Harding, Wendy.
Roger Ellis, Rene Tixier, and Bernd Weitemeier, eds. The Medieval Translator/Traduire au Moyen Age, 6. ([Turnhout, Belgium]: Brepols, 1998), pp. 194-210.
Assesses Chaucer's transformation of ClT in his process of translating his sources, focusing on the imagery of clothing. Through his alterations of the clothing motif, Chaucer disclaims the traditional notion that translation is merely superficial…
Hansen, Kristine.
Literature and Belief 12 (1992): 53-70.
Like Abraham, Griselda is justified or made perfect by works, evidenced by her willingness to sacrifice her children. Through three clothing changes, she becomes an emblem of salvation: the first change symbolizes baptism; the second, the trial of…
Wicher, Andrzej.
Text Matters: A Journal of Literature, Theory and Culture 11 (2021): 334-52.
Offers "folkloric analysis" of several motifs--slaughtered wives, lost and restored children, and incest--in ClT and in "The Winter's Tale" (and other Shakespearean plays), arguing that such analysis allows us "to see these texts in connection with…
Yoon, Minwoo.
Medieval and Early Modern English Studies 16 (2008): 113-41.
Although Griselda is "translated" in three different ways in ClT (language, place,and social class), her labor is constant throughout. Her labors (domestic, wifely, and public) define her essential selfhood and grant her a kind of power that Walter…
Shimogasa, Tokuji.
Nobuyuki Yuasa et al., eds. Essays on English Language and Literature in Honour of Michio Kawai (Tokyo: Eihosha, 1993), pp. 37-43.
Demonstrates through word study that Griselda is "the personification of the virtues of meekness, humility, fortitude, and modesty," a figure of medieval love.
Hernández Pérez, M. Beatriz.
Manuel Brito and Juan Ignacio Oliva, eds. Traditions and Innovations Commemorating Forty Years of English Studies at ULL (1963-2003) (Tenerife, Canary Islands: RCEI, 2004), pp. 273-80.
Hernández Pérez explores kinship models implicit in the cultural "memory" of ClT, especially those that involve Walter's sister and the sending of children to a relative's household. Griselda's class and deference may reflect vestiges of marriage…
Chaucer modifies his sources for ClT in a way that emphasizes Griselda's virtue as specifically "feminine" and exclusively "wifely." The reflections of her wifely virtue in the pagan wives of LGW, who "view devotion to their husbands as their highest…
Valdés Miyares, Rubén.
SELIM: Journal of the Spanish Society for Mediaeval English Language and Literature 8: 101-15, 2001.
Explores two folkloric motifs in ClT and "Lay le Freine": the patient wife and twin sisters who are rivals in love. Rooted in the same myth, the stories imagine alternatives to patriarchal culture as well as dramatizing wifely obedience and female…
Wallace, David.
Andrew Galloway and R. F. Yeager, eds. Through a Classical Eye: Transcultural and Transhistorical Visions in Medieval English, Italian, and Latin Literature in Honour of Winthrop Wetherbee (Toronto: University of Toronto Press, 2009), pp. 207-22.
Wallace reviews letters between Boccaccio and Petrarch, suggesting that it is not unreasonable to "consider Petrarch and Boccaccio toiling, sparring, and loving one another in bonds suggestive of matrimony" (210). Aligns events of the Griselda tales…
Discusses the meaning of "woe that is in marriage" and the antifeminist attitude of the Clerk in ClT, juxtaposed to the Wife of Bath, and shows that the Clerk preaches skillfully about the abnormal relationship between man and wife.
Laird, Edgar.
Jack P. Cunningham, ed. Robert Grosseteste: His Thought and Its Impact (Toronto: Pontifical Institute of Mediaeval Studies, 2012), pp. 217-26.
Describes Grosseteste's notion of universals and Wyclif's treatment of it; then argues that KnT and MilT are, respectively, philosophically realist and antirealist, focusing on the First Mover speech in KnT as an example of Grosseteste's…
Keller, Angelina.
Nicole Nyffenegger and Katrin Rupp, eds. Fleshly Things and Spiritual Matters: Studies on the Medieval Body in Honour of Margaret Bridges (Newcastle upon Tyne: Cambridge Scholars, 2011), pp. 79-124.
Identifies in medieval medicine a concern with organs and features of the human body that are "grotesquely" able to speak, and associates the concept with Cecilia's neck in SNT and the clergeon's throat in PrT. Through their depictions of human…
Reidy, John.
Papers of the Michigan Academy of Science, Arts, and Letters 47 (1962): 595-603.
Identifies patterns that indicate Chaucer's "careful planning" of a sequence of groupings of pilgrims in GP, focusing on audience expectations, points of views, tones, satirical targets, and the traditional three estates.
Hanawalt, Barbara A.
New York and Oxford: Oxford University Press, 1993.
Explores the biological and sociological understanding of childhood and adolescence in late-medieval London, demonstrating that the late Middle Ages "did recognize stages of life that corresponded to childhood and adolescence."
Grant, Peter.
Thomas M. Kitts and Nick Baxter-Moore, eds. The Routledge Companion to Popular Music and Humor (New York: Routledge, 2019), pp. 49-57.
Traces a tradition of nonsense and humor in English psychedelic rock music, mentioning Chaucer's influence (specifically NPT as a mock epic) and a few allusions to Chaucer in the lyrics of psychedelic songs.
Surveys English literature and critical responses to this literature; designed for classroom use. Summarizes historical backgrounds and provides annotated bibliographies, linked with the discussions of individual works, authors, and topics, including…
Robinson, Peter,and Elizabeth Solopova.
Norman Blake and Peter Robinson, eds. The 'Canterbury Tales' Project Occasional Papers, Volume I (Oxford: Office for Humanities Communication Publications, 1993), pp. 19-52.
Articulates the principles of manuscript transcription for the "Canterbury Tales" Project, theorizing about the potential and limitations of transcribing for machine-readable publication and explaining why "graphemic" transcription (rather than…
D'Agata D'Ottavi, Stefania.
Textus: English Studies in Italy 24 (2012): 427-48.
Suggests how Chaucer may have become familiar with the work of Guido Cavalcanti, and argues that TC records philosophical and poetical perspectives and several poetic devices that are similar to those found in Cavalcanti's "Donna me prega."
Sklar, Elizabeth S.
Neophilologus 76 (1992): 616-28
Chaucer's tale of Hypsipyle and Medea (LGW 4) shares verbal features with the "Gest Historyale of the Destruction of Troy" and the "Laud Troy Book." Not derived from one another, they may go back to an earlier Middle English translation.
In TC, Chaucer gave his Boccaccio material greater depth and emotional significances by borrowing from Machaut. His presentation of the psychological effects of Troilus' passion echoes "Jugement dou Roy de Behaingne." Pandarus' wisdom is often that…
Machaut provides the nearest precedents, the most probable chief sources, for all of Chaucer's independent love lyrics printed in Robinson except "The Complaint of Venus," wherein Chaucer follows Graunson, and "A Balade of Complaint," most probably…
Chaucer uses the conventions of Machaut in BD to undermine them, demonstrating to his English readers that the French poetic tradition was two-dimensional, "narrow in scope and appeal, read primarily for diversion and reflection."
Earp Lawrence.
New York and London: Garland, 1995.
A guide to secondary sources on Machaut's life, music, and literature, plus his influence on later traditions. The general index enables users to track discussions of Machaut's influence on Chaucer, both generally and with reference to individual…