Dinshaw, Carolyn, and David Wallace, eds.
Cambridge: Cambridge University Press, 2003.
Seventeen essays by various authors on topics that pertain to women, writing, and social conditions in England and the Continent in the late Middle Ages. None of the essay pertains to Chaucer exclusively, but references to his works recur throughout,…
Krueger, Roberta L., ed.
Cambridge : Cambridge University Press, 2000.
Fifteen essays and an introduction introduce the reader to "the voyages, transformations, and interrogations of romance as its fictions travel within and between the linguistic, geo-political, and social boundaries of Europe from 1150 to 1600." For…
Da Rold, Orietta, and Elaine Treharne, eds.
Cambridge: Cambridge University Press, 2020.
Thirteen essays by various writers on the Hows, Whys, and Wheres of studying medieval manuscripts, with an Introduction by the editors, A Guide to Further Reading, an index of manuscripts, and a comprehensive index. For two essays that pertain to…
Grady, Franks, ed.
Cambridge: Cambridge University Press, 2020.
Includes nineteen contributions that analyze critical histories and reappraisals of specific tales and their contexts. For individual essays, search for Cambridge Companion to the Canterbury Tales under Alternative Title.
Cole, Andrew, and Andrew Galloway, eds.
Cambridge: Cambridge University Press, 2014.
Presents a collection of essays to support teaching of "Piers Plowman." For an essay that pertains to Chaucer, search for The Cambridge Companion to Piers Plowman under Alternative Title.
Boitani, Piero, and Jill Mann, eds.
Cambridge: Cambridge University Press, 1986.
Contains fifteen essays designed for new readers of Chaucer. Emphasizing criticism rather than introductory studies, the contributors introduce fresh insights to encourage new readers to delve further into Chaucer's poetry. Little attention is…
Nelson, Marilyn.
Baton Rouge: Louisiana State University Press, 2005.
An anthology of narrative poetry that includes "The Cachoeira Tales," modeled on CT, with a number of distinct allusions to Chaucer's work, including a "General Prologue" that opens with references to April rains and several tales attributed to…
Knapp, Ethan.
University Park : Pennsylvania State University Press, 2001.
According to Knapp, the "emerging lay bureaucracy at Westminster" is closely aligned with vernacular literary production and a major factor in understanding Ricardian and Lancastrian cultures. As is evident in the career and writings of Hoccleve,…
Chapter 4 is "The London of Yevele and Chaucer, 1300-1400"; gazetteer and map (182-83) "show main sites where the remains of the medieval and Tudor City of London can still be visited."
Takada complicates traditional notions of "courtly love" by adducing Continental examples of marital love and English examples of extramarital sex outside of nonfabliau settings, focusing on the two motifs of the brooch and the girdle. Argues that…
Hallam, Elizabeth, and Andrew Prescott, eds.
Berkeley: University of California Press, 1999.
Photographic reproductions of records from British cultural history, arranged chronologically from the departure of the Romans to late-modern multi-culturalism. Reproduces in color (p. 31) three images that pertain to Chaucer: a page from the…
Rumble, Thomas C., ed.
Detroit: Wayne State University Press, 1965.
Presents eight Breton lays in Middle English, each with bottom-of-page glosses, a facsimile manuscript page, a bibliography, and a general Introduction (pp. xiii-xxx) that describes the nature of the genre, its history, and French sources of the…
Kahlert, Shirley Ann.
Dissertation Abstracts International 42 (1981): 1629A.
The Breton lay evolved from Celtic tradition to generic identity with Marie de France to art form in Chaucer's WBT and FranT. Most clearly characterized by the "merveilleux," it has crossed cultural boundaries in such a way as to lose its motives…
Breeze, Andrew.
Review of English Studies, n.s., 45 (1994): 63-69.
Chaucer's harpist, Glascurion (HF 1208), is Gwydion, son of Don. Various sound changes can account for Chaucer's "hearing" of Glascurion, suggesting a lost tale about Gwydion known to Chaucer and his audience.
Yamamoto, Dorothy.
Oxford : Oxford University Press, 2000.
Explores relationships of the human body to human identity in Middle English literature, focusing on representations of the animal world and of "wild men" as they define the margins (and hence the center) of the human. Includes discussions of…
Fleming, Berry.
Sag Harbor, N.Y.: Permanent Press, 1986.
Modern novel that includes a sailing trip to the Caribbean, during which the travelers (the Doctor's Colleague, the Wife, the Diver, etc.) exchange "tales." Includes reference to Chaucer and an approximate quotation of HF 354-60.
Identifies a series of analogues to the book-burning episode in WBP 3.816 in eastern versions of the "Seven Sages" (or "Books of Sindibad"), identifying similarities and differences between them and Chaucer's account, and suggesting that oral…
Critical edition of BD with introduction, text and notes, and an appendix which includes selections from analogous French works by Machaut and Froissart.
Ludwig, Jenn.
Lawrence Trudeau, ed. Literature Criticism from 1400 to 1800. Volume 213 (Farmington, Mich.: Gale, 2013), pp. 1-114.
Reprints twelve essays on BD published between 1934 and 2007. The introduction by Ludwig (pp. 1-4) summarizes the plot and characters of BD, and comments on its plot and sources, major themes, and critical reception. Includes a selected bibliography…
Facing-page translation of BD, based on the Riverside edition and rendered in modern octosyllabic couplets. Includes brief notes, a biographical note about Chaucer, an introduction by the translator, and a foreword by Bernard O'Donoghue.
Burton, T. L., dir.
Provo, Utah: Chaucer Studio, 1988.
Recorded at the Fourteenth Australian and New Zealand Association for Medieval and Renaissance Studies (ANZAMRS) Conference, University of Sydney. Readers include Francis de Vries, Mary Dove, Diane Speed, Gary Simes, David May, Andrew Lynch, Tom…
