Browse Items (15542 total)

Donaldson, E. Talbot.   New Haven, Conn.: Yale University Press, 1985.
Shakespeare perceived and used the complexity of Chaucer's TC, KnT, MerT, and WBT.

Kreuzer, James R.   Modern Language Notes 73.2 (1958): 81.
Shows that evidence from a twelfth-century bestiary may indicate that the comparison of Alison to a swallow in MilT 1.3257-58 ironically anticipates later events of the plot--her "departure" from John and his fall from the roof beam.

Solopova, Elizabeth.   A. J. Minnis, ed. Middle English Poetry: Texts and Traditions. Essays in Honour of Derek Pearsall (Woodbridge, Suffolk; and Rochester, N.Y.: York Medieval Press, 2001), pp.27-40.
Compares punctuation in the Hengwrt and Ellesmere manuscripts with that of other manuscripts to argue that Chaucer's punctuation survives in the virgules of Hengwrt and Ellesmere, related to his development of the iambic pentameter line.

Kelley, Leo P., ed.   New York: McGraw-Hill, 1973.
An anthology of supernatural fiction with selections from the classical period to the modern; includes (pp. 132-33) a modernized selection from NPT (7.3000-49) as an example of a ghost story.

McGraw, Matthew Theismann,   Dissertation Abstracts International A75.05 (2014): n.p.
Includes discussion of FranT as one among several examples of late medieval English romances that explore "noble identity and chivalric values" and use magic to place these values in starker relief than can be accomplished realistically.

Piehler, Paul.   Hudson, Québec: Golden Clarion Literary Services, 1980.
Item not seen; the WorldCat records indicate that this is a reading by Piehler of SumT in Middle English.

Plummer, John F., ed.   Norman and London: University of Oklahoma Press, 1995.
Edition of SumT, based on the Hengwrt manuscript. Collates nine additional manuscripts and the major editions from Caxton to "The Riverside Chaucer." Spelling is lightly modernized and punctuation is introduced. Notes, critical commentary, and…

Burton, T. L., dir.   Provo, Utah: Chaucer Studio, 1990.
Recorded at the Seventh International Congress of the New Chaucer Society, University of Kent.

Fleming, John V.   Chaucer Review 2.2 (1967): 95-107.
Traces the iconographical motif of "Maria Misericordia" as it developed from its early roots into the satire of friars found in SumP. Originally found in treatise by Caesarius of Heisterbach, the motif was adapted by Dominican and Franciscan friars…

Matsuda, Takami.   PoeticaT 55 : 75-82, 2001.
Considers SumP to be Chaucer's experiment in and assessment of the genre of the vision of the afterlife, with "possible echoes of the Visio Tnugdali" (Vision of Tundale).

Garbáty, Thomas J.   Medical History 7 (1963): 348-58.
Adduces medieval and modern medicine to argue that the Summoner's disease described in GP 1.623-66 can best be diagnosed as "a rosacea-like secondary syphiloderm with meningeal neurosyphilitic involvement, with chronic alcoholism playing an important…

Harper, Stephen.   Notes and Queries 244: 12-14, 1999.
Assesses the squire Jankyn in light of the tradition of the court fool whose role is to dispute wittily with his lord.

Kaske, R. E.   Modern Language Notes 74 (1959): 481-84.
Identifies biblical and patristic resonances in GP 1.634, suggesting that they help to "deepen an already ugly picture of spiritual as well as physical deformity."

Fletcher, Alan J.   Studies in the Age of Chaucer 18 (1996): 91-117.
Attests two early-fifteenth-century analogues of SumP and describes several echoes of Wycliffite antifraternal sentiment in SumT: concern with letters of fraternity and trentals (i.e., commissioned masses for the dead), venal preaching, fraternal…

Thayer, J. D.   Explicator 74.4 (2016): 206-09.
Argues that reading "panne" at the end of FrT as clothing rather than cooking utensil closely links the Wife and her tale with that of the Friar. Connects the Friar's criticisms of the Wife and her desires with the depiction of the faithful widow…

Forrest, Ian.   Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 421-42.
Reveals the Summonor to be an "unattractive caricature" and posits reasons for Chaucer's description and portrayal in GP and SumT. Provides historical background on medieval summoners, and claims that the Summoner is "part of a Chaucerian critique"…

Wood, Marjorie Elizabeth.   Comitatus 37 (2006): 65-85.
Anxious about the threat of Eastern hegemony and the increasing authority of merchant women, the narrator of MLT crafts characters that subtly feminize the East, "Orientalize" the feminine, and discredit women's economic participation as a threat to…

Marvin, Julia.   Robert Epstein and William Robins, eds. Sacred and Profane in Chaucer and Late Medieval Literature: Essays in Honour of John V. Fleming (Buffalo, N. Y.: University of Toronto Press, 2010), pp. 113-28.
Marvin traces a pattern of concern with literary interpretation in LGWP-F and exemplifies that the pattern is also evident in "some of the legends themselves," particularly Dido's. The F prologue and the tale assert bookish authority, question it,…

Mustanoja, Tauno F.   Jerome Mandel and Bruce A. Rosenberg, eds. Medieval Literature and Folklore Studies: Essays in Honor of Francis Lee Utley (New Brunswick, N.J.: Rutgers University Press, 1970), pp. 51-76.
Surveys the suggestiveness of first names in Middle English poetry, exploring connotations, denotations, name-play, and the implications of form in the uses of such names. Includes comments on names used by Chaucer, especially in CT.

Straus, Barrie Ruth.   ELH 55 (1988): 527-54.
WBP and WBT appear within frameworks of CT in which masculine values of truth and authority are already evaporating. In phallocentric discourse, women's talk is assumed to be untrue, and male desire is the central secret. Alison reveals throughout…

Patch, Howard R.   Jess B. Bessinger, Jr., and Robert P. Creed, eds. Franciplegius: Medieval and Linguistic Studies in Honor of Francis Peabody Magoun, Jr. (New York: New York University Press, 1965), pp. 255-64.
Describes a series of recurrent concerns in Chaucer's poetry: pity (but not sentimentality), remarkable female characterizations, a complicated view of love, and the "theme of death."

Harper, Stephen.   Ph.D. Dissertation. University of Glasgow, 1997. Open access at https://theses.gla.ac.uk/3152/1/1997HarperPhD.pdf (accessed January 30, 2023).
Explores secular rather than religious implications of madness in works by Chaucer (MilT and SumT; madness and social class), John Gower (VC, Book I), Thomas Hoccleve ("major works"), and Margery Kempe ("Book of Margery Kempe").

Brinton, Laurel J.   Sylvia Adamson, and others, eds. Papers from the Fifth International Conference of Historical Linguistics, Cambridge, 6-9, April 1987. Amsterdam Studies in the Theory and History of Linguistic Science, 4th series. Current Issues in Linguistic Theory, no. 65 (Amsterdam and Philadelphia: John Benjamins, 1990), pp. 31-53.
Uses TC as a tests case to reinforce Otto Funke's argument that "gan" is a structural marker, noting its relations with sequencing adjectives.

Farrell, Thomas J.   Studies in Philology 86 (1989): 286-309.
Whether or not Chaucerian, the glosses reveal medieval responses to ClT; they emphasize the introduction of important thematic material and highlight the difference between the Clerk's restrained rhetoric and the ornate style of Petrarch's 'Seniles'…

Levine, Don Eric.   DAI 33.03 (1972): 1143A.
Studies aspects of style in understanding medieval literature, examining features of the "Roman de la Rose" as well as the "moral imbalance at work" in KnT, particularly as evident in the visual rhetoric and movement in the Temple of Diana and…
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