Browse Items (16041 total)

Collins, Marie.   Glyn S. Burgess and others, eds. Court and Poet (Liverpool: Cairns, 1981), pp. 113-28.
Comparing Chaucer with Gower, Collins explores the conflicts between love and Nature and Reason; the function of law; and imagery and metaphor.

Smith, Nicole D.   Notes and Queries 258 (2013): 498-502.
Echoes of Peraldus's notion of sin as "amor inordinatus" in the section of ParsT on contrition and confession, thought to have been adapted primarily from Pennaforte, suggest that the former's "Summa de vitiis" "exerts a more significant influence on…

Schembri, A. M.   Journal of Anglo-Italian Studies 2 (1992): 1-35.
Influenced by Dante, Chaucer's TC represents the "dramatic interplay" of three kinds of love: "the courtly, the natural, [and] the rational." Chaucer departs from his sources, however, adapting the love of Troilus and Criseyde to an English,…

Peck, Russell A.   Chaucer Review 24 (1990): 290-305.
The centrality of politics as a "topos" in PF may be argued from three different approaches: historical, philosophical, and psychological.

Marshall, Carol Ann.   DAI 35.05 (1974): 2946-47A.
Studies how the movement from divine to mundane love is bridged by figural allegory in CT (especially PardPT) and in the Arcipreste's "Libro de Buen Amor."

McCarthy, Conor, ed.   London and New York Routledge, 2004.
Anthology for teaching medieval ideas about love, sex, and marriage; includes modern translation of portions of Chaucer's works: PardT, WBP, and Buk.

Kossick, Shirley.   Communique 7 (1982): 25-38.
In FranT marriage is idealized; in MerT it is a parody. In FranT, Chaucer criticizes the contradictions of love; in MerT he creates love as a satire.

Larson, Leah Jean.   Dissertation Abstracts International 57 (1996): 1610A
The world view of the Breton Lay, as conceived by Marie de France, changed little before 1400. In FranT, Chaucer expands the genre with increased emphasis on passionate and "egalitarian" love in marriage, troth, and magnanimity, as solution to the…

Caldwell, Ellen M.   Studies in Philology 116.2 (2019): 209-26.
Examines the concept of intent and the illusion that is the marriage between Dorigen and Arveragus in order to argue that the message is one not of equality in marriage but of the happiness gained when the woman submits to her husband's authority.…

Sanders, Barry.   Papers on Language and Literature 3, supplement (1967): 3-13.
Discusses the theme of distorted love in HF, where "love of self" is depicted as replacing the ideal of "'commune profit,' that is love for others and for the larger order of the universe" held together by the "great chain." Argues that courtly love…

Martin, June Hall.   London: Tamesis, 1972.
Defines "courtly love" and "parody" and examines three protagonists as parodic courtly lovers (Aucassin of the anonymous "Aucassin and Nicolette," Troilus of TC, and Calisto of Fernando de Rojas's "Celestina"), assessing them in light of Northrup…

Phillippy, Patricia Anne.   Dissertation Abstracts International 51 (1990): 843A.
Consistent with Bakhtinian theory, the palinode as textual stratagem has complicated the interpretation of works from the classics through Stampa and Sidney. The Griselda story as told by Boccaccio, Petrarch, and Chaucer demonstrates the role of…

Gillam, Doreen M. E.   English Studies 63 (1982): 394-401.
Chaucer often used the horse-and-rider image as a metaphor for sexual "maistrie." In Anel the image illustrates Arcite's failure to exercise mastery over either of his ladies, chafing like a restless horse in the service of Anelida while playing the…

Heffley, Sylvia Patricia.   Dissertation Abstracts International 59 (1999): 3446A.
Although Christian marriage was well defined by theologians in the twelfth through the thirteenth centuries, the proper role of sexuality remained debatable, as shown in the west portal of Senlis Cathedral, in Jean de Meun's introduction of the…

Wack, Mary F.   Pacific Coast Philology 19 (1984): 55-61.
The medieval medical view of love as materialistic, deterministic, and ethically neutral shapes the thematic development of TC. In the first three books, Troilus, Pandarus, and Criseyde are patient, physician, and cure. In bks. 4 and 5, Troilus's…

Guy-Bray, Stephen.   Buffalo, N.Y.; and Toronto: University of Toronto Press, 2006.
Argues that poetic influence can be regarded as an erotic or romantic relationship between male couples, focusing on literature of Dante, Spenser, and Hart Crane and questioning notions of literary influence promulgated by T. S. Eliot and Harold…

Blandeau, Agnés.   Claire Vial, ed. 'Gode is the lay, swete is the note': Résonances dans les lais bretons moyen-anglais / Echoes in the Middle English Breton Lays (2014): n.p. (web publication).
Assesses the theme of keeping one's word in Breton lays, including FranT, focusing on the theme's Middle Ages: pledging and keeping one's word, and its opposite, breaking one's promise or betraying one's pledge.

Hinton, Norman (D.)   Papers on Language and Literature 17 (1981): 339-46.
The disparity between Chaucer's allusion to Lucan in MLT 400-403 and the actual passage in Lucan may be explained by commentaries that Chaucer might have known. The "Pharsalia" shares thematic parallels with Chaucer's story, and may reflect his…

Aloni, Gila.   Rhetoric Society Quarterly 29.3: 31-43, 1999.
Argues that in the LGW account of Lucrece (a tale of enforced copulation), Chaucer uses the word "myght" as a noun, a verb, and a copula to suggest the ultimate triumph of the heroine's seductive rhetoric. The story is less about rape than about…

Winnick, R. H.   Chaucer Review 30 (1995): 164-90.
A likely source of inspiration for ShT is the scriptural text from Luke, where interrelated sins parallel those of Chaucer's characters and where images and phrases are analogous to Chaucer's.

Wilsbacher, Greg.   College Literature 32 (2005): 1-28.
The linked anti-Semitism and poetic virtuosity of PrT confront medievalists with a paradox, in which accurately representing the past and combating bigotry in the present are pitted against each other. Resolving this paradox by ignoring aesthetics in…

Gillespie, Vincent.   Martin Procházka and Jan Čermák, eds. Shakespeare Between the Middle Ages and Modernism: From Translator's Art to Academic Discourse. A Tribute to Professor Martin Hilský, MBE (Prague: Charles University, Faculty of Arts, 2008), pp. 11-39.
Argues that Chaucer requires readers to actively engage with the text as "active participators in the generation of meaning." Gillespie claims that Chaucer's role is more of a commentator rather than an "auctore," because he is as much a "product of…

Kertz, Lydia Yaitsky.   Dissertation Abstracts International A78.06 (2016): n.p.
In the course of a discussion of a medieval aesthetic associating romance's luxury with aristocracy, finds examples in HF and TC, among other period works.

Clogan, Paul M.   Florilegium 11 (1992): 7-21.
While the "Siege of Thebes" can be read in terms of Lydgate's anxiety about his relationship to KnT, its combination of narrative and moralizing is principally influenced by developments within the tradition of the "roman antique." Lydgate's work is…

Edwards, A. S. G.   Nottingham Medieval Studies 54 (2010): 185-94.
Examines the influence of Lydgate in Scotland in the fifteenth and sixteenth centuries, commenting on the manuscript circulation of his poems. Scottish writers' stylistic indebtedness to Lydgate is complicated by the influence of Chaucer's writings…
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