Travis, Peter W.
Notre Dame, Ind.: University of Notre Dame Press, 2010.
Reads NPT as Chaucer's self-reflexive "ars poetica," a Menippean parody of the complexities of engaging with language and literature. Through subtle play with the traditional liberal arts education, especially the trivium, NPT explores imitation,…
Assesses the "artistic role" in TC of the narrator--a commentator and a "historian [who] meticulously maintains a distance between himself and the events in the story." Explores "temporal, spatial, aesthetic, and religious" devices in the poem…
Kallas, Piotr.
In Magdalena Grabowska, Grzegorz Grzegorczyk, and Piotr Kallas, eds. Narrativity in Action (Frankfurt am Main: Peter Lang, 2017), pp. 77-100.
Describes (and reiterates) appreciation of Ricardian culture, exploring ways that Chaucer evokes a strong sense of contemporary London in CT and how, in "The Clerkenwell Tales," Peter Ackroyd evokes a similar sense of reality.
Criseyde's statement that she lacks Prudence's third eye should be understood in the context of Augustine's theories of time and intentionality and the philosophical realism on which they draw. Her observation points up her failure to see…
Hernández Pérez, María Beatriz.
SELIM 11 (2001-2002): 29-47.
Assesses "The Assembly of Ladies" in light of several Chaucerian techniques, particularly his use of a disarming narrative persona. The relatively straightforward female narrative persona of "Assembly" is unlike the narrator of LGW, although both…
Tabulates and analyzes various combinations of Middle English infinitive markers--the -e(n) ending, the particle "to," and the particle phrase "for to"--finding that they occur in no identifiable grammatical or semantic patterns of distribution in…
Hsy, Jonathan.
In Thomas A. Prendergast and Jessica Rosenfeld, eds. Chaucer and the Subversion of Form (Cambridge: Cambridge University Press, 2018), pp. 85-98.
Reads the tragedies that constitute MkT as disability narratives, exploring how formal strategies within stanzaic units interface with a thematic focus on bodily disorder. MkT enacts a "symbiotic relationship between literary form and social…
Bitot, Michel, ed., with Roberta Mullini and Peter Happe.
Tours: Universite Francois Rabelais, 1996.
Twenty-eight essays by various authors addressing Chaucer, Langland, medieval drama (English, Spanish, and French), Malory, Thomas More, and Renaissance drama, especially Shakespeare. For four essays that pertain to Chaucer, search for Divers Toyes…
Choi, Yejung, and Ji-soo Chang.
Medieval and Early Modern English Studies 12 (2004): 225-56.
The authors critique several Korean translations of CT published since the early 1960s: those by J. Kim, B. Song, Dong-il Lee and Dongchoon Lee, and another attributed to J. Kim.
McDonald, Nicola.
Ph.D. Dissertation. University of Oxford, 1994. Abstract available via ProQuest Dissertations & Theses Global.
Item not seen. From the abstract: "The focus of my discussion is on the presentation of Medea in late-fourteenth and early-fifteenth century English literature where her story is recounted by three historians of Troy . . . as well as by Chaucer, in…
Gauges the implications of the wide range of musical images in GP, exploring the exegetical roots of Chaucer's uses of these images, and assessing concord, discord, and silence as indicators of moral approval or censure. Chaucer's uses are not…
Cooper, Helen.
Rachel Stenner, Tamsin Badcoe, and Gareth Griffith, eds. Rereading Chaucer and Spenser: Dan Geffrey with the New Poete (Manchester: Manchester University Press, 2019), pp. 60-74.
Identifies parallels between Chaucer's and Spenser's depictions of ranges and varieties of love-relationships in PF; TC; CT; and "The Faerie Queene," books III–IV. Introduced via allusion to FranT, Britomart is central to Spenser's collection of…
Alberghini, Jennifer.
Dissertation Abstracts International A80.08 (2019): n.p.
Studies tensions between family approval and the consent of marital couples in late medieval England and its literature, arguing that TC and LGW offer conflicting views of the tension while MLT resolves it.
Zanoni, Mary Louise.
Dissertation Abstracts International 42 (1982): 5115A.
Chaucer's use of philosophy, classic and medieval, goes far beyond Boethius. KnT explores order and disorder in terms of scholasticism; TC treats will and determinism in the light of views from Augustine to Bradwardine; and NPT subtly inverts…
Studies the tradition in which God speaks through humans and the proto-reformation implications of literary texts where the laity use speech usually reserved for priests. Chapter 4, "Cursed Speakers," considers the carter's and old woman's curses in…
Olhoeft, Janet Ellen.
Dissertation Abstracts International 44 (1984): 2143A-44A.
Polarities in Chaucer's work lead the reader to nonjudgmental acceptance of opposites through involvement with characters,triangular relationships, and language.
Waters, Claire McMartin.
Dissertation Abstracts International 59 (1999): 4423A.
Focuses on the association of preaching and the preacher's body in medieval tradition, exploring the association through traditional identification of women and the body. Women preachers of hagiographic tradition and various exemplary women…
In Chaucer's day the Epistle was regarded as canonical. In James 3.3-10, the theme is the tongue, the use and abuse of language--the theme not only of the Manciple's mother's advice but of the tale itself.
Argues that Chaucer intended to complete SqT, evident in the fact that the Franklin's interruption is unjustified or inconsistent with the characterization of the Franklin in several ways.
Pearcy, Roy J.
English Language Notes 11 (1974): 167-75.
Documents various "medieval representations of Hell's Mouth," and suggests that the example in ManP (9.35-40) complements the concern with Last Judgment in ParsP.
Brosnahan, Leger.
Studies in Philology 58 (1961): 468-82.
Reviews and evaluates discussions of the authenticity of "the six-line continuation and the final couplet of the Nun's Priest's epilogue," agreeing on textual grounds with the "traditional judgment of scholars" that the lines are "inauthentic" and…
Pigg, Daniel F.
Albrecht Classen and Connie Scarborough, eds. Crime and Punishment in the Middle Ages and Early Modern Age (Berlin: Walter de Gruyter, 2012), pp. 347-58.
Argues that PhyT not only addresses changes in the medieval social power structure, but also serves as a "critique of masculine power" within the medieval European court system.
Burger, Glenn.
Peter G. Beidler, ed. Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde (Cambridge; and Rochester, N.Y.: D. S. Brewer, 1998), pp. 117-30.
The actions of the Host and the Pardoner in fragment 6 connect PhyT and PardT and their respective tellers, bringing "the male body into view to an extent not seen elsewhere" in CT.