Browse Items (16038 total)

Assesses ClT in comparison with its sources to argue that Chaucer's version critiques Griselda's complete submission of her will to Walter's, disclosing its ethical invalidity as lacking right reason.

Assesses female silence as resistance to masculine power in KnT, arguing that the strategy is limited. In KnT women succeed when they “express their need” for male protection, but not when they oppose or resist patriarchy. Includes an abstract in…

Item not seen. WorldCat record indicates this collection of stories in verse emulates CT as a tale-telling contest, conducted by security guards after riots in Los Angeles.

Explores nuances of Boethian Providence, fortune, destiny, and human perceptions of them in KnT, along with relations between death and love in their worldly and spiritual manifestations. Argues that in KnT Chaucer burlesques the "romantic…

Surveys uses of first-person narrative in late medieval English literary texts, agreeing with and extending earlier critics' arguments that find in this literature notions of selfhood often attributed to the early modern period. Observes how and…

Verse dialogue in iambic pentameter couplets in which the Wife of Bath recommends to a convalescent Chaucer the idea of writing CT and offers to tend him while he writes.

Uncouples Chaucer's fifteenth-century reception from "monolingual nationalist ideas of Englishness," focusing on rhetorical and codicological features of two trilingual love lyrics in Cambridge University Library, MS Gg.4.27 (Gg): "De amico ad…

Argues that Prov, although attributed to Chaucer in medieval manuscripts and in the Riverside Chaucer, contains verse forms not found elsewhere in Chaucer’s oeuvre.

Examines Chaucer's limited use of "blew"/"blue" in depictions of color, focusing on the phrase “teres blewe” in Mars, 8. Notes that the connotation of "blue" with melancholy surfaces later, and traces Chaucer's usage of "blewe" to its…

Explores the "metaphors, paradoxes, contradictions, and mysteries which link" poetry and money, including description of Purse among examples of fourteenth-to-twentieth-century poetry "in which money is the theme and its absence the concern."

Explores general connections between literature and law, with specific reference to Purse. Claims that Chaucer's understanding of "classics, rhetoric, and law” sets up Purse as a "literary defense or vindication" and uses "love poetry" to create a…

Argues that Chaucer's alterations to Boccaccio's "Filostrato" in TC, I.22–49, were influenced by liturgical "bidding prayers," and that the God-centered Boethianism of the passage works with the ending of Chaucer's poem to "frame" its recurrent…

Discloses how compilations of devotional literature such as "Disce mori" can help us to recognize a "female textual subjectivity," exploring the work's makeup as compilation, and commenting on how "references [in it] to passages and characters from…

Confronts the humor and "problematic sexual biases evident” in TC. Focuses on the consummation scene of Book III and the ways that "#MeToo activism" can inform a conversational pedagogy for engaging with the text, including analysis of the…

Analyzes the structure and function of reporting verbs, such as "seyde" and "quod, "in representing speech and thought in TC from a variety of viewpoints, including syntactical position of the reporting verbs, balance of direct and indirect…

Treats prosimetrum as "a unique medieval genre that mixes not only prose and verse but also narrative and lyric," and studies its implications for theorizations of the lyric mode, particularly the opposition between the Romantic notion of lyrics as…

Observes several traditional conventions of love in TC, especially Troilus's suffering and Pandarus's role as go-between.

Analyzes how Chaucer’'s uses of sailing and door/gates imagery in TC resonate with similar imagery in Ovid's "Amores" and "Ars amatoria," reflecting a differing view of history and producing a different tone. In English, with an abstract in English…

Uses two of the "modes of existence" theorized by Bruno Latour--technological and fictional--to examine medieval manuscripts, arguing that the "affordances and ecologies" of codices as technology encouraged the "proliferation" of fictional beings in…

Discusses in dialogue format a hybrid "general education honors course focusing on the description, understanding, and classification of animals over time," including comments on the use of PF in this course and syllabi for it from 2019 and 2021.

Comparative analysis of the "correspondences" and the "disparities of ideas" in these works while revealing their "individual intentions." Originally presented as Baeten’s Ph.D. dissertation, Ludwig-Maximilians-Universität, 2019.

Analyzes the "Legend of Dido" in LGW to reveal how narrative serves as a "cognitive tool for shaping worldviews" held within cultural communities. Discusses the "cognitive-cultural underpinnings" and strategies Chaucer uses to tell a fragmentary…

Examines LGW as a poetic work that invites criticism as a function of how it is structured. Looks in depth at Alceste and her efforts in the poem, reappraising how she achieves success with the God of Love.

The introduction to this edition of Valerius includes a section on "The Later Middle Ages: Benoit, Guido, Chaucer, and Boccaccio," discussing whether or not "medieval writers were familiar with Valerius Flaccus." Demonstrates that, although Chaucer…

Analyzes how the "Legend of Dido" differs from Virgil's "Aeneid" and Ovid's "Heroides," VII. Claims that Chaucer's narrator is more self-referential and that the plurality of voices of the narrator, along with the characters' voices, results in a…