Browse Items (16035 total)

Kamowski, William.   Julian N. Wasserman and Robert J. Blanch, eds. Chaucer in the Eighties (Syracuse, N.Y.: Syracuse University Press, 1986), pp. 193-207.
CT entails two levels of reader response: the fictional listeners on the road to Canterbury and the reader audience. The reactions of the pilgrims warn the reader not to misinterpret the tales by responding to them uncritically, as many of the…

Benson, C. David.   John V. Fleming and Thomas J. Heffernan, eds. Studies in the Age of Chaucer, Proceedings, No. 2, 1986. (Knoxville, Tenn.: New Chaucer Society, 1987): pp. 159-67.
Chaucer experiments with "different aesthetic and doctrinal possibilities" in his religious tales, which, "far from being dull and dutiful," demonstrate his literary virtuosity. Though MLT and ClT tell similar stories, MLT is a religious romance…

Knapp, Peggy A.   Chaucer Yearbook 1 (1992): 157-75.
Curry's and Robertson's critical efforts seek to disclose stable, authoritative meaning; they reflect the hermeneutics of Hirsch, concerned with finding valid interpretation. The efforts of Aers and Patterson reflect Gadamer's reconstruction of…

Watson, Michael G.   Geardagum 10 (1989): 29-43.
Three types of secret love can be found in TC and CT--KnT, MilT, RvT, MerT, FranT, ShT. The first type concentrates on secret feelings; the second, on illicit relations. The third, found particularly in TC, is distinct in that the story "follows…

Tamoto, Ken'ichi.   Sophia English Studies 10 (1985): 1-21.

Ohno, Hideshi.   Yoshiyuki Nakao and Yoko Iyeiri, eds. Chaucer's Language: Cognitive Perspectives (Suita: Osaka, 2013), pp. 79-98.
Assesses the significance of variant readings of think ("thinken" or "thenken") in SumT, line 2204, from several linguistic points of view, and emphasizes the semantic and syntactical differences between the impersonal and personal constructions.

Pearsall, Derek.   Vincent Gillespie and Anne Hudson, eds. Probable Truth: Editing Medieval Texts from Britain in the Twenty-First Century (Turnhout, Belgium: Brepols, 2013), pp. 197-205.
Looks at distinction between "scribal variation" and "authorial revision" in medieval texts. Includes specific discussion of CT and TC.

Johnston, Andrew James.   Regina Toepfer, ed. Tragik und Minne (Heidelberg: Universitätsverlag Winter, 2017), pp. 207-24.
Explores tragic fate and the genre of tragedy in TC, arguing that the "double sorwe" of the opening of the poem (I.1) anticipates the "tragedye" mentioned at the end (V.1786) and that each applies to Criseyde as well as to Troilus. Includes…

Vila de la Cruz, Maria Purificacion.   Margarita Gimenez Bon and Vickie Olsen, eds. Proceedings of the 9th International Conference of the Spanish Society for Medieval Language and Literature (Vitoria-Gasteiz: Dpto. Filologia Inglesa, 1997), pp. 275-84.
Discusses the women in CT as emotional and intellectual reflections of male characters.

Kelly, Henry Ansgar.   SAC 32 (2010): 327-35.
Summarizes Roy Vance Ramsey's (1994, 2010) defense of the Manly-Rickert text of CT, including Ramsey's recognition of the "piecemeal" production of the eight-volume work and his assessment of the dates and scribes of the Hg, El, and Dd manuscripts.

Gerritsen, W. P.,and A. G. Van Melle,eds.   Nijmegen: SUN, 1993.
A dictionary of themes and topics in medieval literature and their legacy in later literature, the visual arts, opera, etc. Mentions Chaucers references to Arthur, Aeneas, Troilus, and Gawain.

Zonneveld, Wim.   Utrecht: Vakgroep Nederlands, Rijksuniversiteit Utrecht, 1992.
Assesses the prosody of Willem van Afflighem's "Het Leven van Sinte Lutgart" as iambic pentameter, gauging its place in the development of the meter. Includes a section (pp. 13-19) on Chaucer's iambic pentameter. In Dutch.

