Browse Items (16035 total)

Beard, Drew.   Irish Journal of Gothic and Horror Studies 8 (2010): n.p. [Electronic publication]
Describes medieval dream visions, characterizes Chaucer's examples as simultaneously concerned with destabilizing assumptions and containing dissent, and compares aspects of Chaucer's dream visions with the "postmodern" horror movie series, "A…

Driver, Martha.   Ian Gadd and Alexandra Gillespie, eds. John Stow (1525-1605) and the Making of the English Past: Studies in Early Modern Culture and the History of the Book (London: British Library), pp. 135-43.
Driver assesses "Stow's pervasive intellectual influence on two later antiquarian readers of Chaucer." To Browne and Le Neve, Stow's edition was "a highly regarded and trusted exemplar, used to supply omissions, correct errors, and add notes."

Lynch, Kathryn (L.)   Chaucer Review 33: 409-22, 1999.
Chaucer uses East and West to signify differences in storytelling in MLT: chivalric vs. travel romance; hagiography vs. history; linear narrative vs. apostrophe and prayer. Chaucer leads his readers to see the Tale as "trapped in Western chauvinism,"…

De Ridder, Antonio Joaquim.   Dissertation Abstracts International A76.07 (2015): n.p.
Examines Marguerite in the context of other historical writers of "framed short fiction," including Chaucer, and suggests commonalities with CT, and ClT, in particular.

Johnson, Kij.   Jonathan Strahan, ed. Eclipse Four: New Science Fiction and Fantasy (San Francisco: Night Shade Books, 2011), pp. 51-62.
Experimental retelling of the story of Dido and Aeneas that opens with references to HF and LGW, among other works.

Welsh, Andrew.   Robert Boenig and Kathleen Davis, eds. Manuscript, Narrative, Lexicon: Essays on Literary and Cultural Transmission in Honor of Whitney F. Bolton (Lewisburg, Penn.: Bucknell University Press; and London: Associated University Presses, 2000), pp. 76-95.
Examines how narrative and sententiousness interact in The Physician's Tale and The Manciple's Tale as examples of Chaucer's explorations of the nature of this interaction. PhyT is a "story in search of a moral," while ManT is a "collection of…

Fischer, Andreas.   Rudiger Ahrens, ed. Anglistentag 1989 Wurzburg. Proceedings of the Conference of the German Association of University Professors of English, no. 9 (Tubingen: Niemeyer, 1990), pp. 310-19.
Observes similarities of form and theme in FranT and Sir Gawain and the Green Knight, particularly the focus on trawthe/trouthe in each, arguing that they transcend the romance genre. Contrasts FranT with Menedon's Question in Boccaccio's Filocolo…

Sadler, Frank.   West Georgia College Review 10 (1978): 13-18.
The storm imagery in TC reinforces the emotional turmoil revealed in the narrative.

Dinkler, Michal Beth.   Religion and Literature 47, no. 1 (2015): 221-35.
Within the framework of examining Chaucer and Dostoevsky, discusses critical approaches to literary examples in relationship to teaching the Bible as literature.

Nixon, Jo.   Chaucer Review 57 (2022): 345-67.
Examines the frequent mention of Griselda's face in ClT, as compared to his sources, and simultaneously argues that Chaucer's version highlights Griselda's interiority and how she maintains her patience.

Agbabi, Patience.   Literature Compass 15.6 (2018): n.p.
Agbabi's personal account of adapting Chaucer's poetry in her "Telling Tales" (2014) and in her contribution to the anthology "Refugee Tales" (2016)--an adaptation of FranT entitled "Makar."

Cohen, Jeffrey Jerome.   Minneapolis: University of Minnesota Press, 2015.
An extended essay in "thinking beyond anthropocentrality" by appreciating "lithic" ontology and "geophilia" ("geology without dispassion"), an example of posthumanist, object-oriented consideration that seeks to dislodge assumptions about…

Gorlach, Manfred.   Philadelphia: Benjamins, 2002.
The section entitled "Authentic Languages" includes a sub-section on Chaucer that raises questions about modern ability to gauge the authenticity of the northern literary dialect in RvT.

