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(Un)veiling the Veil: Trojan Temporalities, Chaucerian Ekphrasis and Literary Innovation in Shakespeare's "Rape of Lucrece.”
Rouse, Margitta.
Andrew James Johnston, Margitta Rouse, and Wilhelm Schmidt-Biggemann, eds. Transforming Topoi: The Exigencies and Impositions of Tradition (Göttingen: V&R, 2018), pp. 59-88.
Argues that Shakespeare's exploration of the "nature of literary adaptation-as-innovation" in "The Rape of Lucrece"--conducted by means of “competing versions of the Troy story"--engages with the "Chaucerian poetics" of HF and TC, particularly…
A Rogue’s Decameron.
Rogal, Stan.
Toronto: Guernica, 2018.
Includes ten short stories, plus a Prologue and an Epilogue, all overtly modeled in topic and tone on CT and Boccaccio’s "Decameron," both works referred to in the Prologue and alluded to in titles such as “The Reeve’s Sister’s Tale.”
“Our Chaucer": Ted Hughes, Sylvia Plath and the Politics of Medieval Reading.
Robinson, James.
Neil Roberts, Mark Wormald, and Terry Gifford, eds. Ted Hughes, Nature and Culture (Cham: Palgrave Macmillan, 2018), pp. 143–59.
Assesses the lifelong development of Ted Hughes's attitudes toward Chaucer in published and archival materials, including comments on Hughes's view of Chaucer as the "perfect model of a public poet" and as a "presiding presence" in his relationship…
Hughes and the Middle Ages.
Robinson, James.
Terry Gifford, ed. Ted Hughes in Context (Cambridge: Cambridge University Press, 2018), pp. 209-18.
Describes aspects of Hughes's "imaginative encounter with the Middle Ages," particularly his reading of "Sir Gawain and the Green Knight," Chaucer’s works, and those of Dante, exploring how these works influenced his poetry and thoughts on…
Translating Ovid's "Metamorphoses" in Tudor Balladry.
Reid, Lindsay Ann.
Renaissance Quarterly 72.2 (2019): 537-81.
Analyzes Ovid’s "Metamorphoses" in Renaissance poetry, with some attention to how Chaucer, in LGW, and Gower, in "Confessio Amantis," may have influenced sixteenth-century Tudor England’s Ovidian poetry.
Shakespeare's Ovid and the Spectre of the Medieval.
Reid, Lindsay Ann.
Woodbridge, Suffolk: Boydell & Brewer, 2018.
Argues that Shakespeare's uses of Ovid in his plays and poems was largely mediated by medieval works, specifically ones by Chaucer and John Gower. Shows that the dream frame of BD influenced "The Taming of the Shrew" and "Cymbeline," that Chaucer’s…
Chaucer on the Hearth.
Raybin, David.
Dickens Studies Annual 49.1 (2018): 1-25.
Identifies a series of "parallels in plot and language" between Charles Dickens's "The Cricket on the Hearth" and MerT, arguing for Chaucer’s influence on "Cricket," on the Strong subplot of "David Copperfield," and on Dickens’s "Chaucerian…
Bitching Bits of Bone.
Mounter, Norman.
London: Austin Macauley, 2016.
Historical novel about Chaucer’s reasons for the writing of the CT; also includes versions of several characters and tales derived from CT.
Chaucer on Eccles New Road.
Mann, Rachel.
Michael Schmidt, ed. New Poetries VII: An Anthology (Manchester: Carcanet, 2018), p. 98
Contemplative lyric poem (eighteen lines in threes) that refers to four of Chaucer’s pilgrims (Knight, Miller, Reeve, and Pardoner) and includes six brief quotations from CT.
Thomas Hoccleve: Religious Reform, Transnational Poetics, and the Invention of Chaucer.
Langdell, Sebastian J.
Liverpool: Liverpool University Press, 2018.
Focuses on Hoccleve's engagement "with contemporary religious reform movements and religious debate," arguing that he was interested in the "spiritual health of English society" rather than "earthly fame," and exploring how Hoccleve invented Chaucer…
Refugee Tales [I–IV].
Herd, David, ed.
Pincus, Anna, ed. [Manchester]: Comma Press, 2016-21.
Pincus, Anna, ed. [Manchester]: Comma Press, 2016-21.
Anthologizes in four volumes oral accounts by asylum seekers and immigrants detained in Britain and elsewhere, recorded by various poets and novelists, and modelled on the CT, with an opening Prologue in each volume, followed by narratives with…
John Lydgate: "Fabula duorum mercatorum" and "Guy of Warwyk."
Farvolden, Pamela, ed.
Kalamazoo: Medieval Institute Publications, 2016.
Edits Lydgate's two poems for classroom study, and includes as an appendix the Latin source of his "Guy of Warwyk." The introduction to the "Fabula" addresses Lydgate's debts to Chaucer in this poem: particularly how its view of friendship was…
"Burn all he has, but keep his books": Gloria Naylor and the Proper Objects of Feminist Chaucer Studies.
Edwards, Suzanne M.
Chaucer Review 54.3 (2019): 230-52.
Centers on Gloria Naylor’s novel "Bailey’s Café," and examines how feminist approaches have informed scholarship of Chaucer's work, often to battle the misogyny of his works, that nevertheless can upload the heteronormative and patriarchal…
Contemporary Chaucer across the Centuries: Essays for Stephanie Trigg.
Hickey, Helen M., Anne McKendry, and Melissa Raine, eds.
Manchester: Manchester University Press, 2018.
