Browse Items (16330 total)

Wallace, David.   Andrew Galloway and R. F. Yeager, eds. Through a Classical Eye: Transcultural and Transhistorical Visions in Medieval English, Italian, and Latin Literature in Honour of Winthrop Wetherbee (Toronto: University of Toronto Press, 2009), pp. 207-22.
Wallace reviews letters between Boccaccio and Petrarch, suggesting that it is not unreasonable to "consider Petrarch and Boccaccio toiling, sparring, and loving one another in bonds suggestive of matrimony" (210). Aligns events of the Griselda tales…

Bertelsmeier-Kierst, Christa.   Heidelberg : Winter, 1988.
Explores the fifteenth-century production of German translations of Petrarch's "Griseldis" and audience reception of those translations.

Saito, Tomoko.   Konan Daigaku Kiyo (Kobe, Japan) 57 (1986): 1-16.
Discusses the meaning of "woe that is in marriage" and the antifeminist attitude of the Clerk in ClT, juxtaposed to the Wife of Bath, and shows that the Clerk preaches skillfully about the abnormal relationship between man and wife.

Laird, Edgar.   Jack P. Cunningham, ed. Robert Grosseteste: His Thought and Its Impact (Toronto: Pontifical Institute of Mediaeval Studies, 2012), pp. 217-26.
Describes Grosseteste's notion of universals and Wyclif's treatment of it; then argues that KnT and MilT are, respectively, philosophically realist and antirealist, focusing on the First Mover speech in KnT as an example of Grosseteste's…

Keller, Angelina.   Nicole Nyffenegger and Katrin Rupp, eds. Fleshly Things and Spiritual Matters: Studies on the Medieval Body in Honour of Margaret Bridges (Newcastle upon Tyne: Cambridge Scholars, 2011), pp. 79-124.
Identifies in medieval medicine a concern with organs and features of the human body that are "grotesquely" able to speak, and associates the concept with Cecilia's neck in SNT and the clergeon's throat in PrT. Through their depictions of human…

Reidy, John.   Papers of the Michigan Academy of Science, Arts, and Letters 47 (1962): 595-603.
Identifies patterns that indicate Chaucer's "careful planning" of a sequence of groupings of pilgrims in GP, focusing on audience expectations, points of views, tones, satirical targets, and the traditional three estates.

Hanawalt, Barbara A.   New York and Oxford: Oxford University Press, 1993.
Explores the biological and sociological understanding of childhood and adolescence in late-medieval London, demonstrating that the late Middle Ages "did recognize stages of life that corresponded to childhood and adolescence."

Grant, Peter.   Thomas M. Kitts and Nick Baxter-Moore, eds. The Routledge Companion to Popular Music and Humor (New York: Routledge, 2019), pp. 49-57.
Traces a tradition of nonsense and humor in English psychedelic rock music, mentioning Chaucer's influence (specifically NPT as a mock epic) and a few allusions to Chaucer in the lyrics of psychedelic songs.

Zesmer, David M.   New York: Barnes & Noble, 1961.
Surveys English literature and critical responses to this literature; designed for classroom use. Summarizes historical backgrounds and provides annotated bibliographies, linked with the discussions of individual works, authors, and topics, including…

Robinson, Peter,and Elizabeth Solopova.   Norman Blake and Peter Robinson, eds. The 'Canterbury Tales' Project Occasional Papers, Volume I (Oxford: Office for Humanities Communication Publications, 1993), pp. 19-52.
Articulates the principles of manuscript transcription for the "Canterbury Tales" Project, theorizing about the potential and limitations of transcribing for machine-readable publication and explaining why "graphemic" transcription (rather than…

D'Agata D'Ottavi, Stefania.   Textus: English Studies in Italy 24 (2012): 427-48.
Suggests how Chaucer may have become familiar with the work of Guido Cavalcanti, and argues that TC records philosophical and poetical perspectives and several poetic devices that are similar to those found in Cavalcanti's "Donna me prega."

Sklar, Elizabeth S.   Neophilologus 76 (1992): 616-28
Chaucer's tale of Hypsipyle and Medea (LGW 4) shares verbal features with the "Gest Historyale of the Destruction of Troy" and the "Laud Troy Book." Not derived from one another, they may go back to an earlier Middle English translation.

