Browse Items (16089 total)

Irony--"the Chaucerian pose"--is of five basic types in CT: verbal, structural, dramatic, and philosophic irony, as well as irony of manner.

Surveys the reception of Chaucer reflected in translations by Dryden, Samuel Johnson, Pope, and Wordsworth, viewing it as the beginning of modern criticism, of the modern idea of a national literature, of modern textual criticism, and of modern…

The lack of popularity of PhyT may derive in part from the separate, seemingly modern, aesthetic it espouses--one designed not to "define virtue and suppress vice" but to illustrate a sense of "randomness and discontinuity" that anticipates a new…

Tabulates the plots and motifs of twenty-one modern Irish tales purported to be analogues of the pear tree episode in MerT, suggesting that those accounts which include the motif of optical illusion (rather than blindness) should not be considered…

Examines biographical, textual, and comparative approaches to Th to show how dependent they are on modern notions of author and text. Argues that medieval textuality and authorship pose methodological problems for understanding Th as parody, a genre…

Outlines the aspects of Chaucer's works that are usually regarded as characteristic of twentieth-century British modernism: innovation and convention-breaking, fusion of genres, colloquial idioms, metrical license, dramatic monologue, poetic…

Examines how the long eighteenth century reflected "the emergence of a modern historical consciousness." Chapter 2, "Chaucer Ancient and Modern: Standardization, Modernization, and the Eighteenth-Century Reception of The Canterbury Tales," pp.…

Chapter 2 examines two views of CT in eighteenth-century England: as a philologist's "historical foundation in need of preservation" and as "merchandise facilitating social refinement."

Surveys representations of male and female fainting in medieval romances and "chansons de geste," and describes the medieval medical status of fainting ("syncope"). Considers Troilus' swoon in TC 3, observing that the "precision of Chaucer's medical…

Rushton suggests that Th and "Sir Gawain and the Green Knight" may be accountable for the lack of sustained academic focus on medieval popular romance. Modern popular fiction, games, and films have, on the other hand, embraced many features of the…

Bell argues that "The Joe Schmo Show" and Th "use metafictional parody to 'refunction' generic forms and critique stereotypes of masculinity."

Explores three "models" for considering medieval studies in the context of world literatures--"Mediterraneans," "distant reading," and "moving things"--using the last to compare MLT and the Ethiopian "Kebra nagast" and assess "Mandeville'sTravels"…

Examines figures of women writers in the work of male authors from Chaucer to Marlowe, with the goal of recovering the woman writer's significance, even in the absence of female-authored direct texts. Includes discussion of TC and Philomela and Dido…

Nakao tabulates the frequency of epistemic "trewely" in Chaucer's major works and compares its semantic frequency in Chaucer with that in several contemporary poetic texts. Investigates the significance of the modal adverb "trewely" in TC,…

Explores "expressions of mobility" in the frame narrative and tales of CT to show how physical and metaphorical mobilities are shaped by "geographical, ecological, sociopolitical, and gendered identities."

Traces Chaucer's interest in three concerns that are related to the development of English as a vernacular language: "the nature of translation, the construction of textual memory, and the relationship between reading and ethics." Assesses literal…

Item not seen. The WorldCat records indicate this is a translation of MilT into Swedish, with illustrations by Baengt Dimming.

Discusses in dialogue format a hybrid "general education honors course focusing on the description, understanding, and classification of animals over time," including comments on the use of PF in this course and syllabi for it from 2019 and 2021.

Using concordances, the MED, and textual variants from the manuscripts, Gretsch clarifies ten passages in Th.

Twenty-two essays by Erzgräber, most of them previously published. Eight of the essays pertain to Chaucer, one published here for the first time: "Predestination in Langland and Chaucer" (pp. 179-201). In it, Erzgräber surveys St. Augustine's…

Fragment 1 of CT (KnT, MilT, and RvT) "posit[s] contra-factual histories" for Chaucer's source texts while employing imagery of "sodomy, rape and monstrous hybrids" as refutations of those histories' threats to the structure of a salvation comedy.

Biography of Katherine Swynford, emphasizing the love she shared with John of Gaunt. Includes color illustrations, notes, index, bibliography, and several appendices (including a genealogical table of the Chaucer family). Numerous brief references…

Reminiscences of working in the "University of Chicago Chaucer Laboratory, where Manly and Rickert were producing the 'Text'."

Challenges "the standard view that fifteenth-century poets wrote irregular meters in artless imitation of Chaucer," arguing instead that "Chaucer's followers deliberately misread his meter in order to challenge his authority" and rather than…

Skelton's "Tunnyng of Elynour Rummynge" mixes "Chaucerian and Langlandian forms," capitalizing on their presentations of female sexuality and economic value. Skelton's Elynour is neither a personification (like Lady Mede) nor realistic (like the…