Pavlinich, Elan J.
Dissertation Abstracts International A81.02 (2019): n.p.
Includes discussion of LGW, arguing that its narrator "frustrates love conventions that are constructed around the author's presumed heteronormativity" and "privileges literary learning over lived experience within a gendered hierarchical structure."
Strohm, Paul.
Paul Strohm, with an Appendix by A. J. Prescott. Hochon's Arrow: The Social Imagination of Fourteenth-Century Texts (Princeton, N. J.: Princeton University Press, 1992), pp. 95-119.
Assesses the intercessory roles of Phillippa and Anne in pleading, respectively, for the burghers of Calais and the citizens of London. Analyzes the ideology of intercessory discourse in Chaucer's pleading queens, especially Alceste in LGWP, who…
Veck, Sonya.
Kathleen A. Bishop, ed. Standing in the Shadow of the Master? Chaucerian Influences and Interpretations (Newcastle upon Tyne: Cambridge Scholars, 2010), pp. 113-22.
Because of the lack of manuscript history, the works of the Gawain-poet must be studied in contexts different from those of Chaucer and his London contemporaries. The seriousness of poetic temperament is pronounced throughout the narrative of the…
Dinshaw, Carolyn.
Juliette Dor, ed. A Wyf Ther Was: Essays in Honour of Paule Mertens-Fonck (Liege: University of Liege, 1992), pp. 112-22.
The persistent and untrue story of a "quarrel" between Gower and Chaucer can be explained by the notion of rape. Gower's use of the Philomela legend in Confessio Amantis and Chaucer's use of it in TC suggest that in their "interaction with one…
Traces the development of "all" and "quite" in English usage, focusing on Spenser's uses of them as adverbs and adjectives, and investigating Chaucer's usage as precedent. Tabulates the usage of both poets. In French, with an English summary.
Spisak, James W.
Chaucerian Shakespeare (Ann Arbor: Michigan Consortium for Medieval and Early Modern Studies, 1983), pp. 81-95.
Inspired by the ironic use of the Pyramus and Thisbe myth in LGW Shakespeare employs the myth to parody the young lovers in "A Midsummer Night's Dream," mocking both Chaucer and his courtly poem.
Lewis, Sean Gordon.
Enarratio: Journal of the Medieval Association of the Midwest 22 (2018): 51-78; 4 illus.
Focuses on Pynson's woodcuts in his 1526 editions of CT, TC, and an anthology headed by HF, assessing them and other paratextual materials (table of contents, incipits, etc.) for the ways they pose a variety of reader strategies. Contrasts Pynson's…
Hoffman, Richard L.
American Notes and Queries 5.6 (1967): 83-84.
Interprets the allusion to Pygmalion in PhyT (6.7-18) as an indication of Apius's "concupiscence," drawing on depictions of Pygmalion in Ovid's "Metamorphoses" and Jean de Meun's "Roman de la Rose."
Adams, Abigail Marie.
Ph.D. Dissertation .The University of Texas at Austin, 2022.
Dissertation Abstracts International A84.06 (E): n.p.
S]urveys manuscripts excerpting Chaucer's "Canterbury Tales," Rolle's "Commentary on the Song of Songs," Lydgate's "Fall of Princes," and Gower's
"Confessio amantis' . . . [showing how] [t]hese manuscripts display a fifteenth-century attitude to…
Two essays: 1) "The Place of Philology" argues that the MLE is Chaucer's late and revised addition to CT and that it is properly followed by WBP; Patterson confronts the manuscript evidence and suggests several structural and thematic continuities…
Ellis, Steve.
Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 1879-5.
Observes the lack of "narratorial interactivity" (teller/tale relations) in the BBC adaptations of CT and explores several other "markedly un-Chaucerian" aspects of the television version of MilT, remarking that the series "does little to promote"…
Assesses the inclusion in the mid-1500s of "The Plowman's Tale" in Chaucer's "Workes" and its effects in reading reception and influence on beast fable throughout the sixteenth century.
The metaphor in Eph. 4:22-24 of putting off old clothes and donning new ones influenced the use of this image in PardT, "King Lear," "Gulliver's Travels," and "The Brothers Karamazov." As the Pardoner's alter ego and a representation of human…
Discusses the silence of Chaucer on the life of Boethius in Bo, then moves to examine a fifteenth-century translation of Boethius, based on Bo, that expands and adds to Chaucer's text, including material focused on Boethius himself. Traces and…
Horobin, Simon, and Aditi Nafde, eds.
Turnhout: Brepols, 2017.
A collection of essays on the production, reception, and editing of medieval English manuscripts. For an essay on Chaucer, search for Pursuing Middle English Manuscripts and Their Texts under Alternative Title
Readings and musical performances of 36 pieces that pertain to cats, including a reading of a brief selection from ManT (9.175-80) in normalized English by Edward Crafts, accompanied by Noel Lester on piano.
Minnis, Alastair.
Lawrence Besserman, ed. Sacred and Secular in Medieval and Early Modern Cultures: New Essays. New York: Palgrave Macmillan, 2006, pp. 63-82.
Minnis explores medieval attempts to "explain the difficult and dangerous relationship" between "material and spiritual economies" underlying pardons or indulgences, commenting on the explanations of Albert the Great, Aquinas, and Bonaventure and…
Pearcy, Roy J.
American Notes and Queries 17 (1979): 70-71.
The likelihood that Chaucer in ShT was consciously punning on "cousin"/"cozen" is increased by the appearance of such a pun in a "ronde" which belongs to a special subgroup of "chansons de mal marie(e)."
Killough, George B.
Studies in the Age of Chaucer 4 (1982): 87-107.
Examines the use of the virgule in Hengwrt and Ellesmere in the context of historical usage; the "virgule placement is highly regular" in these manuscripts, suggesting that the virgule is scribal rather than part of the Chaucer text.
