Browse Items (16012 total)

Rothwell, W[illiam].   Bulletin of the John Rylands University Library of Manchester 74 (1992): 3-28.
Examines thirteenth- and fourteenth-century Anglo-French, noting that Chaucer was steeped in an Anglo-French environment. This very Anglicized French--a second language of culture used to keep records--was the French Chaucer knew best, and his lexis…

Delasanta, Rodney (K.)   Chaucer Review 26 (1991): 205-18.
Chaucer's connection with Ralph Strode is important in shedding light on the poet's "philosophical preoccupations." His "tutorial" from Strode might have exposed him to the entire range of philosophical speculation of the day.

Mogan, Joseph J., Jr.   Chaucer Review 4.2 (1969): 123-41.
Studies the "theology of marital relations" in MilT, WBP, and MerT, using ParsT as a partial statement of orthodoxy, surveying views from Augustine to Wyclif of the roles of procreation and pleasure in sexual relations between married partners, and…

Yoder, Emily K.   Chaucer Review 12 (1977): 74-77.
Establishes that the "Breton" lay is a British lay composed by ancient Britons, not by minstrels of Brittany. The MED gives a British origin for most of its citations of "Britoun" and "Britaine." The validity of the sources for the other citations…

Hira, Toshinori.   Bulletin of the Faculty of Liberal Arts, Nagasaki University, Humanities 23:2 (1983): 29-41.
Compares MerT with "Comedy of Lydia" (an analogue) and suggests that Chaucer looks on the January-May follies with amusement whereas the laughter in "Comedy" is didactic.

Hira, Toshinori.   Bulletin of the Faculty of Liberal Arts, Humanities (Nagasaki) 24.2 (1984): 97-111.
The narrator of MerT evokes the same moral response from the audience as the authors of the "Comedy." Although the narrator appeals to the superiority of the audience over his dramatic characters, he perhaps admires their crudeness, which the…

Robertson, D. W.,Jr.   Mediaevalia 6 (1980): 239-59.
Aware of the ethics of "commune profit," Chaucer condemns the self-seeking Franklin, Miller, Reeve, and Wife of Bath, while commending the other-centered Parson and Plowman.

McGrady, Donald.   Chaucer Review 12 (1977): 1-26.
Hubertis M. Commings' dissertation (1914) denying that Chaucer knew the "Decameron" and an influential article by Willard Farnham (1924) positing that the work was not known in England until 1566 both are speciously reasoned. Chaucerian echoes of…

Windeatt, Barry.   Chaucer and the Italian Trecento (Cambridge: Cambridge University Press, 1983), pp. 163-83.
Chaucer's use of Boccaccio's "Il Filostrato" as a source for his TC demonstrates three major kinds of creative "translacioun": innovative translation of specific words/phrases and lines, brief additions of phrases and lines, and the interpolation…

Donovan, Mortimer J.   Mortimer J. Donovan. The Breton Lay: A Guide to Varieties (Notre Dame: University of Notre Dame Press, 1969), pp. 173-83.
Describes the features of FranT that affiliate it with the genre of the Breton lay (Breton lai) and those that make Chaucer's work unique. Considers the sources of FranT, and explore its aesthetic success as an "imitation" of the genre, including…

Witlieb, Bernard L.   N&Q 215 (1970): 202-07.
Discusses seven examples of the influence of the "Ovide Moralisé" on Chaucer: HF 957ff., Anel 1-6, TC 5.1464-84, WBP 3.733ff., MLT 2.633-35, ParsT 10.261ff., and the recurrent phrase "alone, withouten any compaignie" (KnT1.2779, MilT 1.3204, and…

Witlieb, Bernard L.   DAI 31.03 (1970): 1245A.
Identifies Chaucer's uses of the "Ovide Moralisé," particularly the narrative material of the French poem rather than its allegorical interpretations, often used in combination with Latin sources. Considers LGW, Form Age, TC, HF, ManT, and ParsT,…

Diekstra, F. N. M.   English Studies 69 (1988): 12-26.
Chaucer is indebted to "The Romance of the Rose" for many of his techniques of irony, such as the juxtaposition of units not in themselves ironical, the exposure of hypocritical or false reasoning, the unreliable narrator, ironical digression, and…

Feng, Xiang.   Dissertation Abstracts International 52 (1991): 4114A.
Studies rhymes and rhyme words (the elements least liable to errors in transcription) and amends the traditional view that Chaucer could have written Fragment A but neither B nor C: fragments A and C are equidistant from B and could be the work of a…