Fourteen essays by various authors and an introduction by the editors, all inspired by or in response to the critical studies of Stephanie Trigg. The introduction describes the "affective" criticism underlying Trigg’s "Congenial Souls," "Shame and…
The Implausible Plausibility of the "Prologue to the Tale of Beryn.”
Prendergast, Thomas A.
Helen M. Hickey, Anne McKendry, and Melissa Raine, eds. Contemporary Chaucer across the Centuries (Manchester: Manchester University Press, 2018), pp. 125-37.
Considers possible motives for the "Beryn" scribe to include the "Prologue" and the "Tale of Beryn" in one of the CT mansucripts that he copied, Alnwick Castle, Northumberland, MS 455 (Nl), arguing that he was responding to the "agency of the text,"…
First Encounter: "Snail-Horn Perception" in Chaucer's "Troilus and Criseyde."
Robertson, Elizabeth.
Helen M. Hickey, Anne McKendry, and Melissa Raine, eds. Contemporary Chaucer across the Centuries (Manchester: Manchester University Press, 2018), pp. 25-41.
Assesses Troilus's and Criseyde's first looks at one another in TC as examples of physiological sense perception, rather than as mental or emotional processes or stages. Resists feminist and patristic readings of these gazes, and reads them in light…
Hunting and Fortune in the "Book of the Duchess" and "Sir Gawain and the Green Knight."
Grady, Frank.
Helen M. Hickey, Anne McKendry, and Melissa Raine, eds. Contemporary Chaucer across the Centuries (Manchester: Manchester University Press, 2018), pp. 109-24.
Identifies associations between hunting and Fortune in various Middle English romances, exploring the "shared formal and thematic ambitions" of BD and "Sir Gawain and the Green Knight" as "two members of this hunting-and-Fortune group." Shows how the…
Sir Thopas's Mourning Maidens.
Cooper, Helen.
Helen M. Hickey, Anne McKendry, and Melissa Raine, eds. Contemporary Chaucer across the Centuries (Manchester: Manchester University Press, 2018), pp. 42-55.
Examines similarities between the maidens who yearn for the love of Thopas--despite his chastity (Th 7.742-45)--and lovesick women “who offer themselves” in analogous romances, particularly "Ipomadon" and the romances cited in Th 7.897-900.…
Identifying, and Identifying "with," Chaucer
Strohm, Paul.
Helen M. Hickey, Anne McKendry, and Melissa Raine, eds. Contemporary Chaucer across the Centuries (Manchester: Manchester University Press, 2018), pp. 14-23
Contemplates the notion that "identification" with a given author is a "frequent, if unacknowledged, component of literary appreciation." Theorizes the notion in Freudian terms and those of reader-response criticism, exploring the processes and…
Textual Face: Cognition as Recognition.
Simpson, James.
Helen M. Hickey, Anne McKendry, and Melissa Raine, eds. Contemporary Chaucer across the Centuries (Manchester: Manchester University Press, 2018), pp. 218-33.
Proposes as an epistemological and hermeneutical concept that "literary cognition is fundamentally a matter of re-cognition," exploring recognition as cognition in literary texts and in the apprehension of literary texts. Examines Virgil’s "Aeneid"…
Chaucer as Catholic Child in Nineteenth-Century English Reception.
Lynch, Andrew.
Helen M. Hickey, Anne McKendry, and Melissa Raine, eds. Contemporary Chaucer across the Centuries (Manchester: Manchester University Press, 2018), pp. 172-87.
Focuses on nineteenth-century critical attention to Chaucer as childlike, simple, or fresh for the ways that it contributed to later inattention to Chaucer as a religious poet, particularly inattention to Chaucer as an English Catholic poet. Examines…
Heavy Atmosphere.
Cohen, Jeffrey James.
Helen M. Hickey, Anne McKendry, and Melissa Raine, eds. Contemporary Chaucer across the Centuries (Manchester: Manchester University Press, 2018), pp. 91-108
Ecocritical examination of "heavy atmosphere" as an environmental state, an affective state, and/or a narrative tone or "feel" in several of Chaucer’s narratives, with focus on RvT, TC, and KnT. Explores parallels between medieval cosmology,…
Caxton in the Middle of English.
Matthews, David.
Helen M. Hickey, Anne McKendry, and Melissa Raine, eds. Contemporary Chaucer across the Centuries (Manchester: Manchester University Press, 2018), pp. 138-52.
Gauges Tudor awareness of and attitudes toward earlier English, comparing comments and lexical choices made by William Caxton in two of his printed volumes: the second edition of CT and John of Trevisa’s translation of Ranulf Higden’s…
Chaucerian Rhyme-Breaking.
Evans, Ruth.
Helen M. Hickey, Anne McKendry, and Melissa Raine, eds. Contemporary Chaucer across the Centuries (Manchester: Manchester University Press, 2018), pp. 56-73.
Laments critical inattention to the prevalence of rhyme-breaking in Chaucer's poetry, and explores precedents in continental medieval verse and its critical traditions. Clarifies the term, and gauges the effects and functions of the device in a…
"Have ye nat seyn somtyme a pale face?”
Downes, Stephanie.
Helen M. Hickey, Anne McKendry, and Melissa Raine, eds. Contemporary Chaucer across the Centuries (Manchester: Manchester University Press, 2018), pp. 74-90.
Studies the “narratological representation of the non-normative exemplarity of facial pallor" in Chaucer's poetry, exploring associations of facial paleness with facial expressions and emotional reactions, contrasting paleness with blushing, and…