Doyle, A. I., and George B. Pace.
PMLA 83 (1968): 22-34.
Provides a full description of the Coventry manuscript (City Record Office, Coventry) that includes six of Chaucer's Short Poems (ABC, Buk, Gent, Purse, Sted, Truth), along with works by Hoccleve, Lydgate, Mandeville, and others). Edits the text of…
DeNeef, A. Leigh.
Chaucer Review 2.4 (1968): 205-34.
Critiques--pro and con--Robertsonian criticism, also known as exegetical, Augustinian, or historical criticism, describing its theoretical and practical strengths and limitations, and exploring its possibilities for further illuminating medieval…
Describes three groups of equestrians among the Canterbury pilgrims: those who ride proud horses, those who "ride either poor or at least un-caparisoned horses," and "those whose characters seem compromised by their 'inefficiency' as horsemen."…
Delany, Sheila.
Comparative Literature 20 (1968): 254-64.
Shows that Chaucer's depiction of Fame in HF has several parallels with the depiction of her in the French "Ovide moralisé": use of anaphora in amplification of Ovid's original, Fame's role of judge and her "aura of authority," and overt concern…
Treats the Old Man of PardT as the "total opposite" of the three revelers: he "embodies or manifests . . . in some manner Christian goodness." He first offers to the revelers a merciful "way to salvation," but when they "flatly reject" it, he justly…
Cozart, William R.
Rosario P. Armato and John M. Spalek, eds. Medieval Epic to the "Epic Theater" of Brecht: Essays in Comparative Literature (Los Angeles: University of Southern California Press, 1968), pp. 25-34.
Suggests that the notion of making a "virtue of necessity" in TC and Theseus's "First Mover" speech reflect late-medieval nominalism and express concern with the precariousness of human life and its relation to "Ultimate Justice." Ending on a…
Covella, Sister Francis Dolores.
Chaucer Review 2.4 (1968): 235-45.
Considers the tone and attitude of the seventeen-stanza "Epilogue" of TC (5.1751-1869), observing a shift between the first five stanzas and the last twelve and suggesting that the latter are addressed to a reading audience rather than the original,…
Asks why Chaucer uses a "Latin masculine name of the month to refer to his very feminine heroine" in MerT, answering that it contributes to the theme of healing in the Tale, much as does Damyan's association with St. Damian, patron saint of healing.
Contemplates social status and social mobility in Chaucer's works, considering them in light of contemporaneous attitudes. Focuses on Chaucer's uses of "degree" and the ladder of degree as a "symbol of social mobility," inflected by Chaucer's comic…
Benson, C. David.
Chaucer Review 3.2 (1968): 107-23.
Describes the "basic historical method" of KnT as consistent with the "contemporary aristocratic chronicle," showing how Chaucer uses Statius's "Thebaid" to archaize the plot drawn from Boccaccio's "Teseida" and create a world "believable" for his…
Baugh, Albert C.
New York: Appleton-Century-Crofts, 1968.
Lists bibliographical citations of Chaucer studies, with sections on reference works, biography, social and cultural environments, editions and modernizations, language and versification, sources, individual works, apocrypha, etc., but excluding…
Explores the classical and medieval poetic theories that underlie the genre of the fabliau, particularly its lack of concern with meaningfulness, commenting on several French fabliaux, and discussing the comedy and satire of MilT, RvT, ShT, and SumT.…
Argues that post-medieval notions of comedy obscure the relations between sense and sententiousness in Chaucer's poetry, explaining that Boethian, analogous thinking underlies Chaucer's art and that Hebraic and Graeco-Roman poetic traditions help to…
Describes how the Boethian concept of divine (fore)knowledge of eternity underlies various aspects of TC and explores how narrative devices, allusions, the treatment of time, and the epilogue evoke the "illusion of 'present eternite' for the reader…
Argues that Chaucer used French versions to facilitate his translation from Latin and that he sought to produce literal translations, although his prose translations are more literal than his poetic ones. Considers, Bo, Mel, Rom, Venus, and ABC,…
Explores how "complex irony in Chaucer has the effect of affirming both sides in a conflict or both terms in an opposition," discussing the device in TC, KnT, NPT, PardPT, and the end of the CT. Includes discussion of Boethius's "Consolation of…
Fincher, David, dir.
Burbank, Calif: New Line Cinema, 1995.
Murder-mystery action drama in which the serial killer uses the Seven Deadly Sins to organize his crimes. Includes several visual and verbal references to ParsT and CT.
German translation of CT, with notes and glosses,originally produced by Adolf von Düring as part of his three-volume "Geoffrey Chaucers Werke" (Strassburg, 1883-86). Hoevel's edition was reissued in 1974.
Catto, Jeremy.
Past and Present 179 (2003): 24-59.
Describes the rise of writing in English during the "age of Chaucer," commenting on the Ricardian poets (emphasizing Chaucer), Middle English sermon cycles, Lollard translation, and other examples of the "elevated vernacular" of late…
Taylor, Willene P.
College Literature Association Journal 13 (1969): 153-62.
Attributes January's cuckholding in MerT to "his own stupidity," reading Chaucer's deployment of antifeminist motifs as deeply ironic and part of his broader thematic concern to show that "everyone is morally responsible for his own acts." Chaucer's…
Discusses garden imagery in "The Phoenix," "Roman de la Rose," "Pearl," and MerT, focusing in the latter on the theme of lust and its relation to the ideal of spiritual salvation.
Traces the legacy of the mill as a metaphor for creativity, child-bearing, and sexual activity, drawing examples from WBP (3.384-90), HF (1798-99), and RvT (1.4313-14), among other sources.
