fenton, eds. Intersections of Gender, Religion and Ethnicity in the Middle Ages (London: Palgrave Macmillan, 2011), pp. 158-82.
Considers three of the CT that contain 'virago' figures and focus on an encounter between East and West at the heart of the tales. Chaucer's attitude to the set of viragos is enigmatic. By discrediting the reliability of his narrators, he blurs the…

Twu, Krista Sue-Lo.   Chaucer Review 39 (2005): 341-78.
Although ParsT relies heavily on Raymond de Penaforte's "Summa de poenitentia et matrimonio," Chaucer extracts one chapter from the treatise and substitutes a "tree of life" for Raymond's pilgrimage metaphor. By indicating that one can live a life of…

Crocker, Holly A.   New York: Palgrave Macmillan, 2007.
Crocker investigates how the visibility and invisibility of gender in Chaucer are linked to performativity and cultural privilege, especially for men. Discusses the figurative tradition of engendering sight as background to how Prudence in Mel is the…

Brown, Peter.   Ph.D. diss., 1981. University of York, England.
Medieval universities taught "perspectiva," or optics, important in literary realism. Chaucer's use of light, vision, and space parallels passages in optical texts and becomes thematic in CT, fragments G and A. Jean de Meun, Dante, and Boccaccio…

Oizumi, Akio.   Kinshiro Oshitari et al., eds. Philologia Anglica: Essays Presented to Professor Yoshio Terasawa on the Occasion of His Sixtieth Birthday. (Tokyo: Kenkyusha, Ltd., 1988) pp. 455-66.
(In Japanese).

Phillips, Betty S.   College Language Association Journal 61 (1997): 93-103.
Comparison of Romance vocabulary, direct discourse, the first person (singular or plural), finite verb forms, and other grammatical elements such as independent and dependent clauses inKnT and WBT shows that "Chaucer did indeed use the language of…

Taylor, Karla.   Studies in the Age of Chaucer 29 (2007): 43-85.
Using the image of a volume of collected leaves, Chaucer explores the "twin problems of rivalry and rehearsal" in his sequence of MilP (the narrator's apology), MLP (the Man of Law's comments on Chaucer's writings), and WBPT (the tearing of Jankyn's…

Jost, Jean E.   Albrecht Classen, ed. Discourses on Love, Marriage, and Transgression in Medieval and Early Modern Literature. (Tempe: Arizona Center for Medieval and Renaissance Studies, 2004), pp. 267-87.
Explores vows and vow-breaking in CT, arguing that ManT brings to tragic crescendo a concern with the transgression of marital vows and presents consequences as horrific as any in Greek drama.

Zieman, Katherine.   Representations 60 (1997): 70-91.
Explores Chaucer's "literary voice" as a self-conscious reflection of late-fourteenth-century vernacularizing.

Thompson, Kenneth J.   Chaucer Review 40 (2006): 386-415.
Although the Knight's Yeoman may be a "forster" (1.117) before all else, the skills he would possess in that role "would find ready application on military campaign," which helps to explain the Knight's choice of his Yeoman, rather than another…

Utley, Francis Lee.   North Carolina Folklore Journal 21 (1973): 98-104.
Connects the lament in WBP 3.614 with the more familiar proverb "Lechery is no sin," recurrently used by traditional "demonic" figures in early literature. The Wife's use is richer with "complex ironies."

Diekstra. F. (N. M.)   English Studies 62 (1981): 215-36.
In most of his poems Chaucer exploits the traditional material to create a double view, one inherent in the material and the other produced by his handling of them. He inherited this technique from Jean de Meun; in BD and the "Roman," for example,…

Garbáty, Thomas Jay.   Journal of American Folklore 81 (1968): 342-46.
Adduces evidence from various sources to show that the Wife of Bath has characteristics of the archetype of the old bawd, itself rooted in the earlier figure of "sorceress-intermediary" and associated with aging, trade, extravagant dress, and…

Kolve, V. A.   Robert Taylor, James F. Burke, Patricia J. Eberle, Ian Lancashire, and Brian S. Merrilees, eds. The Centre and Its Compass: Studies in Medieval Literature in Honor of Professor John Leyerle (Kalamazoo: Medieval Institute Publications, Western Michigan University, 1993), pp. 265-96.
Wheel iconography associated with Hugh of Foilloy's treatise, "The Wheel of True and False Religion," may have influenced the plotting of the divided fart in SumT.

Wurtele, Douglas J.   Arthurian Interpretations 2 (1987): 47-61.
An examination of three analogues--"The Marriage of Sir Gawaine," "The Weddynge of Sir Gawen and Dame Ragnell," and Gower's "Tale of Florent"--illuminates Chaucer's handling of Arthurian motifs such as the lady's transformation and the issue of…

Whitaker, Elaine E.   Publications of the Arkansas Philological Association 15:2 (1989): 26-36.
Coverchiefs, while sometimes a sign of mourning, are more often read as a devilish device to "blind men's sight," as Robert Mannyng suggests. The Wife's coverchiefs serve as one of numerous signs that "her life...remains in theological disarray."

Arnell, Carla.   Modern Language Review 102 (2007): 933-46.
John Fowles's novel"A Maggot," set in eighteenth-century England, is similar to CT in several ways, from its opening premise to its general structure as a series of "tales" (reconstructions of mysterious events surrounding a death) told by various…

Adams, Roberta E.   Dissertation Abstracts International 44 (1984): 3069A.
Common law, canon law, and contemporary conduct books indicate certain concepts of marriage and the role of the good wife. The Wife of Bath's "good" (arranged) and "bad" (chosen) marriages contrast the ideal with socioeconomic reality. WBT is a…

Wurtele, Douglas J.   Chaucer Review 23 (1988): 117-28.
If Jankyn and Alison conspired at the death of the Wife's fourth husband, the books from which Jankyn reads possibly contain lessons to murderesses. Her anger and threat of revelation result in his capitulation and flight, leaving her to purvey her…

Hill-Vásquez, Heather.   Florilegium 23.2 (2006): 169-95.
In later medieval thought, spinning women represent two often contradictory ideas: rebellion against hierarchical order and, paradoxically, Marian obedience. Citing scripture, Chaucer's Wife fuses both viewpoints in WBP. When Lancastrian mores…
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