Andrews, Barbara Hakken.   Dissertation Abstracts International 40 (1980): 5855A.
The central issue for interpretation in TC is the nature and source of human value. The two primary ways in which values are established and tested in the poem are through the use of a significant amount of philosophical material relating to the…

Davis, P. J., ed.   Oxford: Oxford University Press, 2020.
The introduction to this edition of Valerius includes a section on "The Later Middle Ages: Benoit, Guido, Chaucer, and Boccaccio," discussing whether or not "medieval writers were familiar with Valerius Flaccus." Demonstrates that, although Chaucer…

Lozowski, Przemyslaw.   Lublin : Wydawnictwo Uniwersytetu Marii Curie-Sklodowskiej, 2000.
Chapter 3, section 2 discusses Chaucer's verbs "meten" and "dremen" as words that are thought to be synonymous-even though they are not.

Storm, Melvin.   Modern Language Quarterly 48 (1987): 303-19.
Alison shares features with that "popular exemplar of medieval comic shrewishness," Noah's wife of the mystery plays, and especially the Uxor Noe of the Towneley cycle: old husbands, outspokenness, direct address to the audience, fondness of…

Azinfar, Fatemeh Chehregosha.   Atheism in the Medieval Islamic and European World: The Influence of Persian and Arabic Ideas of Doubt and Skepticism on Medieval European Literary Thought (Bethesda, Md.: Ibex Publishers, 2008), pp. 233-65.
Azinfar reads the comic treatment of Dante in HF as a skeptical rejection of religious authority and discusses depictions of theological contradiction in Mars, Venus, and WBP. Chaucer's rationalism aligns him with other skeptics and atheists,…

Farber, Annika.   Studies in Philology 105 (2008): 207-25.
Reexamines the anonymous and neglected Chaucerian "Isle of Ladies," accepted as a work by Chaucer from the time of Speght's 1598 edition of the works of Chaucer until its rejection by Skeat in his edition. Uses "Isle of Ladies" to reread Chaucer's BD…

Péti, Miklós.   Paideuma 30.3 (2001): 3-22.
Includes discussion of PrT as one of several "possible intertexts" for Ezra Pound's "Usury Cantos." In PrT Chaucer presents usury as a defining characteristic of Jews, antithetical to Christian notions of virginity, and aligned with lust and the…

Turner, Marion.   New Medieval Literatures 9 (2007): 139-77.
Describes the cultural production of members of late-medieval English livery companies, focusing on political and literary activities of scribes (Thomas Usk in particular) who were members of the companies and comments on the impact of these…

Bakalian, Ellen S.   Kathleen A. Bishop, ed. Standing in the Shadow of the Master? Chaucerian Influences and Interpretations (Newcastle upon Tyne: Cambridge Scholars, 2010), pp. 82-112.
By discussing the tales of Rosiphelee and Alceone from "Confessio Amantis," Bakalian exemplifies how Gower (in contrast to Chaucer) urges readers to improve their behavior through right reason and rejection of irresponsible passion.

Dwyer, James.   Once and Future Classroom 8.1 (2009): n.p. [Web publication]
Describes a pedagogical strategy for pairing selections from CT and Ingmar Bergman's film "The Seventh Seal" in high school teaching.

Hanning, Robert W.   Names 16 (1968): 325-38.
Comments on the fittingness and suggestiveness of a number of proper names in CT--Eglyntine, Absolon, Alisoun, Philostratus, January, May, Justinus, Placebo, and Cecilia--as part of a survey of the literary uses of names and naming in medieval Latin…

Davidson, Susanna, Sarah Courtauld, Abigail Wheatley, Maria Surducan, and Ian McNee.   London: Usborne, 2015.
Adapts CT for a juvenile audience and provides facts about Chaucer's life.

Classen, Albrecht, ed.   New York: Walter de Gruyter, 2009.
Twenty-three essays on literary and historical topics ranging from ideas of Rome to medieval European waste. For two essays that pertain to Chaucer, search for Urban Space in the Middle Ages and the Early Modern Age under Alternative Title.
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