Cohen, Barbara, trans.
New York: Lothrop, Lee & Shepherd Books, 1988.
Modern prose translation, intended for children, of NPPT, PardPT, WBPT, and FranPT, with a version of GP that lacks the descriptions of the pilgrims. Illustrated by Trina Schart Hyman; Introduction (pp. 7-8) by Christopher Baswell.
Adaptation of the CT for staging that incorporates abridged versions of PardT, FrT, MilT, RvT, WBT, and NPT, with stage directions, framed by dialogue among Chaucer, a modern student, the Host, and several fiends. The volume includes suggestions for…
Bartlett, Kate, and others.
[U.K.]: British Broadcast Corporation, 2003.
Adaptations of selections from CT in modern settings and circumstances, originally broadcast by BBC1 in six episodes, September 11-October 16, 2003. Written by Peter Bowker (MilT), Tony Grounds (PardT), Olivia Hetreed (MLT), Avie Luthra (ShT), Tony…
This updated version of Murphy's computer-based project includes "audioglossed" versions of GP, MilT, PardT, and NPT in which readers hear the text in modern pronunciation. In addition, unfamiliar words are glossed to the ear rather than visually.…
Hieatt, A. Kent, and Constance Hieatt, eds. and trans.
New York: Bantam, 1964.
Middle English text with Modern English translation, line-by-line, of GP, KnT, MilPT, WBPT, MerPT, FranT, PardPT, PrPT, and NPT, with a brief glossary of names and terms and a bibliography appended. The Introduction describes Chaucer's life and the…
Bordalejo, Barbara.
Digital Medievalist 14, special issue (2021). 8 pp.
Recounts brief personal history of experience with the Canterbury Tales Project, describes scholarly inattention to the project, and introduces the five essays in this special issue. For the five essays search for Digital Medievalist 14, special…
Recounts events that led to Coghill's translation of CT and to his collaboration with Martin Starkie and Richard Hill in making the musical version of the text. Includes comments on the importance of rhyme and diction in the process of translating…
Kovetz, Gene H.
Notes and Queries 203 (1958): 236-37.
Observes an inconsistency in Emily's address to Diana in KnT 1.2349-52 that results from Chaucer's change in the sequence of the three protagonists' addresses to deities, altering his source in Boccaccio's "Teseida." Suggests that Chaucer was…
Dramatic adaptation of GP, WBT, MerT, MilT, RvT, PardT, NPT, and FrankT, with production notes and extensive stage directions that emphasize frolicsome vitality. Text in modern English, irregular couplets.
Bronson, Bernice.
[Rowayton, Conn.], [New Plays for Children], 1971.
Item not seen. The WorldCat record states that this drama for children was "Created through improvisation by the Looking Glass Theatre, Providence, R.I."
Holland, James Nathaniel.
[Independently Published], 2021.
Item not seen. YouTube demo (accessed May 21, 2024) indicates that this opera includes an overture and adaptations of four portions of CT: FranT ("For All the Rocks Off Brittany"), PardT ("Une Danse Macabre"), WBT ("What All Women Want"), and MerT…
Woods, Phil, and Michael Bogdanov.
North Shields, U.K.: Iron Press, 1983. Previously published by Ivor Press, 1981.
Modern English, two-act drama that presents abbreviated, modified versions of KnT, RvT, CkT (a song), WBT, NPT, PardT, MerT, and MilT, framed as an annual tale-telling contest rather than a pilgrimage. The Miller and the "M.C." are focal characters…
Howard, Margaret, Bernard Palmer, David Bellan, and Martin Souter, readers.
Worton, Oxfordshire: Classical Communications, 2004.
Extracts from GP in modern English translation (J. U. Nicolson, trans.), "intermingled with atmospheric music of the period: songs, dances and instrumental pieces" (cover notes).
Suggests that "spiced conscience" in GP (1.526) means "peppery" moral indignation; "sweet, spiced conscience" in WBP (3.435), a "bland, gentle disposition."
Study guide to the CT, with summaries of and commentaries on the GP, the links, and all of the tales. Includes brief introductions to Chaucer's life, world, language, and development as a poet, along with passages from critics. Reprinted recurrently,…
Includes a chronology of Chaucer's life and works, a discursive "Sketch of His Life and Times," a description of his language, summaries and commentaries on all of CT (in Ellesmere order), a list of the pilgrims with brief characterizations,…
Sound recording of musical stage play, with music by Richard Hill and John Hawkins, and lyrics by Nevill Coghill. The cast includes George Rose, Hermione Baddeley, Martyn Green, and others.
Starkie, Martin, producer, and co-director, with Vlado Habunek.
London: Decca Records, 1968.
Sound recording of the "Smash Hot Musical Play," with music by Richard Hill and John Hawkins, lyrics by Nevill Coghill, and the "Full Cast" of the stage production, including Wilfrid Brambell, Jessie Evans, Kenneth J. Warren, and others.
Item not seen. WorldCat record notes that "This edition is based on the second edition of The complete works of Geoffrey Chaucer, edited by
the Rev. Walter W. Skeat, 1900 (Oxford)," with a "new introduction."
Troyer, Pamela.
Once and Future Classroom 13.2 (2017): n.p.
Describes the pedagogical value of teaching MLT alongside modern narratives "that emphasize the ways Custance represents and evokes the displaced and powerless," including students' personal experiences; "Refugee Tales," edited by David Herd; a US…
A collection of essays by various authors on the cultural history of Canterbury. For three essays that pertain to Chaucer, search for Canterbury: A Medieval City under Alternative Title.
Sancery, Arlette.
Catherine Royer-Hemet, ed. Canterbury: A Medieval City (Newcastle upon Tyne: Cambridge Scholars, 2010), pp. 119-26.
Regards the process of reading as the essential pilgrimage of CT, which obviates the need for an arrival at Canterbury. For previously published version, in French, see "Canterbury, la cathédrale où Chaucer n'arrive jamais . . . Mais est-ce bien…
Brown, Peter.
Europe: A Literary History, 1348-1418 (Oxford: Oxford University Press), 1:191-207.
Describes late medieval literary production in the city of Canterbury and explores its literary affiliations, ummarizing its place in early English Christianity and the impact of Becket's martyrdom. Highlights works produced in Canterbury or written…