Wimsatt, James I.   Medium Aevum 45 (1976): 277-93.
In TC, Chaucer gave his Boccaccio material greater depth and emotional significances by borrowing from Machaut. His presentation of the psychological effects of Troilus' passion echoes "Jugement dou Roy de Behaingne." Pandarus' wisdom is often that…

Wimsatt, James I.   Medium Aevum 47 (1978): 66-87.
Machaut provides the nearest precedents, the most probable chief sources, for all of Chaucer's independent love lyrics printed in Robinson except "The Complaint of Venus," wherein Chaucer follows Graunson, and "A Balade of Complaint," most probably…

Davis, Steven.   ChauR 36 : 391-405, 2002.
Chaucer uses the conventions of Machaut in BD to undermine them, demonstrating to his English readers that the French poetic tradition was two-dimensional, "narrow in scope and appeal, read primarily for diversion and reflection."

Earp Lawrence.   New York and London: Garland, 1995.
A guide to secondary sources on Machaut's life, music, and literature, plus his influence on later traditions. The general index enables users to track discussions of Machaut's influence on Chaucer, both generally and with reference to individual…

Palmer, R. Barton, ed. and trans.   New York and London: Garland, 1988.
Text and translation with introduction, notes, and bibliography, including comparative studies of Chaucer and Machaut. Influences on BD, LGW, TC.

Edmondson, George.   Exemplaria 34 (2022): 103-29.
Considers the Pardoner in PardT as an "exemplary figure" of what Walter Benjamin argues is a defining trait of modernity: the eclipse of religion's sacralizing capacities by capitalism, which, like the Pardoner's sales pitch, intensifies guilt rather…

McTurk, Rory.   Ásdís Egilsdottir and Rudolf Simek, eds. Sagnaheimur: Studies in Honour of Hermann Pálsson on His 80th Birthday, 26th May 2001 (Wien: Fassbaender, 2001), pp. 175-94.
McTurk argues that "Laxdaela Saga" is an analogue to WBPT, although the two derive independently from the Irish tale of the Loathly Lady.

Wilson, Katharina (M.)   Gerald Guinness and Andrew Hurley, eds. Auctor Ludens: Essays on Play in Literature (Philadelphia: Benjamins, 1986), pp. 37-45.
Chaucer "organized his hagiographic play around the 'distinctiones', or normative arrays, giving and revenge, which are exemplified in the narrative clusters derivative of the hagiographics and the dramatic treatment of St. Nicholas and Absalom."

MacCrossan, Colm.   Notes and Queries 264 (2019): 393-97.
Assesses the inclusion of information from the GP description of the Knight in Richard Hakluyt's "The Principal Navigations, Voyages, Traffiques and Discoveries of the English Nation," where Hakluyt presents Chaucer's fiction "as a genuine historical…

Masciandaro, Nicola.   Myra Seaman, Eileen A. Joy, and Nicola Masciandaro, eds. Dark Chaucer: An Assortment (Brooklyn, N. Y.: Punctum Books, 2012), pp. 71-90.
Considers the anonymous executioner and the three strokes required to execute Cecilia in SNT.

Brijak, Vladimir.   N&Q 256 (2011): 247-54.
References to "Lameth" in WBT and SqT comprise links in a sturdy chain connecting the tragic actions of Shakespeare's prince of Denmark to Lamech, a "(pseudo-)biblical figure associated with murder, rage, and vengeance."

Lewis, Robert E.   Athens: University of Georgia Press, 1973.
Describes the history, procedures, and practices of editing volumes for the Chaucer Library which was created in 1945. Comments on how to select texts, editorial responsibilities, and preparation of typescripts. An appendix provides four pages of…

Bullough, Vern L., and James A. Brundage,eds.   New York and London: Garland, 1996.
Eighteen essays by various authors, addressing topics such as confession, medicine, chaste marriage, contraception, homosexuality, lesbianism, cross-dressing, prostitution, castration, and various cultural studies: Jewish, Muslim, Eastern Orthodox,…
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