Mann, Jill.   Erik Kooper, ed. This Noble Craft: Proceedings of the Xth Research Symposium of the Dutch and Belgian University Teachers of Old and Middle English and Historical Linguistics.... (Amsterdam: Rodopi, 1991), pp. 173-88.
For Chaucer, the literary traditions of Ovid and Jerome created a dual image of woman as predator or victim. Chaucer refines and deepens the "double-sidedness" of these traditions, bringing the polarized alternatives into complicating relation with…

Baugh, Albert C.   Wolfgang Iser and Hans Schabram, eds. Britannica: Festschrift für Hermann M. Flasdieck (Heidelberg: Carl Winter, 1960), pp. 51-61.
Reviews discussions that consider Nicole de Margival's "La Panthère d'Amous" to be a source of HF, challenging most of them for lack of specificity or because shared details are conventional. Only two brief passages evince Margival's influence and…

Heydon, Peter N.   Papers of the Michigan Academy of Science, Arts, and Letters 51 (1966): 529-45.
Argues that Chaucer was influenced by the now-lost Prologue to "Sir Orfeo" of the Auchinleck manuscript, evident in similarities in "concept, diction, and syntax" between the FranP and the extant versions of the "Orfeo" prologue and between the…

Clogan, Paul M.   Studies in Philology 61 (1964): 599-615.
Describes the commentaries and glosses that are included in medieval manuscripts of Statius's "Thebaid," and shows that Chaucer was influenced by such glosses in details and passages of HF, Anel, TC, and KnT. The influence of Statius and the glosses…

Beidler, Peter G., and Sierra Gitlin.   John Cartafalsa and Lynne Anderson, eds. The Joy of Teaching: A Chorus of Voices. Lanham, Maryland: University Press of America, 2007, pp. 3-17.
An epistolary exchange between teacher and student on the intellectual and emotional challenges of reading Chaucer in a twenty-first century undergraduate classroom.

Wallace, David.   Barbara A. Hanawalt, ed. Chaucer's England: Literature in Historical Context (Minneapolis: University of Minnesota Press, 1992), pp. 59-90.
Contrasts Chaucer's depiction of London's social tensions in CT with Boccaccio's depiction of Florence's unity in Decameron 6.2, Pampinea's story of Cisti. The duplicities and deceptions of CkT and CYT (at odds with the Host's governance) are like…

Blake, N. F.   Chaucer Review 3.3 (1969): 163-69.
Considers evidence from ParsP (10.42-44), KnT (1.2605-16), and LGW (635-58) that Chaucer may have been familiar with Middle English alliterative romances, arguing that the proposition is unlikely. While he may have known alliterative religious…

Gray, Douglas.   Studies in Medieval English Language and Literature 11 (1996): 21-47.
The English word "digression" is first recorded in TC 1.143, where the narrator comments on the fall of Troy. This digression anticipates ideas and images that occur later in the poem and reflects the narrator's difficulty in coming to a conclusion.

Braswell, Laurel.   Julian N. Wasserman and Robert J. Blanch, eds. Chaucer in the Eighties (Syracuse, N.Y.: Syracuse University Press, 1986), pp. 209-21.
In SNT and PrT, hagiography is used in an orthodox form, while in MLT and ClT, the devices of hagiography are used to amplify the moral character of secular tales. Hagiographic devices indicate that these tales are serious, not satire.

Boenig, Robert.   Dorsey Armstrong, Alexander L. Kaufman, and Shaun F. D. Hughes, eds. Telling Tales and Crafting Books: Essays in Honor of Thomas H. Ohlgren (Kalamazoo: Medieval Institute, 2016), pp. 323-44. 2 b&w illus.
Contrasts the unequivocal hermeneutics of "eating a book"--i.e., internalizing the text of the Bible and its "one true meaning"--as depicted in the illustration of the Cloisters Apocalypse (Metropolitan Museum of Art, Cloisters Collection, MS 68.174)…

Payne, Robert O.   Beryl Rowland, ed. Companion to Chaucer Studies (New York: Oxford University Press, 1979), pp. 42-64.
Scholars of the early twentieth century such as Naunin and Manly denied any significant influence of medieval rhetoric upon Chaucer. In more recent days, however, this attitude has been reversed, so that Payne ("The Key of Remembrance") could claim…
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