Browse Items (16012 total)

Chaucer employs traditional garden topoi (locus amoenus, hortus conclusus, and paradys d'amours) to draw attention to precursors, to create discrepancy between CT context and tradition, to individualize narrators, and to show literary indebtedness in…

Considers the Wife of Bath's "colloquial, conversational idiom as a key to her character," examining details of diction, syntax, and imagery, and comparing her with Alison of MilT.

Suggests that GP 198-200 alludes to Matthew 6.16-18 and helps to characterize the Monk as "contemptuous of fasting."

Suggests that collected "vidas," or "lives," of the troubadours may have served as Chaucer's model for the "portraits" of the pilgrims in GP. Individual "vidas" open anthologies of troubadour verse in some fourteenth-century manuscripts, and Chaucer…

That the passage describing the Prioress's habit of wiping her mouth clean (GP, 133-36) has been misunderstood is shown in the translations by all modern translators, except Coghill, of "hir" in the phrase "hir coppe: (133) as "her" when it should be…

Explicates GP 1.673 (not 1.163, as in title), adding depth to the multiple, generally sexual innuendoes of the "stif burdoun" borne by the Summoner to accompany the Pardoner's song.

Explores the denotative, connotative, figurative, and ironic implications of the GP description of the Wife of Bath as one who knows "muchel of wandrynge by the weye" (1.497).

Offers examples from the "Roman de la Rose" and Deschamps' "Ballade" that the word "bourdan" had the meaning "phallus," showing that the sense would have been familiar to Chaucer when he used "stif burdoun" to describe the Summoner's singing with the…

Clarifies the reference to Christ catching Peter as he sailed in GP 1.696-98, focusing on the figurative meaning of "hente" and its implications regarding the Pardoner's faux relic, Peter's sail-cloth.

As Meyer Schapiro has noted, the mousetrap, associated with the Prioress in GP 145, is used by Augustine as a symbol of the cross that entraps the devil with the bait of Christ's flesh. The same allegory is found in Peter Lombard's "Sentences."

In GP, Sq-FranL, and FranP, Chaucer characterizes the Franklin as obsessed "with appearances and good feeling." FranT manifests these obsessions and exposes the teller's "superficial understanding of 'gentilesse'."

Part 1 describes the Canterbury pilgrims that qualify as "gentils" by birth, education, or accomplishment (Knight, Prioress, Monk, Squire, Franklin, Merchant, Guildsmen, Sergeant of Law, Physician, Parson, and Nun's Priest), explaining details of…

Offers historical context for and commentary on the characterizations of the pilgrims in the CT who may be considered "gentry," both those of traditional gentle birth and those on the rise as a class of new gentry.

Explores the "gift economy" and commercial culture of CT, and applies gift theory and economic anthropology to medieval literary criticism. Examines "gender of the gift," exchange of women, and gifts in GP. Chapter 6 focuses on the Franklin's gifts…

Reads Scog as a playful, comic version of a "moral ballade" or "balade of bon conseyl" that shares similarities with French models, portions of TC, and several of Chaucer's other lyrics. Comments on the unity of the poem, its possible occasion or…

Contrasts the sorrows of the Dreamer and of Alcyone with that of the Man in Black in BD, arguing that the first two serve to elevate the intensity of the latter. Then examines the epideitic praise of Blanche/White as a form of personification that…

Explores the female protagonists of the legends in LGW and Chaucer's adaptations of his sources in these legends to sketch Chaucer's "psychograph of the Good Woman," emphasizing rejection of authority and active pursuit of love and sex, "a human…

Suggests that Branch I b of "Le Roman de Renart" provides "a partial parallel or inspiratory background" to the exchange in FrT between the summoner and the devil in disguise.

Carlson examines motifs of shame and covering in the two disrobing scenes in ClT, arguing that Griselda's request for a smock to cover herself before she leaves Walter indicates that she has "shown a self that cannot be shamed by Walter, by poverty…

Comments on previous scholarship that seeks to clarify the GP description of the Guildsmen (1.361-78) and describes the possible political, economic, and religious affiliations among individuals of such professions as Chaucer assigns to them. Shows…

Augustine and Jerome influenced the medieval Church's use of hierarchy to evaluate a woman's spiritual standing. Chaucer, however, refuses to be bound by the limitations of theological stereotypes. He shows that women often neither choose nor get…

Reads KnT as an example of Chaucer's "deliberative mode," whereby the reader is compelled to perceive or decide a choice. KnT deliberates whether conquest or consent is the proper source of monarchical dominion. Through pointed occupatio and the…

Ingham uses Freud's meditations on Tasso's knight Tancred as a model for how literary texts mediate between the repetitive and the representational aspects of trauma. Chaucer's TC resonates with trauma in the work's historical context, in the…

Discusses uses of solar metaphor in Chaucer by way of Ovid and Machaut, focusing on LGWP and NPT.

The decade of residence over Aldgate, the gateway to the teeming life of medieval London, supplied Chaucer with the buoyancy and liveliness that characterize HF.