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A 1613 Chaucer Allusion.
Randall, Dale B. J.
Philological Quarterly 39 (1960): 131-32.
Identifies a citation of Chaucer's Friar and confession in Book 5.15 of Samuel Purchas's "Puchas His Pilgrimage" (1613).
The Conclusion of "Love's Labour's Lost."
Presson, Robert K.
Notes and Queries 205 (1960): 17-18.
Suggests that the year-long delay in marriages at the end of Shakespeare's "Love's Labour's Lost" may have been influenced by the similar delay in PF.
Symkyn Koude "Turne Coppes": "Reeve's Tale" 3928.
Pratt, Robert A.
Journal of English and Germanic Philology 59 (1960): 208-11.
Adduces an historical account from 1862 concerning a drinking game that involves turning over cups to suggest that "turne coppes" at RvT 1.3928 may indicate Symkyn caroused in similar fashion.
Chaucer and the Pillars of Hercules.
Pratt, Robert A.
Lillian B. Lawler, Dorothy M. Robathan, and William C. Korfmacher, eds. Studies in Honor of Ullman: Presented to Him on the Occasion of His Seventy-Fifth Birthday (St. Louis: The Classical Bulletin, St. Louis University, 1960), pp. 18-25.
Considers "some unnoticed passages" that shed light on Chaucer's references to "Trophee" and the Pillars of Hercules (MkT 7.2117-18), identifying no specific source but showing that parallel information was available in medieval accounts such as the…
"Another Knot, Five-fingered-tied": Shakespeare's "Troilus and Cressida," V.ii.157.
Pearce, T. M.
Notes and Queries 205 (1960): 18-19.
Suggests that Shakespeare's knot-image may be related to the five fingers of the devil commented upon in ParsT 10.852-60.
Significance of a Day in "Troilus and Criseyde."
Owen, Charles A., Jr.
Mediaeval Studies 22 (1960): 366-70.
Explores the events of a single day in the first half of Book 2 of TC, particularly changes Chaucer made to Boccaccio "Filostrato," showing how this section helps to characterize Pandarus and Criseyde. Argues that the "muted contrast" between the…
Chaucer's General Prologue, A 673: Further Evidence.
Miller, B. D. H.
Notes and Queries 205 (1960): 404-6.
Offers examples from the "Roman de la Rose" and Deschamps' "Ballade" that the word "bourdan" had the meaning "phallus," showing that the sense would have been familiar to Chaucer when he used "stif burdoun" to describe the Summoner's singing with the…
Chaucer in the Queen Mab Speech.
Maxwell, J. C.
Notes and Queries 205 (1960): 16
Justifies accepting PF 99-105 as the more likely immediate source of Shakespeare's "Romeo and Juliet" 1.4.70-88 than Claudian's "De Sextu Consultat Honorii Augusti," Preface, 3-10, the ultimate source of both English texts.
An Approach to "The Nun's Priest's Tale."
Maveety, Stanley R.
CLA Journal 4.2 (1960): 132-37.
Recommends showing students how digressive, "extra-narrative passages" in NPT "are the essence of Chaucer's intention, not obstructions." Includes discussion of contrasts between NPT and the Cock and Fox fable of Marie de France, focusing on…
The Language of Love in Chaucer.
Masui, Michio.
Studies in English Literature, English Number (1960): 1-36.
Describes and assesses Chaucer's depictions of the expressions and psychology of love in TC, attending to diction, tone, style, and various uses and developments of the conventions of French and Italian love poetry. Focuses on the poet's successful…
The Nun's Priest's Morality and the Medieval Attitude Toward Fable.
Manning, Stephen.
Journal of English and Germanic Philology 59 (1960): 403-16.
Acknowledging NPT to be "a rhetorical tour de force," assesses implications of its status as a "fable," surveying medieval commentaries on the genre, particularly its ability to teach and/or delight, and commenting on the morality the Nun's Priest…
The Personality of Chaucer the Pilgrim.
Major, John M.
PMLA 75 (1960): 160-162.
Argues that "to see Chaucer the pilgrim as anyone other than a marvelously alert, ironic, facetious master of every situation is to misread" CT. Particularly in his views of churchmen and uses of superlatives, the narrator is best understood as "a…
Parodies: An Anthology from Chaucer to Beerbohm--and After.
Macdonald, Dwight, ed.
New York: Random House, 1960; London: Faber and Faber, 1961.