Calle Martin, Javier.   SELIM: Journal of the Spanish Society for Mediaeval English Language and Literature 06 (1996): 64-84.
Traces the classical and colloquial origins of Chaucer's stereotyped comparisons (e.g., "as stille as any ston," "white as chalk"); describes their syntax; and assesses the functions of grammar, alliteration, and prosody in the development of terms…

Warren, Rosanna.   Yale Review 103.1 (2015): 54–61.
Discusses the stylistic device of inverting or rearranging word order for poetic effect. Highlights the writing of William Dunbar, who acknowledged Chaucer to be included among the "masters who by making were remade."

Steiner, Wendy.   Rosemary Feal, ed. Profession 2008 (New York: Modern Language Association, 2008), pp. 24-32.
Personal narrative about Steiner's composition of an opera inspired by WBT, intended for production as a full-length animated film. Includes sketches and storyboards by John Kindness.

Brown, Carole Koepke.   Dissertation Abstracts International 47 (1987): 3030A.
That theme relates to numerical structures is apparent not only in "Sir Gawain and the Green Knight" but also in FranT,where each of the three parts reveals a pattern of A ("a major trouthe"), B (complaint), and C (helpful human intervention). Thus,…

Robinson, Peter.   Norman Blake and Peter Robinson, eds. The Canterbury Tales Project Occasional Papers, Volume II (London: King's College, Office for Humanities Communications, 1997), pp. 69-132.
Analyzes textual variants of WBP, using the data and computer analysis available on Robinson's "The Wife of Bath's Prologue on CD-ROM". Corroborates Manly and Rickert's A, B, C, and D groupings and their affiliations, suggests two more (E, F) that…

Swinford, Dean.   Modern Philology 111 (2013): 1–22.
Focuses on HF, 584–92, clarifying the meaning and implications of "stellifye," arguing that the narrator's fear of stellification reflects Chaucer's concerns about social and poetic ascent, and describing how the allusion to Ganymede evokes a…

Schreyer, Kurt.   Comparative Drama 55 (2021): 185-210.
Identifies narrative, linguistic, and thematic similarities between Chaucer's KnT, MilT, and RvT and Shakespeare's "Titus Andronicus," and argues that the brutal treatment of Lavinia in Shakespeare's play resonates with the aspects of courtly love…

Benson, C. David.   Jenny Adams and Nancy Mason Bradbury, eds. Medieval Women and Their Objects (Ann Arbor: University of Michigan Press, 2017), pp. 267-87.
Discusses SNT as Chaucer's only hagiographical work to evaluate the medieval perception of art. Contrasts the medieval devotion to earthly relics in relation to St. Cecilia's desire to shed the physical and enter the spiritual, while paralleling her…

Gillespie, Stuart.   Tr&Lit 8.2: 157-75, 1999.
Surveys various translations of Statius into English and comments briefly on how Chaucer's use of Statius is reflected in later English tradition.

Thaisen, Jacob.   Kwartalnik Neofilologiczny 56.3 (2009): 205-21.
Using available electronic transcriptions of manuscripts of WBP and MilT tests the reliability of a statistical model ("interpolated, modified Kneser-Ney smoothed 3-gram backoff model") for determining various linguistic and scribal features of the…

Ellis, Mark Spencer.   Linda Cookson and Bryan Loughrey, ed. Critical Essays on The Pardoner's Prologue and Tale (Harlow: Longman, 1990), pp. 29-45.
Argues that PardPT challenges modern readers' "conventional notions about character and events" and "undermines some fundamental assumptions about social morality." Anonymity, loaded rhymes, and, above all, a consistent lack of decision-making and…

Stanley, E. G.   Arno Esch, ed. Chaucer und Seine Zeit: Symposion für Walter F. Schirmer (Tübingen: Niemeyer, 1968), pp. 121-48.
Examines Chaucer's stanzaic and metrical dexterity in TC, discussing how and with what effects he bridges stanza breaks and how he creates emphasis through repetitions, rhyme pairs, caesuras, enjambment, narratorial disavowals, and shifting of climax…
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