Krochalis, Jeanne E.
Chaucer Review 21 (1986): 234-45.
Hoccleve's request for a portrait (supplied in the Harley 4866 MS of "The Regement of Princes") is something new: the author's likenesses had heretofore been stylized. Hoccleve's lines (4992-5012) place Chaucer in a holy or ecclesiastical setting. …
Nafde, Aditi.
Journal of the Early Book Society 16 (2013): 55-83.
Compares Chaucer's and Hoccleve's manuscripts in terms of authorial control, contrasting the "muddle of disparate exemplars" of CT with Hoccleve's detailed attention to format. Specifically contrasts Hoccleve's "mid-stanza paraph" in his autograph…
Surveys the reception of Hoccleve's poetry and argues that its "autobiographical self-presentation" underlines its differences from Chaucer's influential precedent. Hoccleve also introduces innovative themes and topics: madness, alienation, and…
Argues that the autobiographical portion of Hoccleve's "Regement of Princes" and its "praise and portrait" of Chaucer indicate that the poem is part of a broader "program of kingly self-representation" undertaken by Henry, Prince of Wales, who…
Perkins, Nicholas.
Woodbridge, Suffolk; and Rochester, N.Y. : D. S. Brewer, 2001.
Perkins examines the narrative strategies Hoccleve adopts--advisor, servant, court outsider, autobiographer, moralist, petitioner--as responses to the politically charged context of "Lancastrian poetry." This study identifies the political context in…
Emphasizes Chaucer's influences on Hoccleve, paying special attention to ClT as an intertext with Hoccleve's "Letter," where Hoccleve appears rather misogynist. Yet, in the "Series," harkening back to his "Letter," Hoccleve seems to ridicule his…
Mitchell, Jerome.
Arno Esch, ed. Chaucer und Seine Zeit: Symposion für Walter F. Schirmer (Tübingen: Niemeyer, 1968), pp. 275-83.
Contends that "there is no clear, indisputable evidence" of a personal relationship between Chaucer and Thomas Hoccleve in the latter's "Regement of Princes." His praise of Chaucer in that poem is evocative but generally conventional, and there is…
Ripplinger, Michelle.
Jennifer Nuttall and David Watt, ed. Thomas Hoccleve: New Approaches (Cambridge: Brewer, 2022.), pp. 105-23.
Explores Hoccleve's uses of and attitudes toward Christine de Pizan and Chaucer, focusing on Ovidian notions of female readership and how in his"Series" Hoccleve positions Pizan to "speak back to Chaucer" and "asks us to reflect on the Chaucerian…
Sugito, Hisashi.
Bulletin of the Society for Chaucer Studies 7 (2019): 3-12.
Points out thematic parallels between Hoccleve's "Male regle" and PardT, such as "riot and repentance" and "misreading" of "the material and the spiritual," and argues that Hoccleve succeeds in taking in Chaucerian literary resources to make his…
Strohm, Paul. With an appendix by A. J. Prescott.
Princeton, N.J.: Princeton University Press, 1992.
An introduction and seven essays explore the mutual contingency of history and literature in late-medieval England. The collection interprets historical texts for contemporary attitudes and ideologies, discovering, for example, the "carnivalesque"…
Brodie, Alexander H.
Neuphilologische Mitteilungen 72 (1971): 62-68.
Explicates details and images of the Cook in ManP to argue for a "three-fold elaboration": the besotted Cook is a "victim of obsession with drink" who exhibits the pallor of the love-lorn knight which is also the paleness of the alchemical…
Medieval courtly literature must be seen as a reflection of the chivalric ideal. The chivalric ideal in England was less integrated than on the Continent because it was the ideal of an alien Norman aristocracy. Native English landowners were…
Surveys critiques of court culture in English writing from John of Salisbury to Edmund Spenser; includes discussion of (pp. 124-36) of NPT as a moral-satirical narrative.
Kaylor, Noel Harold, (Jr.)
Medieval English Studies 8: 95-114, 2000.
Relates the structure of TC (with Troilus's happiness reaching its apex at the numerical center of the poem) to structures found in Dante's "Commedia" (Divine Comedy) and to themes of fortune's changes in Boethius's "Consolation of Philosophy."
A study of the representation of animals in late-medieval literature, focusing on how human identity is defined in relation to animals. Using examples from late-medieval hagiography and romance, Salter argues that medieval writers reflect on their…
Surveys the "traditions of preaching theory that Chaucer drew on in creating his Parson and Pardoner," focusing on the preacher's paradoxical "persona," the relationship between the "person" and the "office," and the use of the physical body in the…
Although the Wife of Bath is a character constructed from masculine discourse, she appropriates that discourse into her own autoerotic sexual/textual glossing. In WBP, the Wife reveals an ambivalent feminine poetics within an apparently masculine…
Explores the link between fear of God and literary expression, usually manifested as "overwhelming prolixity." Considers several of the tales in CT as part of this exploration.
Zeikowitz, Richard E.
New York: Palgrave Macmillan, 2003.
Examines homoerotic acts between knights (kissing, expressions of love, and forming of lifelong bonds) in a variety of late medieval texts: "Amys and Amylion," the "Prose Lancelot," "Sir Gawain and the Green Knight," the "Stanzaic Morte Arthur," and…
Ingham, Patricia Clare.
Peter G. Beidler, ed. Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde (Cambridge; and Rochester, N.Y.: D. S. Brewer, 1998), pp. 23-35.
Examines masculine suffering and Theseus's stoic masculinity, particularly how it demands the suffering of the ruler's soldiers and the sorrowing of women. Concludes that the Tale depicts Theseus's creative power as specifically masculine.
Brewer, D[erek]. S.
Essays and Studies 26 (1973): 1-19.
Defines the private and social aspects of "honor" in Chaucer's works, exploring its relations with related concepts such as "worth," "worship," shame, gentility, heritability, and, for women, chastity. Focuses on TC and FranT, but comments on these…
Mooney, Linne R., and Daniel W. Mosser.
Takami Matsuda, Richard A. Linenthal, and John Scahill, eds. The Medieval Book and a Modern Collector: Essays in Honour of Toshiyuki Takamiya (Cambridge: Brewer; Tokyo: Yushodo, 2004), pp. 179-96.
Offers a "new listing of the hooked-g group of scribes" and attributes Takamiya MS 24 and two Takamiya fragments (MS 30 and single leaf from Plimpton MS) to the more specific "slanted hooked-g scribe," also responsible for Cambridge, Trinity College…