A chronological and thematic anthology of literary parodies that opens with Pr-ThL, Th, and a section of Th-MelL in Middle English as examples of parody of romance, followed by an "Imitation of Chaucer" by Alexander Pope and "A Clerk Ther Was of…
The Legend of Little Hugh.
Lachs, Stephen.
Western Folklore 19.1 (1960): 61-62.
Quotes PrT 7.684-86 at the beginning of a report about a "new version" of the information plaque at the tomb of Hugh at Lincoln Cathedral, one that castigates "Trumped up stories of 'ritual murders' of Christian boys by Jewish communities."
Susannah and the "Merchant's Tale."
Kellogg, Alfred L.
Speculum 35 (1960): 275-79.
Argues that Daniel 13.20 is a source of or influence on details of MerT 5.2138-48, and suggests that pictorial representations of Susannah and the Elders and details from the alliterative poem "Susannah" reveal ironic dimensions in Chaucer's scene of…
On the Tradition of Troilus's Vision of the Little Earth.
Kellogg, Alfred L.
Mediaeval Studies 22 (1960): 204-13.
Traces from Jerome to Frère Lorens's "Somme le Roi" the legacy of commentary on Isaiah 40 which links spiritual ascent and contempt for the world, discussing Lorens's "Somme" as the source for the rise of Arcite in Boccaccio's "Teseida" and as a…
Chaucer's Self-Portrait and Dante's.
Kellogg, A. L.
Medium Aevum 29 (1960): 119-20.
Suggests that Chaucer's self-characterization in Pr-ThL 7.695-97 derives from Dante's "Purgatorio" 19.52 and that the one follows the other in using the "dual first-person singular" and in separating Poet and Pilgrim as a narrative technique.
January's "Aube."
Kaske, R. E.
Modern Language Notes 75.1 (1960): 1-4.
Observes in MerT several commonplaces of the "aube" in the description of January and May's wedding-night, suggesting that they help "to point up the bitterly comic incongruities in January's marriage," and echo details of RvT and TC.
The Limits of Illusion: Faulkner, Fielding, and Chaucer.
Jordan, Robert M.
Criticism: A Quarterly for Literature and the Arts 2 (1960): 278-305.
Challenges the universal applicability of the "organic" ideal (form equating to content) of New Criticism, arguing that it is applicable to modern novels but not earlier narratives. Explores Chaucer's and his audience's "lively consciousness of his…
The Conclusion of the Marriage Group: Chaucer and the Human Condition.
Howard, Donald R.
Modern Philology 57 (1960); 223-32.
Reviews medieval ideas of degrees or grades of perfection, particularly as related to virginity as the "highest form of chastity" and marriage, a compromise even when admirable as in FranT. PhyT and SNT, both of which may follow FranT in the order of…
Oaths in the "Friar's Tale."
Hieatt, Constance.
Notes and Queries 205 (1960): 4-6.
Describes the "ironic associations" of the summoner's oaths in FrT, particularly those that invoke St. James and St, Anne.
Chaucer's Parson's Tale and the "Moralium Dogma Philosophorum."
Hazelton, Richard.
Traditio 16 (1960): 255-74.
Offers in parallel columns passages from ParsT, the "Moralium Dogma Philosophorum," and the French translation of the Latin text to argue that the "Moralium" is the ultimate source of portions of ParsT (especially the "Remedia" of the vices), even…
Chaucer and Cato.
Hazelton, Richard.
Speculum 35 (1960): 357-80.
Explores the range and depth of Chaucer's familiarity with the "Liber Catonis," its commentaries and glosses, and the likelihood that he memorized portions as a schoolboy. Identifies verbal echoes of "Catoniana" in Chaucer's works; then focuses on…
Aspects of Order in the Knight's Tale.
Halverson, John.
Studies in Philology 57 (1960): 606-21.
Reinforces studies of structural and thematic order in KnT, identifying a threefold pattern of ordering principles: a backdrop natural order of cycles, rituals, folk customs; the noble social ordering of chivalry and tournament; and the universal,…
Chaucer's "Sir Thopas": Meter, Rhyme, and Contrast.
Green, A. Wigfall.
University of Mississippi Studies in English 1 (1960): 1-11.
Considers aspects of Th that are "burlesque," commenting on diction, meter, details, various rhetorical figures, and rhymes that convey irony and comedy. Poses many of these examples in contrast with parallels elsewhere in CT.
