Karnein argues that the "De amore" was written at the court of Philip Augustus, not in Champagne; that it was to condemn "courtly love'; and that it was so interpreted by its earlier, clerical audience and only later taken nonironically by lay…
First-time translation of CT into Frisian, following Chaucer's verse forms and omitting Mel and ParsT. Designed for a popular audience rather than a scholarly one. The source text is Albert Baugh's "Chaucer's Major Poetry" (1963), with translation…
Blandeau, Agnès.
Karine Martin-Cardini and Jocelyne Aubé-Bourligueux, eds. Le Néo: sources, héritages et réécritures dans les cultures européennes (Rennes: Presses Universitaires de Rennes, 2016), pp. 169-80.
Examines echoes, resemblances, and differences between the evocations of Lucretia in LGW, BD, and CT, and German painter Lucas Cranach's portrait (1513) of the Roman paragon of wifely virtue. References to Chaucer's poems, its ancient sources, and…
Blandeau, Agnès.
Adrian Papahagi, ed. Métamorphoses (Paris: Association des Médiévistes Anglicistes de l'Enseignement Supérieur, 2003), pp. 229-43.
There is more to Pier Paolo Pasolini's film version of CT than mere adaptation, for the shift from one semiotic system to another implies some puzzling metamorphoses. Yet, paradoxically, the spirit of the original is cleverly restored on the screen.
Labère, Nelly.
Anne Birberick, Russell J. Ganim, and Hugh G. A. Roberts, eds. Obscenity. EMF: Studies in Early Modern France, no. 14 (Charlottesville, N.C.: Rookwood, 2010), pp. 41-57.
Explores the nature and constitutive motifs of obscenity in the twelfth-century "Lidia," Boccaccio's "Decameron" 7.9, MerT, and the fifteenth-century "Cent nouvelles nouvelles."
Lewis, Robert E., ed.
Athens: University of Georgia Press, 1978.
Facing-page (English/Latin) edition of Innocent's treatise, "De Miseria Condicionis Humane," unemended from British Library Manuscript Lansdowne 358, with extensive critical and textual information. including descriptions of the manuscripts and…
Armijo Canto, Carmen Elena.
Anuario de letras: Linguıstica y filologıa 46 (2008): 33-52.
Explores thematic parallels between Odo of Cheriton's "Sermones" and "Fabulae" and PardT. Though not intended to prove any direct influence of the former on the latter, shows how some topics that were widespread in ecclesiastical texts were adopted…
Amos, Thomas L.; Eugene A. Green; and Beverly Mayne Kienzle.
Kalamazoo. Mich.: Medieval Institute Publications, 1989.
Thirteen essays survey topics in the history of medieval preaching from the Carolingian period to the fifteenth century, two focusing on fourteenth-century lives and Christ and Wycliffism respectively.
Minnis, A. J.
R. F. Yeager, ed. Chaucer and Gower: Difference, Mutability, Exchange (Victoria B.C.: University of Victoria, 1991), pp. 36-74.
Chaucer is a poet with a highly developed sense of the relative--someone who instinctively shies away from those absolutes necessary for the creation of "auctoritas," who denies experience in love, and who claims to be a mere reporter. This stance…
Houlik-Ritchey, Emily.
Emily Houlik-Ritchey. Imagining Iberia in English and Castilian Medieval Romance (Ann Arbor: University of Michigan Press, 2023), pp. 167-208.
Analyzes the role of Iberia in Constance narratives by Trivet, Chaucer, Gower, and the Portuguese and Castilian translators of Gower's version. Accepts that the Anglo-Castilian politics of John of Gaunt's marriage to Constance of Castile undergird…
Douib, Mohamed Karim.
International Journal of Language and Literary Studies 3.4 (2021): 154-66.
Claims that the "Pardoner's atypical sexuality is subversive of the medieval gender matrix and that his challenge to heteronormativity is ultimately encompassed and disarmed." The descriptions of the Pardoner in GP and PardPT disrupt "the medieval…
Saraceni, Madeleine Louise.
Dissertation Abstracts International A77.12 (2016): n.p.
In the course of examining changing ideas of female readers, considers Chaucer's self-definition as a "writer of feminine genres" (e.g., devotions, saints' lives, and conduct literature).
Mann, Jill.
Essays in Criticism 73 (2023): 379-405.
Questions claims that BD is a poem of consolation, arguing that it is instead a "renewal of grief," focusing its three units of "reading, dreaming, [and] remembering," attending to source materials, and suggesting that the Black Knight may have been…
Traces the development of the doctrine of purgatory in medieval art and literature, focusing on Middle English homiletic and didactic writings on death and the necessity of intercession for souls in purgatory.
Allen, David G.
Studies in Short Fiction 24 (1987): 1-8.
In SumT 1851-53, the Friar smoothly transforms the mother's concern for her own dead child into his own self-aggrandizement. Hints of the son's death appear throughout SumT to reinforce the Friar's failure with Thomas.
Smith, D. Vance.
Minnesota Review 80 (2013): 131-44.
Argues that in PardT "allegory and form straddle the boundaries of finitude in order to raise the question of how finitude is constituted," thereby sharing or anticipating several concerns and questions raised by object-oriented, materialist…
Sutton, John William.
Lewiston, N.Y.: b Mellen, 2007.
Gauges the degree of "heroism" in death scenes in a variety of narratives, considering in individual chapters "The Battle of Maldon," "Beowulf" and "Judith," Layamon's "Brut," the "Alliterative Morte Arthure," the death of Arcite in KnT, the…
Kennedy, Jennifer T.
Early American Literature 36.2 : 201-34, 2001.
Kennedy analyzes Benjamin Franklin's self-presentation in his Memoir, commenting on his validation of his surname by reference to Chaucer's GP sketch of the Franklin and other early sources.
Collects essays that focus on the theme of death from the later heroic era to the eighteenth century. For three essays that pertain to Chaucer, search for Death in the Middle Ages and Early Modern Times under Alternative Title.
Clancy, Gertrude and Joseph.
Aberystwyth: Northgate, 1993.
Murder mystery which features Chaucer, pilgrims from CT, and historical figures, cast as a series of narratives told while the pilgrims pause at the Priory of Saint Innocents.
Ladd, Roger.
Craig E. Bertolet and Robert Epstein, eds. Money, Commerce, and Economics in Late Medieval English Literature (Cham: Palgrave Macmillan, 2018), pp. 93-107.
Considers relations between PardPT and the Museum of London's carved wooden panel that depicts details of the tale. Calculates the "absurdity of the hoard" in the tale, and explores possible responses of the "London economic elite" to the differing…