Børch, Marianne.
European Journal of English Studies 10.2 (2006): 131-48.
Børch discusses Th as an "oral romance," surveying its oral characteristics and exploring how these characteristics - when they are written - help to parody the "chivalric ethos" that underlies the genre of romance. Th also exposes for consideration…
Chaudhuri, Supriya, and Sukanta Chaudhuri, eds.
Calcutta : Allied, in collaboration with the Department of English, Jadavpur University, 1996.
Eleven essays by various authors, on topics relating to Chaucer, Spenser, Shakespeare, Petrarchan tradition, Renaissance ballads and drama, and George Herbert. For two essays that pertain to Chaucer, search for Writing Over under Alternative Title.
Hernández Pérez, Mª Beatriz.
F. J. Cortés et al., eds. Variation and Variety in Middle English Language and Literature (Barcelona: Kadle, 2000), pp. 55-64.
Analyzes Chaucer's use of seascapes and water imagery in LGW, HF, and TC, attending to their metaphoric qualities and their narrative functions.
Nyffenegger, Nicole, and Katrin Rupp, eds.
Berlin: De Gruyter, 2018.
Includes nine essays based on presentations at the 2014 New Chaucer Society Nineteenth International Congress in Reykjavík. Sets up a theoretical framework for the exploration of "the textuality of human skin" and "the relations between text,…
Ramsburgh, John S.
Dissertation Abstracts International 65 (2005): 3797A
Suggests that TC and WBP argue for a diachronic understanding of time-as-phenomenon, as opposed to the religious emphasis on eternity over temporality.
Davis, Isabel.
New York: Cambridge University Press, 2007.
Davis explores "intersections between medieval masculine subjectivity and the ethics of labour and living" in Langland's "Piers Plowman," Usk's "The Testament of Love," Gower's "Confessio Amantis," the poetry of Hoccleve, and Chaucer's CYPT. Reads…
Describes Paul C. Doherty's seven murder mysteries based on CT, exploring them as deeply allusive appropriations rather than adaptations, and theorizing how Chaucer-adept readers of this fan fiction can achieve Lacanian jouissance as well as…
Prendergast, Thomas A.
Jennifer Jahner, Emily Steiner, and Elizabeth M. Tyler, eds. Medieval Historical Writing: Britain and Ireland, 500–1500 (Cambridge: Cambridge University Press, 2019), pp. 437-49.
Explores relations between medieval written depictions of tragic events in history and "fictional tragedies," commenting on a range of texts, and assessing how, in MkT, "Chaucer seems to suggest . . . that there is a difference between reporting a…
Taavitsainen, Irma,Gunnel Melchers, and Päivi Pahta,eds.
Amsterdam and Philadelphia : J. Benjamins, 1999.
Twenty-one essays by various authors, and an introduction by Taavitsainen and Melchers on literary versions of nonstandard English, including literary dialects and linguistic history in literary records. For two essays that pertain to Chaucer, search…
Zhang, John Z.
English Language Notes 26:4 (1989): 1-5.
The inconsistencies of voice (Palamon, the Knight, or Chaucer?) in KnT 1303-27 indicate that the poet is manifesting his own artistry in the poem; writing is not merely an imitation of speaking.
Treharne, Elaine, ed.
Cambridge : D. S. Brewer, 2002.
Six essays by various authors treat the Old English "Judith," Veronica in Anglo-Saxon England, the treatment of women in Middle English romances, and three tales in CT. For the three essays that pertain to Chaucer, search for Writing Gender and Genre…
Asserts that Chaucer's dream visions dramatize the act of reading and illustrate the author's interest in the reciprocity of author, text, and reader in making and renewing of meaning. Argues that Chaucer represents the failure of all kinds of…
Hardyment, Christina.
London: British LIbrary, 2012
Documents the British Library's exhibition of the same name (May-September 2012). Examines how the British landscape shapes literary texts, and how British authors depict the wide range of landscapes in English literature. Briefly discusses Chaucer's…
Justice, Steven.
Berkeley, Los Angeles, and London: University of California Press, 1994.
New-Historical exploration of the relations between late-medieval vernacular literacy and the insurgency of 1381 (Peasants' Revolt). Focuses on six brief texts concerning leaders of the revolt, treating their production, implications, and relations…
Patterson Lee.
James M. Dean and Christian Zacher, eds. The Idea of Medieval Literature: New Essays on Chaucer and Medieval Culture in Honor of Donald R. Howard (Newark: University of Delaware Press, 1992), pp. 55-71.
Chaucer maintained a persistent interest in the complaint genre. Its modest dimensions and unprepossessing claims are part of its appeal, but Chaucer raises large questions about the foundations of cultural and metaphysical truths through the…
Utz, Richard.
Sven Rune Havsteen, Nils Holger Petersen, Heinrich W. Schwab, and Eyolf Østrem, eds. Creations: Medieval Rituals, the Arts, and the Concept of Creation. Ritus et Artes, no. 2. Turnhout, Belgium: Brepols, 2007, pp. 121-38.
The nominalist concept of absolute divine power may underpin Chaucer's experiments "with a variety of authorship roles." In TC, both Pandarus and the narrator complicate the author's pose as a mere compiler or translator. Robert Henryson's "Testament…
Bradbury, Nancy Mason.
Urbana and Chicago: University of illinois Press, 1998.
Explores how Middle English metrical romances reflect "proximity to orally transmitted legends." Treats the "Tale of Gamelyn" and related outlaw ballads as "fragmentary remains of a predominantly oral tradition,"Havelock the Dane" as an early…
Pinti, Daniel J., ed.
New York and London: Garland, 1998.
Reprints eleven essays or book chapters pertaining to Chaucer's reception, with topics such as scribal habits, Chaucer's influence on later poets, Chaucerian apocrypha, and others.
Bawcutt, Priscilla.
Helen Cooney, ed. Writings on Love in the English Middle Ages (New York: Palgrave Macmillan, 2006), pp. 179-96.
Bawcutt surveys love poetry of medieval Scotland in various genres, emphasizing the variety of tones and exploring the importance of Chaucer's influence.
A close reading of passages in KnT reveals Chaucer's close familiarity with the medieval construction industry. Although Chaucer supervised building rather than creating buildings, as a poet, he is supreme master over his own creative process.
Walisiewicz, Marek, Diana Loxley, Johnny Murray, and Kirsty Seymour-Ure, eds.
New York: DK, 2018.
Brief, illustrated summaries of the lives and works of writers, mostly from the nineteenth to the twenty-first centuries. The opening chapter covers fifteen “Pre-19th Century” writers from Dante to Voltaire, arranged chronologically, with a section…
Rowley, Sharon M., ed.
Cham: Palgrave Macmillan, 2021.
Explores literary legacy of medieval writers, including Chaucer, Gower, and Wyclif "in light of the translation and interpretive reproduction of the Bible in Middle English. For four essays pertaining to Chaucer, search for Writers, Editors and…
Baker, Alison Ann.
Dissertation Abstracts International 64 (2004): 2481A
Baker compares medieval and modern theories of textual production and examines the development of characters in TC by means of textual variants among the work's manuscripts.
