Browse Items (16012 total)

Biggs, Frederick M.   Review of English Studies 56 (2005): 497-523
Difficulties in dealing with the role of the three tubs (along with other issues) suggest that Chaucer's MilT is the source for the Flemish version. Chaucer may have originated this Tale to reflect on the theme of God's control, an idea also…

Biggs, Frederick M.   Journal of English and Germanic Philology 108 (2009): 59-80.
Biggs argues that Decameron 3.4 is a source for MilT, inspiring the latter's density of detail, its religious sentiment, and many of its narrative features, particularly the Flood story. MilP also echoes Boccaccio's "Conclusione dell'autore" and its…

Hieatt, Constance B., ed.   New York: Odyssey Press, [1970].
Edits MilT with notes and glossary, an introduction, a discussion of Chaucer's language, a brief bibliography, and a translation of the Flemish analogue to MilT, "The Three Guests of Heile of Bersele." The introduction considers the date of…

Piehler, Paul.   Hudson, Québec: Golden Clarion Literary Services, 1986.
Item not seen; the WorldCat records indicate that this is a reading by Piehler in Middle English of MilT, summarized as "A comical story about three men after one woman's attention, set in medieval England.

Adkins, Lieuen, trans.   San Francisco: Bellerophon, 1973.
Parallel-column version of MilPT in Middle English [Skeat edition] and modern rhymed couplets, accompanied by numerous b&w illustrations in comic-book style by Gilbert Shelton.

Cunningham, John E., ed.   Harmondsworth, Middlesex: Penguin, 1985.
Classroom text of MilT, with study-guide Introduction, notes, brief glossary and bibliography. The Introduction includes commentary on Chaucer's life, the "Framework and Origin" of CT, "how to read" Chaucer, the "Miller and his Language," and…

Thomas, Paul R., dir.   Provo, Utah : Chaucer Studio, 1996.
Recorded at radio station KRCW, Santa Monica College, during the Tenth International Congress of the New Chaucer Society. Re-edited and digitally mastered by Troy Sales and Paul R. Thomas in 2003.

Ross, Thomas W., ed.   Norman: University of Oklahoma, 1983.
The first CT "Variorum" to appear, Ross's edition, based on the Hengwrt, collates ten manuscripts and twenty printed editions with full critical apparatus to "present the MilT as Chaucer wrote it, as nearly as our present knowledge and resources…

Spearing, A. C., reader.   London: Cambridge University Press, 1976.
Item not seen; cited in WorldCat, which also cites a CD release in 1998.

Swan, Richard.   Deddington, Oxfordshire: Philip Allan Updates, 2005.
Student guide to MilPT and the GP description of the Miller (text included for GP selection only), with general information about CT and reading Chaucer, and more specific discussion of plot, characters, themes, genre, and techniques of MilT.…

King, Pamela M.   Harlow: Longman; London: York Press, 2000.
Study guide to MilPT and the GP description of the Miller that includes a plot synopsis, running commentary, and glosses (text not included, except for three passages in Middle English, with closer analysis). Also includes descriptions of the…

Allen, Valerie, ed.   New York: Cambridge University Press, 2007.
A school-text Middle English edition of MilPT and the GP description of the Miller, with notes, a running narrative summary, and facing-page glosses. Accompanied by commentary on several topics (Chaucer's language, town versus gown in Oxford,…

Winny, James, ed.   Cambridge: Cambridge University Press, 1971.
A textbook edition of MilPT in Middle English, with introduction and end-of-text notes and glossary. The Introduction (pp. 1-25) discusses the place of the Tale in the CT, its rhetoric and diction, sources and analogues, various themes,…

Boenig, Robert.   English Language Notes 21 (1983): 1-6.
The medieval bagpipe was featured in Nativity scenes, depictions of angels, and royal occasions. The Miller's bagpipe was a soft, pleasant, courtly, even celestial instrument--in subtly ironic contrast to his character.

Storm, Melvin.   Neophilologus 75 (1991): 291-303.
Deliberately drawn links between Alisoun of MilT and the Wife of Bath enable Chaucer to carry forward the moral and spiritual implications of the scriptural allusions in MilT, using them to inform and reinforce the audience's response to WBP.

Porter, Gerald   Risto Hiltunen, Marita Gustafsson, Keith Battarbee, and Liisa Dahl, eds. English Far and Wide: A Festschrift for Inna Koskenniemi (Turku: Turun Yliopisto, 1993), pp. 59-74.
The figure of the miller has a dual tradition as it develops from oral to literary presentation: that of a carnivalesque artisan and that of a social-climbing tradesperson. Porter traces literary depictions of millers from the fourteenth to the…

Rigby, Stephen H.   Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 368-85.
Offers a history of late-medieval English milling and the social and economic effects of the Black Death in an analysis of Chaucer's Miller. Claims that MilT is both a "comical fabliau" and "an Augustinian moral performance."

Overa-Tarimo, Ufuoma.   N.p.: CreateSpace Independent Publishing, 2018.
Item not seen. Production trailer from the Edinburgh Fringe Festival, 2012, available at YouTube.

Rowland, Beryl.   Southern Folklore Quarterly 33 (1969): 69-79.
Traces the legacy of the mill as a metaphor for creativity, child-bearing, and sexual activity, drawing examples from WBP (3.384-90), HF (1798-99), and RvT (1.4313-14), among other sources.

Delasanta, Rodney.   Chaucer Review 36 (2002): 270-76.
The mill in RvT is a setting that carries sexual and "eschatological" resonances.

Doherty, P. C.   Sutton: Crème de la Crime, 2012.
Historical detective fiction set in the frame of CT, in which a doctor, modeled on Chaucer's Physician, tells a story to the rest of the pilgrims about sorcery, exorcism, and deaths involved with the mysterious figure of the Midnight Man.

Camargo, Martin.   Tubingen: Niemeyer, 1991.
Surveys the historical, literary, and rhetorical development of the Middle English verse love epistle, tracing its precursors in Latin and Continental traditions, the roles of TC and Gower's Cinkante Balades, and the flowering of the genre in the…

Walter, Katie Louise.   N&Q 251 (2006): 303-05.
When Absolon "froteth" his lips upon realizing the real target of his kiss in MilT, he acts in accordance with his training as a barber-surgeon. More than a synonym for "to rub," the verb "froten" connotes a range of medical and surgical approaches…

MacLeish, Andrew.   The Hague: Mouton, 1969
Describes, tabulates, and analyzes the "word-order patterns in the Subject-Verb cluster in twelve texts of Late East Midland prose and poetry, 1369-1400," including BD, KnT, TC (Book 5), GP, PardT, NPT, ParsT, Mel, and Astr, as well as texts by…

Whitehead, Christiania.   Raluca Radulescu and Sif Rikhardsdottir, eds. The Routledge Companion to Medieval English Literature (New York: Routledge, 2022), pp. 332-44.
Examines "Middle English lyric writing before and after Chaucer, assessing its evolving relationship to the Continent" and interactions between sacred and secular within the genre. Analyzes Chaucer's (and his successor's") uses of French lyric formes…
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