Browse Items (16048 total)

Twenty-line poem in five four-line stanzas, with possible echoes of GP, a reference to Chaucer in the title, and a quotation of GP lines 1.9-10 on the cover. This art edition is limited to 300 copies, designed as a holiday greeting, with a cover…

Chaucer's Truth and Gentilesse (and other English works) were added into the Rushall Psalter (Nottingham University Library, MS Me LM1) when it was owned by John Harpur. The additions reflect Harpur's anxiety about the contingencies of his social…

Transcribes a version of Lydgate's "Thoroughfare of Woe" from London, British Library, Additional MS 60577 (the "Winchester anthology") and discusses it in light of other versions, commenting on it as "an extended meditation on a proverbial…

Anthologizes poetry for a juvenile audience, arranged topically. Includes the first eighteen lines of GP in Middle English (pp. 168–69) in a section entitled "Extra Credit."

Anthologizes English poems and excerpts alphabetically by author, including the Envoy to ClT (7.1178-1212), translated by Hodnett into Modern English in rhyme royal stanzas.

Includes an excerpt from BD (the Black Knight's lament, lines 475-86), with Maggie Dietz's brief comments about how Middle English words "change in the mouth" (p. 128).

Disagrees with modern critical arguments that CkT, SqT, HF, and LGW are intentionally open-ended. Surveys the textual history and continuations of these poems to show that recent opinions probably result from post-Romantic "taste for the…

Item not seen; WorldCat records indicate that this includes Spanish translation of a selection of Chaucer's poetry, with an introduction.

Drawing on BD, TC, and the Gawain poet, Bourgne studies the influence of architecture on poetry.

In TC, Chaucer creates a persona who embodies two conflicting modes of response, thus leaving it up to the reader to find a reconciliation.

Surveys a wide range of representations of peasants and links with poverty in medieval poetry, with particular emphasis on works by Langland, Chaucer, and Gower, as well as a number of their near-contemporaries. Contrasts Langland's Piers with…

Chaucer's use of penitential motifs is ironic, as seen in the Host. ParsT is a penitential manual.

Chaucer's and Langland's depictions of clergy are rooted in the "biblical topos of contrastive portraits for emulation and rejection," reflecting the medieval belief that church reform depended on the renewal of the clergy. Chaucer's Parson and…

Discusses tensions between disorder and coherence in the conclusions of "Sir Gawain and the Green Knight," "Pearl," "Cleannes," and "Patience," contrasted to conclusions of works by Chaucer.

Suggests that both TC and CT conclude in accord with the medieval rhetorical principle of "digression." Identifies the device in medieval rhetoric tradition, particularly the "Poetria Nova" of Geoffrey of Vinsauf, and applies it briefly to the…

Treats Alceste as Christian emblem of transformation in LGW.

Cooper argues that, despite his own skepticism about fame, Chaucer was the "model of fame" in fifteenth- and sixteenth-century England. Comments on Chaucer's appeal to humanists, to Protestants, and to Catholics and on Chaucer's role as "father" of…

Introduces the major forms of English poetry from lyric to dramatic monologue to sonnet to ballad and beyond, with recurrent references to Chaucer's role in their development (see index), and a sustained discussion of Chaucer and narrative poetry…

Poetic truth cannot be confined by rigidly orthodox theories of literary criticism. D. W. Robertson, Jr.'s reading of ClT, for example, as a moral fable of "the duties of the Christian soul as it is tested by its Spouse" effectively inhibits any…

Examines first-person narrators in Machaut's "dits."

Comparison of Chaucer's NPT with Dryden's version reveals that Chaucer focused on individual human action while Dryden approached the tale through satire of human social conditions. The "human immediacy" of Chaucer's tale may be its outstanding…

PF, an exercise in "rhetorical outdoing" and discovery, shows Chaucer generating "newe science" from the formal "topoi" of "auctores." The episodes of PF conform to Macrobian categories of fabulous narrative, but these are transformed to provide a…

Argues that the "static portraiture" in MilT establishes "character traits precisely" for the main characters so that the plot may "punish" these traits and convey "comic moral justice." Explores connections between Carpenter John and Oswald the…

Edwards cites the "pivotal" nature of the 1532 publication of John Gower's "Confessio Amantis" and Chaucer's "Werkes" and explores "Chaucerian modes and language" in fifteenth-century poetry by Hoccleve, Lydgate, Dunbar, and Henryson--a "subject that…

Investigates the "interaction between literary authority and authorship" and "how writers negotiate the related demands for creative autonomy and authoritative sanction." The dream vision is a form "generated by the poet's search for but failure to…